Bloodstock Open Air is making plans to return in 2021 and every year festival founder Paul Gregory curates a selection from other heavy-metal-friendly artists, both established and new, who has caught his attention the previous year. In 2021, Paul wants to give a chance to artistic newcomers to win the opportunity to hang a piece of their work alongside his own and other respected creatives in the on-site RAM Gallery, so he’s devised an art competition. To enter you need to design and create your own piece of artwork, based around and inspired by one of the bands performing at Bloodstock 2021. Paul will jointly judge the competition alongside friend and fellow artist, Mark Wilkinson (illustrator of album sleeves for Marillion, Judas Priest, Iron Maiden, The Darkness), and the winner will have their work professionally framed, lit, and hung in the RAM Gallery on-site next August. In addition to this honour, the winner will bag a pair of weekend festival tickets, a personal tour of the RAM Gallery on-site with Paul Gregory, and the potential to watch 3 songs from the side of the stage of the band they’ve chosen to create their artwork for (subject to closed stages).
Bloodstock Open Air, rebooked for 2021, has announced a new headliner! The great Heavy Metal legends Mercyful Fate, featuring King Diamond, will headline the Ronnie James Dio stage on Saturday, along with Dimmu Borgir as special guests. Watch a new trailer now!
Bloodstock Open Air 2020 is still hoping to go forward with its 20th-anniversary edition this summer in spite of the coronavirus pandemic. The festival has announced that BOA 2020 event planning is proceeding with full care and attention, in order to bring you the best event yet to celebrate 20 Years of Bloodstock. The team is closely monitoring government guidelines and cooperating with the relevant authorities to assure the best and safest environment for our Bloodstockers, bands, staff, and site workers come August and will continue to keep you updated with any further developments. New bands added to the bill include Lost Society, Video Nasties, Wolf Jaw, Grave Lines, Vexed, and more TBA. Continue reading
Bloodstock Open Air 2020 continues to pile on the big names with six new acts added to the lineup! Savage Master, Blasphemer, Liberty Lies, Black Tongue, Pist, and Sharks In Your Mouth have joined a bill that includes headliners Devin Townsend (Friday), Behemoth (Saturday), and Judas Priest (Sunday) as well as Hatebreed, Philip H. Anselmo & The Illegals, Skindred, Paradise Lost, Life Of Agony, Bury Tomorrow, Black Dahlia Murder, Diamond Head, Jinjer, Vio-Lence, Sacred Reich, Gloryhammer, Dark Tranquillity, Bloodywood and more! The fest also named this year’s charity partner will be the mental health charity Mind. Mind provides advice and support to empower anyone experiencing a mental health problem, and campaign to improve services and raise awareness. 1 in 4 of us will experience a mental health problem every year and Mind won’t give up until everyone experiencing a mental health problem gets both support and respect. In addition to guestlist donations, raising funds on behalf of Mind on site at BLOODSTOCK will be festival attendee Michael Lacy, with his Patch Amnesty initiative. Bring your old, spare, or new patches to donate, browse patches to buy, or even just stop by for a chat. All proceeds go to Mind. Please look out for Patch Amnesty/Mind signage and stop by his stand in the main arena to give your support. Continue reading
The 70000 Tons Of Metal is right around the corner, kicking off next week, and have confirmed some late additions to the cruise. Setting sail with the current bands on the bill and the fans are Vio-Lence, Ross The Boss, Seven Witches, Toxik, Aeternam and Brujeria. Round X (10) of 70000 Tons Of Metal will sail January 7 to January 11, 2020.Continue reading
2019, the year that closes the decade and with it a lot of interesting releases in the Heavy Metal world. In this article, you’ll get to see my top 20 favorite albums of the year. It was no easy task to choose just 20, a lot of talented bands released quality stuff this year, but I believe these are the ones that close the decade on a high note and gives us hope for more in the future.
Progressive metallers Soen have had quite a busy 2019 with the release of their amazing album Lykaia via Silver Lining Music. Now as a gift to fans, they have shared their cover of the traditional Christmas Carol ‘O Helga Natt (O Holy Night)’, originally written by French composer Adolphe Adam in 1847. Check out Soen, with their version in Swedish! Continue reading
Carcass with Surgical Steel (Nuclear Blast) in 2013, Behemoth and The Satanist (Metal Blade) in 2014, Ghost in 2015 and 2018 with Meliora and Prequelle (both Loma Vista), Magma (Roadrunner) by Gojira in 2016, and 2017’sEmperor of Sand (Mastodon – Reprise) is our legacy. Those incredible, scene-enhancing, ear-destroying releases are the standard-bearers by which Ghost Cult‘s albums of the year are to be judged. These are the albums of our times; and following another sensation year of great alternative, rock, and metal, the pantheon cries out for more, for another slab of wax, another Album of the Year to join them… the very best of 2019.
With a fully democratic poll of the views and votes of the length and breadth of Team Ghost Cult (including our photographers, reviewers, newshounds, podcast and YouTube contributors) taken, with no editorial steer or amendment, we present to you Part 1 (75-41) of the Official Ghost Cult Albums of the Year for 2019, for your vulgar delectation… Continue reading
The tenth annual 70000 Tons of Metal Cruise has been dropping some incredible bookings for the 2020 cruise this January. Recently added bands are Michael Schenker Fest, Sortilège, Soen, Trollfest, Grave Digger, and more have been added to the cruise lineup! Schenker’s appearance makes the Official 50th Recording Anniversary for him as an artist. For the cruise he will be joined by a very special compliment of musicians:Continue reading
Whilst Progressive Metal is an overcrowded scene, it is undeniable that there is a depth and range within its ranks of late, arguably the most it has ever showcased. New soundscapes and directions are being explored and virgin terrains conquered, with even tried and tested ideas being given new shades and colours. With a well-received debut album and resulting tours across USA with the likes of Trapt, where do relative newcomers Source find themselves with album number two? Continue reading