Formed in Worcester, Massachusetts in 2016, five-piece thrash outfit High Command follow up their 2017 debut full length Beyond the Wall of Desolation with digitally released single Everlasting Torment(both Southern Lord). Continue reading
Formed in 2010, Edinburgh thrashers Black Talon follow up their 2015 debut Endless Realities (Wasted State Records) with independently released five-track EP Existential. Sounding like a modern Scottish version of the 1980s Bay Area, this short release is replete with riffs and melodies similar to the likes of Forbidden, Testament and Dark Angel with vocals owing a debt to Vio-Lence and UK thrashmonkeys Acid Reign.Continue reading
If you had begun to think there couldn’t possibly be any more subgenres of heavy metal with silly names left to mine, then welcome to Italian act Wind Rose and their peculiar brand of… Dwarven Metal? Continue reading
Formed in 2015 by guitarist Matthew Karr and drummer Edward Vera, Texan thrashers Archangel A.D. started out as “Archangel”, covering tracks by Judas Priest and Metallica. After a change in personnel (one of several, in fact), they began to compose original songs and added the A.D. suffix to their name in order to avoid possible legal entanglements with any other existing acts of the same name. Continue reading
For those of you who are unaware (and I dare say there will be a few), Davie Allan is a Californian guitarist probably best known for his work on a variety of biker movies in the 1960s. Taking the traditional surf guitar sound, he twisted it into something entirely different using the newly invented Fuzzbox. Allan’s fuzzed up guitar tracks have been used in many films over the years, most recently in Quentin Tarantino‘s Inglourious Basterds.
Joel Grind, on the other hand, comes from a completely different arena. His band Toxic Holocaust have been tearing up the Thrash scene since their inception in 1999. Their (or rather his, as Grind played all the instruments on the band’s first few releases himself) brand of Punk/Thrash relying more on creating sweaty, violent carnage in the moshpit rather than any kind of bizzaro Surf Rock atmosphere. Grind is no stranger to his music being used on soundtracks either though, having ‘Bitch’ from ‘Conjure and Command’ (Relapse) blasting out during a car chase in a Season 5 episode of Sons of Anarchy.
An entirely instrumental affair, this split four track EP (Relapse) consists of some seriously dirty hard rockin’ surf music with a greasy ’60s/early ’70s vibe. From the moment the motorbikes cease their revving at the beginning of Allan’s opening track ‘Recycled Too’ you are immediately thrust into a world of psychedelic, violent biker movies like Devil’s Angels, The Wild Angels or even Werewolves on Wheels where Hell’s Angels smoke weed, drop acid, have hairy, leathery sex, and beat up anyone who looks at them in a funny way. And all this happily continues with his second track ‘Buzz Saw Effect’.
Unsurprisingly, Grind’s contribution is somewhat heavier than Allan’s. ‘Peacekeeper’ kicks off his side of the disc enthusiastically, while second cut ‘The Invisible Landscape’ is driven by a more traditional clean surf guitar tone. Also, being instrumental tracks only, people who aren’t familiar with, or don’t usually care for, Grind’s Dalek-receiving-a-proctological-exam vocals don’t have to worry here.
If Rob Zombie directed a movie about Hell’s Angels on acid fighting a gang of machine gun wielding Go-Go dancers on the back roads of Hell, then this would absolutely be the soundtrack.
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