For millennia, civilizations around the world have passed on the harrowing folklore of mermaids for generations. The chilling tales of these murderous sirens luring unsuspecting sailors to a watery grave with their enchantingly ethereal voices have captivated people across many cultures for centuries. These tales serve as a testament to – not only how powerful a voice can be – but also how important the voice is as an instrument. And if you’re an Abnormality fan, you know this to be very true especially in the case of their new album, Sociopathic Constructs (Metal Blade Records).
A great philosopher of our age often posits a question. It may be a rhetorical question, but one that every fan of heavy music finds themselves asking every day. It is not a question of faith, nor meant to invoke an existential crisis, but one far more important and intrinsic to the makeup of Heavy Metal. “Do you want heavy?”. Well, if the answer is yes – as it always should be – then look no further than Enterprise Earth.Continue reading
An attacked guitar fades in with a straight Rock n’ Roll riff before spacious strings reverberate around the listeners’ skulls. They give way into the abyss as an almighty Sludge riff threatens to swallow the world whole. ‘This Is Fine’ centres on this aforementioned riff and grinds in a cyclical manner around one’s speakers eviscerating the local surroundings. ‘This Is Fine’ is an understatement: as an opener to an EP, it is borderline excellent. Billy Myers III’s shouted vocals have the force necessary to level council flats, and come across as blissfully effortless to listen to.Continue reading
In the early to mid-nineties a particular form of Death Metal emerged. Pioneered by Carcass in the UK, and At The Gates, Dark Tranquillity and In Flames in Sweden, this more melodic style of deathened music was crowned the Gothenburg Metal Scene. Through the advent of the information age, the predominantly Scandinavian style found itself a global influence on the world of underground Metal, and in this school of thought we find fledgling UK act Climate of Fear.Continue reading
Tonight is a busy day for Metal in the Capital, with the dreaded evening of multiple gig clashes, within a few stops of the Northern Line alone. One stop down from tonight’s proceedings in Tufnell Park sees the Cerberus-like bill of Behemoth, At The Gates and Wolves In The Throne Room, whilst Camden Town sees Toundra for those seeking something more mellow, and Obscura for some who, well, aren’t. This goes someway to explaining why The Dome looks tonight to be, at best, around half capacity for much of the night. Not that this seems to dampen anyone’s mood, as all night the crowd are on fine form, showing the bands plenty of love and movement as well as respect to one another. Continue reading
No airs, no graces, no gods, no masters; this is hitting hard, beating down, aggressive music. Armed with their seventh studio album, Total Retaliation (Nuclear Blast/Pure Noise) and bucket load of muscle and testosterone to palm-mute chug into your face, LA five-piece Terror, bastions of traditional Tough-guy Hardcore, bring the chants, the slams, the pit-anthems and the attack in their own inimitable and unmistakable approach.Continue reading
Well, I was certainly not expecting this radical stylistic lane change from Aborted! Twenty-three years into a storied Death Metal career and suddenly they decided to throw out the old recipe book. Who am I fucking kidding? No, Aborted hasn’t decided to abandon what got them to the dance. You want to know what TerrorVision (Century Media) sounds like? Imagine what an Aborted record sounds like in 2018. Done.Continue reading
It may have taken thirteen years to follow-up their sole release, but with a cast that includes Misery Index, Cattle Decapitation and Scour alumni, the trials of time can be forgiven with Cast The Stone, and new EP release Empyrean Atrophy (Agonia) shows that this band has a lot more worth than simply being a side dabbling for them.Continue reading
In the ever crowded and, as a result, often maligned style of Technical Death Metal, Dying Fetus are not only one of the original innovators of the genre, but have remained to this day as one of its standard bearers. Capturing the perfect blend of complexity and dynamism with pure brutality, the likes of Destroy The Opposition are modern day genre classics and are why Dying Fetus are so beloved in the death metal community to this day. Continue reading
In Ghost Cult’s continuing series of how bands deal with touring all summer long, we chatted with Todd Jones of Nails about touring behind their new album You Will Never Be One Of Us (Nuclear Blast), getting props from his heroes, opening for legends like Black Sabbath later this year and more.
On who Nails likes to tour with most:
I’d like to share a stage with pretty much all of the bands were currently touring with. If I had a wishlist of bigger bands to play with, I suppose it would be Hatebreed, Soulfly, Carcass, it would be pretty cool to tour with them guys. Those bands are all on our label so maybe it can happen.
On getting humbled by respect from the metal community:
I woke up one day to go to work and I looked at my phone that somebody had texted me and told me about this article that they saw where (Max Cavalera) said he was proud of me. I lost my f***ing mind because when I was 13 years old, I saw the (Sepultura) ‘Territory’ video on MTV, and I’ve been a fan of everything that he’s done since that. It’s someone that I’ve looked up to, that I’ve admired for a long time. To get him acknowledging me is big, and it’s basically what I’m doing in my writing.
(‘Territory’) That came out, I think I saw it on Headbanger or MTV. Maybe they were playing it during the day which is f***ing crazy. I don’t know, man. I still listen to ‘Territory’. I think they might be one of my top 5 metal bands. For sure one of my top 3 metal bands for me anyway.
On opening for Black Sabbath at Ozzfest/Knotfest:
That’s one thing I’ve learned above everything else is, that nothing is impossible. Like you start by yourself at a small rehearsal stage like seven years ago, eight years ago, and we’re going to have to play with Black Sabbath. If it’s not pessimist to say anything isn’t possible, then I don’t know what is.
Other cities Nails will hit on tour this year:
London, U.K. Mexico City. We’re going to go there in October, and of course, our hometown of Los Angeles. Let’s not forget we’re sold out here. Those are probably the cities where we get the most wowed at the reactions.
WORDS BY HANSEL LOPEZ
CONCERT PHOTOS BY EMMA PARSONS PHOTOGRAPHY