Every year there are highly-anticipated annual tours and every year many of them put together not so great lineups. When it comes to The Decibel Magazine Tour, I am happy to say that each year is a killer lineup and this year was no different. On April 14th, 2016, the Boston, MA crowd at Royale in the theatre district received quite a treat via artists: Tribulation, Skeletonwitch, High on Fire, and the legendary Abbath. From start to finish, this show is setting the bar high for the rest of the annual tour circuits.
Tribulation, by Hillarie Jason
Tribulation kicked off the night to quite an ovation for even an opening band. Fortunately, these guys have been around quite a bit supporting bands of all sorts and have constructed quite a second home in the Boston area. Although it was a short set, a majority was tracks from their latest, and arguably best album, The Children of the Night (Century Media Records). Opener ‘Strange Gateways Beckon’ starts off the set with a bang and then comes full circle a short while later with ‘Holy Libations’. Although only five songs in the set, it seemed just right to get warmed up for the rest of the night.
Skeletonwitch, by Hillarie Jason
After a quick set up, Skeletonwitch was on the stage destroying the crowds with riff after riff. The biggest part of the set was to see how new vocalist, Adam Clemans, did replacing former vocalist, Chance Garnette. I was very pleased with what Adam brings for the table and I look forward to what comes next for the group. As for the set, the Boston crowd received mostly tracks from the latest full-length, Serpents Unleashed (Prosthetic Records), such as ‘From a Cloudless Sky’ , ‘Beneath Dead Leaves’ , and one of my favorites, ‘Burned From Bone’. The other half of the set was a mixed bag between a couple of albums including tracks like ‘Chock Upon Betrayal’ and ‘Beyond the Permafrost’.
High on Fire, by Hillarie Jason
Due up next was the return of Matt Pike and High on Fire. Regardless of what band he is touring with, it is always a privilege to watch Matt lay down some serious riffs. With a new album dropping less than a year ago, Luminiferous (Entertainment One), it wasn’t a surprise to catch mostly new tracks like ‘The Black Plot’ and ‘The Falconist’. However, the group did touch upon every other album in their discography once to provide a full cornucopia of their sound. Some of my favorites of the night were classics such as ‘Fertile Green’ , ‘Rumors of War’, ‘Blood From Zion’, and the closer (and usually fan favorite), ‘Snakes for the Divine’.
Abbath, by Hillarie Jason
Abbath, by Hillarie Jason
Finally, it was time for the almighty Abbath to grave the stage with his iconic corpse paint and silly faces. For years I wanted to see Abbath up on stage with his former group, Immortal, and play some classic black metal tracks. Fortunately, Abbath was the true force behind Immortal anyways, and his set was equally Immortal tracks as there were Abbath solo tracks. Not to discredit the solo material, Abbath (Season of Mist), was one of the earlier albums to come out this year, yet still finds its way into my playlists. From this record, we got to see songs including ‘To War!’ , ‘Winter Bane’ , ‘Fenrir Hunts’ , and ‘Root of the Mountain’. From the Immortal side of the set list, ‘One by One’, ‘Solarfall’, ‘All Shall Fall’, and closer ‘In My Kingdom Cold’. There was not a dull moment in the entire set and it was everything I had hoped for, including Abbath on stage. In fact, this entire tour package did not have a weak point at all outside of the short delays in between sets. Decibel, once again, has cemented themselves as one of the leading annual tours once again.
While on-stage, Chance Garnette may be the wrist-spikes-wearin’, mean growler of Ohio blackened thrashers Skeletonwitch. Once off the stage, however, the man is an affable character who laughs as often as he swigs beer. During the last stop (at The Firebird, St. Louis, Missouri,) of the band’s recent North American tour, Ghost Cult contributor Dane Prokofiev spoke to Garnette about, among other topics, the meaning of black metal, the role of humor in extreme metal, and of course, cats!
The band is fresh off of their celebrated US tour as support for Amon Amarth and Enslaved. The tour sold out many stops on the tour, in a time when some tours are having a hard time filling venues. Garnette shares his feelings on the success of the run:
“It was really good, we had toured with Amon Amarth before—I think it was in 2009, but I’m also 41 so my memory’s not the best [Laughs]—so we knew the guys already. We’ve been fans of Enslaved forever as well, so it’s really cool to meet those guys—and those guys are really fun. It was really good, the shows were almost all sold out [especially those in the] House of Blues type of theater. People were there and packed early [into the venue] every night. I couldn’t ask for it to be any better man, it was awesome.”
Although the band takes their performances very seriously, they know how to kick back, cut loose, and have some fun. There was an incident during the tour when the guys trolled Ice Dale of Enslaved with hilarious shirts. Laughter just helps pass the malaise of long drives, and longer days on the road.
“[Laughs] You know, at this point it’s not really about getting crazy and stupid anymore. Maybe when we first started we would try to do tour pranks. Well, Enslaved did come out in their last show to prank us. They took orange yarn and put it in their hair like it was my brother Nate, the red-headed guy in our band, and they put pillows under their shirts, so they had a belly, and then they just walked across the stage with the big bellies and a red ponytail. So that was really funny. But just little shit like that, nothing crazy like, you know, we’re going WILD or anything. It’s a long tour, and it is our job—and it is also the best job ever—but I’m just not really into fucking around too much. I just want to do what I have to do, what I love to do, do it well, and do the best I can. You know, you get in trouble, it screws ya, and I’m just not into getting in trouble.”
Musicians and music bloggers alike have blogged before that metal bands don’t earn much money from their record royalties, and that the money, instead, lies in touring and selling merch goods while on tour. We asked Garnette for his take on this topic: “Oh, absolutely, it’s true, yes. You definitely pay your rent by your merch. You know, your guarantee, or the door money you get for your show, that fee, at our level, usually is gas money and for per-diems per band member, and then it’s gone. So the money you take home, I would say, 80 – 90% is your merch money. And then you have to pay that bill back, and then you have to divide by the number of people in the band. So the big pie gets really small really fast!”
Furthermore on the subject of making money Skeletonwitch (with the help of their label Prosthetic) has been one of the leaders of making cool and unique merch. They have released quite a few limited edition products lately, namely: the “Beer helmet” T-shirt and the Forever Abomination picture disc. We asked if limited edition merchandise plays a role in the success of a band?
“It doesn’t make or break a band. It’s just little fun shit to do. The Forever Abomination record is out of print. I mean there are still a few trickling around in stores here and there, but is there a stockpile [of it] at Prosthetic Records or at my house? No, it’s out of print. Every one that is printed is out there.
Instead of just re-printing the same thing again, [we wanted] to do something different. We haven’t done a picture disc before, and we like to do new things. The picture disc isn’t a new idea, but it’s new for Skeletonwitch. But I don’t think putting a picture disc out or bringing back an old merch design for two weeks and then killing it is necessarily mandatory for success. I mean it’s just some neat little things to do to keep the wheels turning and to keep, er, you know, you need to super-serve your fans. You need to be there for ‘em, or they will forget about you.”
One of the things that sets the band apart is the prominence of melody in Skeletonwitch’s music. It’s a big reason for the success of the band to date. Not many blackened thrash bands have a knack for melody like they do. Some bands and boutique record labels don’t seem to think that melody is important to extreme metal music. We wondered if Chance had to convince them that melody is important to extreme metal, we asked how he would go about it:
You know, I don’t know if I’d try to convince them. I mean, just do what you want and I’ll do what I want. I believe, for what I do, [melody] is very important. I like to write songs that are memorable, and I think melody, for us, is very important. You can walk out the door whistling or humming a Skeletonwitch song. I don’t think you can do that—[Pauses]
To a Portal song?
“Right, I mean I never heard someone whistling or humming to that before. [Laughs] It doesn’t make it any less relevant or better or worse or anything—it’s just a different style. I prefer the songwriting approach instead of just [writing] parts, ‘cos there’s definitely overly technical things [out there]. To me, sometimes, it’s just like, “Brutal part! Brutal part! Brutal part! Brutal part!” You know, nothing that you can remember. I mean, what’s the biggest band in the world? Iron Maiden. That shit is memorable as fuck. [Laughs]”
Serpents Unleashed not only contains great melodies, but also possesses a more black metal sound than previous records. Chance answered our charge it a conscious attempt to pay homage to the Norwegian black metal scene, or if it just came naturally to the band:
“We never really set out before writing a record that “this one needs to be fresher, or this one needs to be more black metal.” It’s just where we were at that time, or where we are at any time. When Nate was demo-ing the stuff, it just came out that way. And we were all really stoked about it and we were feeling it, and we just kind of went with it. We didn’t decide to have a meeting beforehand to sit down and say, “We need to make this one more black metal” or “We need to make this one more extreme.”
Following the band since Beyond the Permafrost, and when I heard Serpents Unleashed after Forever Abomination, I thought it sounded kind of like old Satyricon. Perhaps to the casual listener, he or she might be thinking that they tried to pay homage to Norwegian black metal.
“I mean, we love it, and I love—since you mentioned Satyricon—I love The Age of Nero. It is so catchy and memorable—like we were talking before—but you know, if you listen to Serpents Unleashed and The Age of Nero, it’s not like, “Oh, they totally copied it.” It’s not like that at all. I think it’s just kind of like what you are listening to at the time or just where you are in your head at the time, and that’s the product of what comes out. That’s the basis for it all. It was not a conscious effort.”
“I do agree that from Permafrost to Serpents, it’s different but it also is the same. You can tell both of them are Skeletonwitch. [We’re satisfied] as long as we can keep progressing and not change crazily, ‘cos I don’t think we’re ever going to just make a real hard turn and do something different. We just want to get better each time. And I do believe that Serpents.. is way better than Permafrost. I enjoy it way more.”
To some diehards in the scene costumes, spiky accessories, corpse paint and pyrotechnics are essential elements of a black metal band. But can a band play “black metal” if they sound black metal, but do not have any of these elements?
“Sure, but on the other hand, I wouldn’t want to see shorts and flip-flops. You know, I don’t need to see the full regalia, but I do love to see the corpse paint and the spikes, I think it’s awesome. I love looking at that, yeah. I mean it’s part of the show and it’s part of the whole thing. So let’s just say someone is in the most brutal or I guess the most perfect black metal band in the world, but then they’re wearing shorts and flip-flops? I could listen to the record, but when I see them live, I’ll be like, “Aw, man.” [Laughs]”
Speaking of which, have you heard of this parody band called “The Black Satans”?
Basically they make fun of black metal in a few music videos they did, and there was one particular music video in which it had a lot of footage of the band members wearing corpse paint, but in swimming trunks and dancing on a beach.
“You know, that kinda bums me out. Right now, last year and this year, it seems to be in style to make black metal goofy, and that’s really not at all what it’s about, or at least, what it’s about to me. You know, like you see the shirts that say, “I like my metal like I like my coffee—black!” I mean, come on, quit making fun of it man. Or like people putting corpse paint on Santa Claus for Christmas cards.”
Or corpse paint on cats.
[Laughs] The Purrzum shirt. [Laughs]
“I don’t know Matt. I do not. But I love cats, aaand also black metal. But I don’t need to combine the two [of them], man. So yeah, I think the parody is getting out of hand, and people are watering it down, and I don’t love to see people do that.”
Road warriors that they are, Skeletonwitch is in the middle of an extensive tour cycle that will take them all over the globe this summer:
“Yeah, we are going to do some European festivals in the summer. I think we are… I don’t know the dates exactly, but it looks like it’s about 20 dates—obviously not all festivals. The festivals I do think we’re confirmed for—or might not be playing—are like Brutal Assault, Bloodstock, well, you know, you have the early and late spring ones, and then you have the later summer ones, so yeah, like the August ones, we will be in Europe doing those.”
Blackened Thrash Metal act Skeletonwitch are back with a brand new album. Recorded with the prominent producer Kurt Ballou (Converge), Serpents Unleashed (Prosthetic Records) comes out in a special moment in Skeletonwitch’s career. The band is also celebrating the tenth anniversary. More than enough reasons to chat with the guitarist and founding member, Scott Hedrick. Continue reading →
Skeletonwitch is the kind of band that makes you feel good, no matter what. Many people can say the band does not bring anything new to the table and to be completely honest… It’s kind of true. From day one they had the good sense of doing their music always focussing on getting good songs, one thing that most extreme bands have lost. That ladies and gentleman, sets this band apart. Continue reading →