Shining (SWE) Replaces Katatonia At Inferno Festival 2018


Enigmatic Swedish metal band Shining has been added to Inferno Festival 2018, as a replacement for Katatonia, who canceled their appearance after going on hiatus. Shining is still touring in support of their tenth album X , Varg utan flock (Dark Essence/Season Of Mist) from 2016. Inferno Metal Festival is the longest-running and most extreme metal festival in Norway and one of the most important extreme metal festivals in the entire world. The festival still has 8 more bands to add between now and March 29t,h. When the fest kicks off. Continue reading


Shining Is Streaming “X – Varg Utan Flock” Online


Sweden’s Shining will be unleashing X – Varg Utan Flock on Friday, January 5th, via Season Of Mist. What can fans expect? The press release states, “X – Varg Utan Flock is a musical masterpiece far beyond simple genre limitations, and a shining tribute to the achievement that a troubled mind is capable of when driven by a passionate will to excel and overcome.

Over the past few weeks, Shining‘s mastermind Niklas Kvarforth has shared new tracks with the public, and today he’s decided that he wants fans to hear the entire album before its release. Continue reading


Shining Debut New Song – “Svart Ostoppbar Eld”


Sweden’s Shining will be unleashing their forthcoming album, X – Varg Utan Flock, on January 5th via Season Of Mist. What can fans expect? The press release states, “X – Varg Utan Flock is a musical masterpiece far beyond simple genre limitations, and a shining tribute to the achievement that a troubled mind is capable of when driven by a passionate will to excel and overcome.

Shining‘s mastermind Niklas Kvarforth has already shared the ‘Jag Är Din Fiende’ and ‘Gyllene Portanas Bro’ singles with the world, and today another new track has made its way online.Continue reading


Marty Friedman – Wall of Sound


According to an old review by Metal Hammer’s James Gill, there are two types of people in the world; those who like instrumental metal albums, and those who don’t (and those who do obviously own at least nine guitars, each with an increasing number of strings).Continue reading


Marty Friedman Is Putting The Finishing Touches On His New Solo Album


marty-friedman-2017Photo by Sinestra Studios

Marty Friedman has just revealed that he is putting the finishing touches on his next solo record. Continue reading


Festival Preview: Brutal Assault 2016


A2_BA2016_v5.ai

Tomorrow kicks off the 21st Brutal Assault Festival with Parkway Drive, Neurosis, Arch Enemy, Behemoth, Mastodon, Abbath, Devildriver, Exodus, Ministry, Nile, Obituary, Satyricon, Ihsahn, Dark Tranquility, Dying Fetus, Unearth, Conan, Voivod, Taake, Septic Flesh, Insomnium, Stuck Mojo, and Mono among others. Making the festival unique compared with other events are the art exhibition, horrror film festival, revolutionary Cashless/Access card system, and other features that have always made Brutal Asault the leaders in the festival going experience. Previously announced bands Electric Wizard (visas) and Terror (surgery for Scott Vogel) have cancelled and replaced with Uffommamut and Raised fist respectively.

BRENT HINDS of MASTODON

Mastodon, by Echoes In The Well Photography

Wednesday kicks off with bands like Abbath, Mastodon, Neurosis, Devildriver, Mutooid Man, Chelsea Wolfe, Tribulation, Conan, Vektor, Gruesome, Shining and more.

 

Gojira, Photo by Hillarie Jason

Thursday features Parkway Drive, Gojira, Ministry, Exodus, Ihsahn, Dark Tranquility, The Black Dahlia Murder, H20, Animals As Leaders, Immolation, Aborted, TesseracT, Obscura, and more.

Friday has Arch Enemy, Moonspell, Taake, Satyricon, Cattle Decapitation, Sigh, Coroner, Obituary, eptic Flesh, Voivod, Raised Fist, iron Reagan, In The Woods and others.

 

Arch Enemy, by Meg Loyal Photography

Arch Enemy, by Meg Loyal Photography

Saturday closes things out with headliners Behemoth, Agnostic Front, Insomnium, Moonsorrow, Destruction, MGLA, Venom INC, Archgoat, Stuck Mojo, Holy Moses, Stick To Your Guns, Lightening Bolt and more. Tickets are still avaialble at this link:

Behemoth, by Susanne A. Maathuis Photography

Behemoth, by Susanne A. Maathuis Photography


Mastodon, Ministry, Parkway Drive, Behemoth And More Booked For Brutal Assult 2016


A2_BA2016_v5.ai

Long-running and legendary Brutal Assault Festival takes place again this year for their 21st edition. Taking place which takes place in a military fortress Jofesov in Jaromer, in the Chech Republic the four day festival runs from August 10-13th. In addition to headline acts Mastodon, Ministry, Parkway Drive, and Behemoth, the fest features names from across all genres of rock and metal such as Aborted, Agnostic Front, Angelcorpse, Animals As Leaders, The Algorithm, Archgoat, Birdflesh, Bury Tomorrow, Conan, Coroner, Dark Funeral, Dark Tranquility, Devildriver, Die Krupps, Disavowed, Destruction, Electric Wizard, Eskimo Callboy, Exodus, Eyehategod, Gruesome, Hypnose, Immolation, Insomnium, Iron Reagan, Jig-Ai, Knuckledust, Leprous, Mgla, Misery Loves Co., Mithras, Moonspell, Mono, Mutoid Man, Nile, Obituary, Omnium, Gatherum, Satyricon, Septicflesh, Shining, Sigh, Sikth, Slagmaur, Taake, Terror, Textures, The Black Dahlia Murder, Tribulation, Vektor, Valkyrja, Voivod, Whiplash and more. Tickets are on sale now with camping packages at this link:

 


Shining – International Black Jazz Society


12107756_10153853583188714_835132371812061805_n

Shining’s striking breakthrough album Blackjazz was routinely namechecked by people who know about these sorts of things as one of the records of 2010. Its follow up, the more industrial soaked inventiveness of One by One (both Indie), suggested a band with a considerable musical aesthetic and the talent to pull off its panoply of rich and varied textures. This, their seventh record overall, on first listen, gives an (ultimately false) impression of taking the best bit of the last two records, stitching together a composite of unrelenting shape creation. That it stands as a distinct and satisfying record in its own right, with a resonance and intelligence, both in terms of its influence and execution, is testimony to the band’s blistering collective talent.

International Black Jazz Society (Spinefarm) is both wilfully difficult yet, paradoxically, the most approachable record that Shining have created. Much of this is down to an approach to song-writing that lets the songs breathe and get under your skin like fresh tattoos. This is important because the music here is intense, often challenging, but the band’s genius in letting the obtuse sounds and textures envelop the listener is respectful and welcome.

There is a focus to International Black Jazz Society that is admirable. Rather like the proverbial Olympic athlete, there is not an ounce of fat on this record; there is no padding and no superfluousness: it is nine tracks of determined aural assault and is all the better for it. The industrial rock of ‘Last Day’ is probably the most immediate of the songs here but listen intently to the unhinged ‘Thousand Eyes’ which has a rock sensibility nailed into its DNA for a song of equal, if not better, quality. The free jazz madness of ‘House of Warship’ will not be to the average listener’s taste but one suspects that this isn’t the constituency that Shining are aiming for; it’s a creative step forward and a successful one at that. Sat in the tracklisting next to its contrasting cousin, the dark and brooding House of Control is clearly deliberate and, as a showcase of the band’s diversity and talent it’s a formidable ten minutes. Elsewhere, the striking coda of ‘Need’ with its intense, end of the world is nigh sensibility gives the record an exhilarating, energetic sign off.

International Black Jazz Society will give you no silver bullet in your search for what blackjazz actually means but that might be part of the fun that Jørgen Munkeby is having with us and his band. The brilliance of Shining’s music is that, within a highly architectured approach to music composition, there is often a sense of being utterly unhinged; a sense of the wild within a formal structure. Songs veer, dive bomb and u-turn at will, giving a dynamism and energy: organised musical chaos, if you will. This is thrilling stuff, particularly when band leader Munkeby brings his signature alto saxophone into play.

International Black Jazz Society works for three reasons: it’s thrilling entertainment, it has the ability to merge free jazz and headbanging metal and challenge you to see the join and, above all, it creates a world that, however mad and maddening, you can’t help but want to be a part of.

8.0/10

MAT DAVIES


Incubate Festival Part II: Tilburg, NL


incubate-2015-logo

We’re five days into Incubate Festival and still shivering from the impressive performances of The Melvins, Girl Band and Shining. Ready to watch some more of our favorite bands and discover another handful of new ones, we once again throw ourselves into the lively heart of the city of Tilburg.

Lumerians, photo by Susanne A. Maathuis

Lumerians, photo by Susanne A. Maathuis

Lumerians opens our Friday night in one of the smaller rooms of the immense theatre of Tilburg. The audience has taken a comfortable seat on the wooden tribune that opposes the stage while the band plays a hypnotizing, spacey post-punk with a light 60’s sound to it. They are dressed up as monks in robes of a shimmering, glittery material and behind them play such fantastic psychedelic visuals that we’re too mesmerized to even think about dancing along.

Grave Pleasures

Grave Pleasures, photo by Susanne A. Maathuis

One big bonus point that comes with having a festival bang in city center is the abundance of good food. Overpriced hamburgers and soggy fries don’t make it on to our menu during Incubate. On our way to Hall of Fame to see Grave Pleasures, we find out that, what previously had been an abandoned industrial park crossed by rusty old train tracks, suddenly houses an atmospherically lit and freely accessible food truck festival. Dinner this weekend: sorted.

When we manage to tear ourselves away from the smell of freshly ground coffee and char-grilled hamburgers, Grave Pleasures, risen from the ashes of Beastmilk, give us a theatrical and captivating performance. Their sound is edgier than before but still has that recognizable apocalyptic feel to it. For a complete change of sound, we head off to Little Devil, where Belgian Associality shows us the fun side of punk with songs about punk granddads and a man who only drinks Jupiler beer.

Converge, photo by Susanne A. Maathuis

Converge, photo by Susanne A. Maathuis

We’re still singing along to the chorus of the beer song when we arrive at the biggest name of the day: Converge. In a relentlessly loud performance, the hardcore punk legends live up to their name and put down one of the best shows of the week. A few hundred people are stage-diving and dancing in the pit as if their punk credentials depend on it. Frontman Jacob Bannon radiates a contagious energy as he belts out hit after hit. Sweaty and exhausted, we call it a night.

Saturday brings about a problem of an entirely different caliber. With so many different venues with each their own selection of beers on tap, we have a bit of a heavy head on our way to the first name on our list. Finnish K-X-P’s melodic, electronic sound with a definite hint of krautrock wouldn’t feel misplaced in the vaults of an abandoned Berlin power plant. However, the wooden beams, high ceilings and stained glass windows in Dudok, create a beautiful contrast to the industrial noises and ghostly sounds of the band. They put on a captivating show that calms our heads and prepares us well for the rest of the night.

 

Extase’s small stage and low ceiling sets the perfect vibe for a loud, no nonsense punk band and this is exactly what we get from Priests. Frontwoman Katie Alice Greer has an incredible stage presence. She parades on stage, screaming, singing and roaring in a skintight, giraffe-patterned suit and manages to give the audience a permanent death stare that would make Courtney Love green with envy. Priests gives us precisely what we go to Incubate for: seeing a relatively unknown act for the first time, who absolutely blows the patches off our jackets.

On the final day of the festival we finally have a sunny day and immediately take advantage of it to watch a show in the Muzentuin, a courtyard of the town’s art academy. We watch Surfer Blood play alternative rock with a lovely summer feel to it, before we decide it’s time to dive back into the loudness and head to Hall of Fame where the hardcore punkers from Jesus Police are tearing the stage to shreds. With so many bands playing at the same time, it’s sometimes tough to decide which ones to go and see and we may have been slightly favorable towards Jesus Police because of their name (it was a tough decision to skip Cocaine Piss later on).

Black Heart Rebellion, photo by Susanne A. Maathuis

Black Heart Rebellion, photo by Susanne A. Maathuis

Melodic post-rockers The Black Heart Rebellion whip us up into a Seventies progressive rock infused dream as they close the night in a ram packed Little Devil. With the imprint of the happy, sweaty faces of the crowd still in the back of our minds, we dash back to Midi to catch the second half of Wire, who have called upon about twenty guitarists from other bands at the festival to join them on stage. In a haze of perfectly orchestrated noise, they temporarily form The Pink Flag Orchestra and perform their 1977 debut album song ‘Pink Flag’ in a playful and legendary conclusion of the festival.

We cool off outside, still a little high from Wire’s brilliant performance, and convince ourselves that, yes, we still have enough spirit and adrenaline to make it to the after party in Extase. Chief Developer of Incubate Joost Heijthuijsen is one of the DJ’s, so within an hour of arrival we are part of a long conga line and attempt to dance to German schlager music. What a way to end a festival! The next day we hear that Neneh Cherry, who closed the festival in the Muzentuin on Sunday, was apparently part of that conga line and had a great time at the after party. She’s 51 years old and we had to agree she definitely beat us all at being the coolest person at the festival that night.

 

[slideshow_deploy id=’33737′]

WORDS BY CÉLINE HUIZER

PHOTOGRAPHY BY SUSANNE A. MAATHUIS