Ghost Cult was honored to chat recently with Nightwish singer Floor Jansen, all about their new album Human :II: Nature (read our review here) out now via Nuclear Blast Records. Floor spoke about releasing a new album during the pandemic, shared her thoughts on what life will be like and when we might get back to shows and tours, the new album, rising to meet the challenge of the new material, the sprawling and unique style of Human :II: Nature, how she stays humble, thoughts on the legacy of Nightwish, other projects she is working on, and much more. Order Human :II: Naturehere, and check out our chat. Continue reading
Ghost Cult had the honor of chatting with Nick Holmes (Bloodbath) of Paradise Lost about their new album, Obsidian (Nuclear Blast Records), due out on May 15th, 2020. Nick shares his thoughts on releasing an album during the pandemic, the creative process of the band, the more sweeping vision behind Obsidian, how the band approached the follow-up to Medusa 2017, how he and Gregor Mackintosh work together on new material, the orchestration on the albums, Nick’s vocal harmonies, the changes in his lyrics over the years, a look back on the 20th anniversary of their debut album Lost Paradise (Peaceville), and much more. Order Obsidian here and check out the podcast: Continue reading
Atmospheric Doom Metal band SubRosa, one of the best bands in recent memory are going on indefinite hiatus. The band just announced the crushing news via Facebook. The band is not done making music, just making music together as they will split up and work on other musical endeavors and new bands for the time being. This is a major bummer, but hopefully, the band will reunite someday. Good luck!Continue reading
Ever since the release of Great Is Our Sin last year, Revocation has been out bringing that crushing new material to audiences all over the world. The guys are currently tearing it up with Cattle Decapitation, Full Of Hell, and Artificial Brain here in the States, and I got to catch up with front man David Davidson at their recent stop here in New York City. Continue reading
Not content with plying his trade with one major label band, guitarist Niclas Engelin, who stepped into the Jesper Strömblad sized hole in the In Flames line up on a permanent basis in 2011, teams up with long-standing partner in crime Marcus Sunesson (ex-The Crown) for Raven Kings(Gain/Sony), the fourth installment of his near-eponymous band Engel, and his stamp, and that of his day job, is all over this new release.
Engel are keen to show that the metal does indeed flow in their veins, and the decision to kick the album off with two ragers works from a dynamic point of view, particularly considering the exemplary production job undertaken by Jacob Hansen (Volbeat), although the decision to utilize new vocalist Mikael Sehlin’s harsher tones at the onset of the album instantly draw comparisons with Anders Friden, which for a side project that are not a million miles away from the furrows being ploughed by his other band, is potentially too thin an ice to be stomping army boots on.
Where they do come into their own, though, is as the album progresses and the bands’ keen ear for a hook is accentuated and highlighted, be it riff, groove, vocal melody or chorus that provides it, this is an album full of catchy moments and Soilwork-ed passages, with Sehlin operating much more effectively in the melodic ranges, sounding not too dissimilar to Sebastian Bach’s more Slave-ish moments, and with a power and tone reminiscent of Chris Jericho.
While the band have termed themselves Melodic Death Metal there is no escaping that the core sound of Engel is intrinsically close to that of In Flames, particularly as electronic and “industrial” nuances fleck both the Jester’s and this ancillary outfits’ sound these days, or that the term “Death” in that descriptor is a bit of a red herring. Yes, their hooky song-based modern metal (I’m loathe to add the word core on the end as it almost by default detracts from what they produce) is heavy without resorting to ultra beatdowns to bring the weight, but it is in the melodic and the catchy where they thrive, as, ultimately, Raven Kings is a worthy release of contemporary, commercial metal.
Engel on Facebook