EP REVIEW: Razor Candy – Razor Candy

I like to think I am a tough nut to crack, an enigma, if you will, shrouded in a mystical cloud of mystery. My editor proved to me that when it comes to my musical tastes he has me all figured out. Case in point, the new self-titled EP by Razor Candy (Sensory Recordings). My editor said I would really dig the newly released profoundly immoral brainchild of Paul Wiley (Marilyn Manson, Deveraux) and Chad Cherry (The Last Vegas, The Claws) and he was not wrong. I may be a self-described metalhead, but I am also a self-described lover of musical ingenuity and raw talent, which Razor Candy not only possesses but showcases in an eloquently macabre way. The EP contains five tracks that are available in all streaming formats, but for you vinyl loving freaks (myself included) there is a bonus track included only on vinyl, how fanfreakingtastical is that? Continue reading

LIVE REVIEW: Cold: Live at Fine Line, Minneapolis, Minnesota

I can still remember the very moment the band Cold came hurtling into my atmosphere like a brilliant meteor, hell-bent on causing upheaval. Scooter Ward and his musical cohorts were the direct support band for the St. Louis, Missouri Industrial band, Gravity Kills. Cold, with their first studio album, just released, was still flying under the radar as far as getting mainstream exposure and radio play. The small venue in La Crosse, Wisconsin was sold-out on that balmy summer evening. I was unaware of how my life would be altered forever by a band I had never even heard of when I walked into that venue. Continue reading

REVIEW: Shinedown – Papa Roach – Asking Alexandria – Savage After Midnight: Live at Lacrosse Center

Music, throughout history, has had a way of influencing the social behavior and norms found in human societies. Music is a universal language that is capable of bridging the gap between disparate people and entire social classes, cultures, and continents. Music can also be a tremendously personal thing, a song that has certain significance to one person may hold no meaning for the next. The current immeasurable dissonance in the social climate that spans the entire globe seems to push lost souls to seek comfort in music. In my humble Skullgurl opinion, that reason alone is why the world needs more bands like the four I saw on the second day of October 2019. Continue reading

CONCERT REVIEW: Sebastian Bach – Kobra and The Lotus Live at the Q Casino

Let’s face the facts, folks, the music industry has changed drastically in the last 30 years. I firmly believe that change is inevitable and most of the time I embrace change with open arms. The recording process has been completely revolutionized to the point that musicians can produce their own albums right from home on their computers. The problem with having the ability to record and release music so easily is the plethora of music that is flooding the market that just does not stand the test of time. Think of some of the current songs you hear on Fm radio stations, most of them will spin themselves out of rotation and vanish to the isle of forgotten songs within 6 months of their release. Career longevity has become an elusive beast in the music industry, so when an artist who released his first album over thirty years ago is touring and selling out venues, a Skullgurl must pay attention. Of course, I am talking about the original untamed mane rock star, Sebastian Bach. Continue reading

ALBUM-REVIEW: HELLYEAH – Welcome Home

I believe that it is human nature to want to find a lasting way to immortalize a loved one that has passed away. History has proven that the custom of creating a tangible or abstract method paying homage to the deceased has been a mainstay in almost every culture bringing comfort and solace for centuries. Humans that possess the soul of an artist seem to process loss and grief on a completely different level, most of the time creating something ethereal from their pain. Case in point, the sixth studio album from Heavy Metal badasses HELLYEAH, Welcome Home (Eleven Seven Music) is a fitting and spine-tingling tribute to their dearly departed drummer, Vinnie Paul Abbott. The album as a whole possesses some very tasty stand out tracks. Continue reading

ALBUM REVIEW: Puddle of Mudd – Welcome to Galvania

Music is an integral part of most of the world’s human population. I know for me, music is like oxygen, I fear I would wither up and die without it. If you are like me, one of the great disappointments in your life is when you realize you may never hear music from one of your favorite bands again. Case in point, Puddle of Mudd. Full disclosure, the band’s 2001 Mega-hit album, Come Clean (Flawless Records) was the soundtrack of my life for many moons. I cannot hear ‘She Hates Me’ or ‘Blurry’ without being whisked backward in time to moments where life seemed simple and happiness is all I knew. I cannot express the jubilation I felt when I opened my email and realized that I had been given a gift from the heavenly gods of Rock and Roll, the new album by Puddle of Mudd. Yes, folks, you read that right. After almost ten years, Puddle of Mudd is releasing their sixth studio album, Welcome to Galvania (Pavement Entertainment). Continue reading

ALBUM REVIEW: Blacktop Mojo – Under The Sun

I adore being entrusted with juicy secrets, ask my Skullpals. That does not necessarily mean I am successful at keeping the aforementioned secrets, also ask my Skullpals. Being the Skullgurl, I am privy to hearing new music before the general public. Every once and while I am sent a new album and I find myself checking to see if it was sent to me by the C.I.A. or the F.B.I. because the music is so mind-blowing, it must be highly guarded national secret. Such is the case with the new album by Blacktop Mojo, Under The Sun (Self-Released) The tertiary album by the Southern Rock dynamo’s is a secret that should not be kept, cannot be kept, from the music-loving populous. Full disclosure, I jumped on the Blacktop Mojo magic carpet ride in 2014 when I was sent their debut album, and have been continuously knocked on my keister by the magnitude of talent these five Southern gents possess. Continue reading

REVIEW: (Hed) P.E Live at The Cavalier Theatre, La Crosse Wisconsin

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There are just some bands that a person has to see whenever there is an opportunity, plain and simple. I made the mistake of not going to a concert in 1993, citing that I would see them next time, well, there was no next time. Since that moment in history, I rarely miss the shows of bands that are meaningful to me. One of the bands that I have on my must-see list is (Hed) P.E., I am hoping they are on your list too. My youngest spawn asked me a while ago how many time I have seen (Hed) P.E. and I surprised myself when I counted the shows I had attended. Continue reading

REVIEW: Hellzapoppin Circus Sideshow Revue Live at The Cavalier Theatre

I have always fancied myself as unique and quirky, to quote Winona Ryder in the blockbuster movie Beetlejuice: “I myself am strange and unusual”. My penchant for things out of the ordinary led me to an ensemble opulent in all things strange and unusual, Hellzapoppin Circus Sideshow Review. Continue reading

Spread Eagle – Subway To The Stars

I love Metal music, my name is Skullgurl Metalchick after all. Full disclosure, I am still a sucker for the music of the Glam Metal days. The sub-genre had many aliases, Hair- Metal, Cock Rock, Bubble Gum Rock, depending on who you ask. The last couple of years there has been a renewed interest in the bands of the era of hair, I call it Nostalgia Rock. The headbangers of the 1980s now have 401ks, disposable incomes and the silent yearning to connect with the carefree days of youth. In all reality, most of these bands, are content to do some festivals and then go back to their own suburban democracy. Then there are bands like Spread Eagle, that did not go gentle into that good night of musical obscurity. Spread Eagle continues to make their music tantalizingly relevant with the release of their newest studio album, Subway To The Stars (Frontiers Srl). Continue reading