Stereotypes are such a crass and ugly thing. Used as a lazy and offensive descriptor of someone’s personality due to their nationality, they are something that should be abolished. The stereotypical view of Belgium and its people is one of being reserved and downright boring. How better to dispel that myth that with some high-velocity anarcho-Punk? Enter Cocaine Piss. Continue reading
A great philosopher of our age often posits a question. It may be a rhetorical question, but one that every fan of heavy music finds themselves asking every day. It is not a question of faith, nor meant to invoke an existential crisis, but one far more important and intrinsic to the makeup of Heavy Metal. “Do you want heavy?”. Well, if the answer is yes – as it always should be – then look no further than Enterprise Earth. Continue reading
An attacked guitar fades in with a straight Rock n’ Roll riff before spacious strings reverberate around the listeners’ skulls. They give way into the abyss as an almighty Sludge riff threatens to swallow the world whole. ‘This Is Fine’ centres on this aforementioned riff and grinds in a cyclical manner around one’s speakers eviscerating the local surroundings. ‘This Is Fine’ is an understatement: as an opener to an EP, it is borderline excellent. Billy Myers III’s shouted vocals have the force necessary to level council flats, and come across as blissfully effortless to listen to. Continue reading
White noise feeds back into the listener’s ears. An overwhelming feeling of discomfort sets the stage for Phase One (Flatspot Records) to begin in riotous fashion. ‘A. D. (Anno Diabolus)’ starts with a slow, brooding bass and excerpts of a voice talking about “the demon” that “feeds on your hate”, before the screaming starts. As the band kick in underneath the yelped vocals, there’s a carnal urge to flip tables and spin kick like your life depends on it. In a mere forty seconds, Section H8 are able to tap into the base urges of humanity’s inherently violent nature and get your adrenaline pumping like a shot to the heart. Continue reading
Blackened Hardcore is beginning to have its day in the sun. This is, relatively speaking, of course, as the amalgamative subgenre still firmly lives and breathes in the underground, but the likes of Svalbard and KEN Mode have been making serious waves with their critically acclaimed latest releases.
Exhaling from the ashes of acrimony, Totaled formed in 2017 and bring us their debut album, Lament (Profound Lore) and their take on Blackened Hardcore. Continue reading
An effects-heavy floor tom pounds and reverberates sinisterly sounding like an unholy sub drop as a layer of distortion grows from the aether. Various squalls of feedback and twisted auditory hallucinations wrap their way around the percussion making ‘(vortexwound)’ a fittingly unsettling opening to Weapon (Hidden Deity). This segues into the first track proper, ‘We Don’t Deserve Death’, a creeping, sanguine number that evolves into a Rock paced rager. The instrumentation is crisp and bass heavy, perfect for the Sludge/Doom hybrid Moros are seeking to evoke. Continue reading
In times of upheaval is partisanship the answer? In a world of divisive political opinions and warring religious ideology, where should one stand? Hate cannot be combated with hate, it can only be effectively defeated with love and unity. Theologically and spiritually seeking balance in the world is the main aim of UK anonymous mystic merchants, Sermon, and they do so with their debut album, Birth Of The Marvellous (Prosthetic Records). Continue reading