There’s an underlying belief that interim releases are merely disappointing cash-ins comprised mostly of filler and cast-off material. A strong title track usually followed by cover versions, demo versions, live cuts or songs simply not worthy to make it onto a full length record. A theory to which Hollywood based five piece Black Veil Brides clearly do not subscribe.
The concepts and the all too real, bleak experiences of mental hardships and loss of loved ones will be well known to many people and additionally to many people we know. For Stake, these have been the fuel for the band since their inception (previously under the Steak Number Eight moniker), a vehicle for vocalist/guitarist Brent Vanneste’s grief and anxiety.
For years, Conan has shaped themselves into one of the heaviest bands on the planet. With their fifth release, Evidence of Immortality (Napalm Records), they maintain sole possession of that throne with their enemies’ heads at their feet. While the “caveman battle doom” pioneers have their own sound, they continue to push their own boundaries of their older releases ever so slightly to keep everyone coming back for more. Continue reading →
Never a country to be worried about being viewed as a bit strange, Japan has always enjoyed a rich history of unnaturally jarring cultural opposites. For every Spirited Away, Rashomon or Ponyo there’s a Battle Royale, Suicide Club, or Tokyo Gore Police, and for every bouncy and sickeningly wholesome J-Pop band there’s a Corrupted, Bathtub Shitter, and Flagitious Idiosyncrasy in the Dilapidation.Continue reading →
Ghost Cult caught up with musician Tyler Cox of the solo project Wrack released his new album “Solo Gravity” this spring via King of Sticks Records. Tyler is also known for his work in other bands such as Thought Leaders, Young Lions (with Noah of Neurosis), The Mass, ex- Totimoshi, and more! We chatted about his entire career in music, his varied interests as an artist and producer, his move to the Bay Area, and much more!
I like to listen to music while in the car and it so just happens that one of my side hustles involves me spending a lot of time in my Volvo driving about. What, did you think that writing alone pays the bills? In this economy? Today I found myself listening to Conjurer’s latest LP, Páthos (Nuclear Blast), while doing the usual of routine of picking up packages and dropping them off elsewhere. Conjurer was working nicely for me, but I recall the confused look etched on the young woman’s face who gave me my coffee at the Dunkin’ drive-through.
Richard Benton will be satisfied with nothing less than carnage unrelenting, the sun black, the land drowned beneath oceans of blood. Let the gates open wide and the horrors of the abyss engulf the earth, as new death metal albums were released in May.
The three-man deathsludge machine, known simply as Primitive Man, has dropped four new blistering tracks in the form of an EP entitled Insurmountable (Closed Casket Activities). Mixing funeral doom, black metal, and harsh noise elements, this powerhouse from Denver, Colorado is one of the most abrasive, yet satisfying bands out there. After thirty-eight minutes, any first listeners will certainly start working on the rest of the group’s discography.Continue reading →
A rapidly growing name in the death metal underground, Italian label Everlasting Spew focus on old school, brutal, dissonant and doom death – placing them so firmly within Richard Benton’s circle of interest that he wonders if they escaped from his head. What shines through their roster and gives them a higher than average hit-rate is their obvious love of and devotion to death metal, with social media posts revealing the label’s owners as excitable fans of the genre themselves. In addition, with Assumption’s long awaited second full length due out this month, he couldn’t resist the temptation to explore some personal favourites from the label’s roster.
I’m going to do my best to word this the right way so people can get my point without seeming like I’m insulting the artist here. I’m not looking to have a Jane Campion moment here after all. I’ve listened to Wrack’s Repulsive Gravity, and I did enjoy it, but it seems like money was left on the table. Allow me to explain.