Although hardly a recent phenomenon, duos are still quite the novelty in rock and metal. While often lazily lumped into that category, acts such as Satyricon, Anaal Nathrakh, and Alcest tend to utilise session musicians when it comes time to record or tour, while those who operate strictly within the parameters of two permanent members and nobody else are still pretty much a rarity in the field. However, thanks to the likes of doomsters Mantar, and Eagle Twin, the drone pair of Nadja, synthwave crew Zombi, and space-rockers Black Asteroids, there does seem to be an apparent rise in the number of genuine duos. Continue reading
On their fifth and self-titled LP (Svart), Witch Mountain are trying to decide if they’re the most melodic Doom Metal act or the heaviest Blues band currently on the planet. Blues informed riffage has always been a part of Doom, and we dearly thank Black Sabbath for that contribution, but many a modern practitioner have ditched tradition in favor of harsher noise. Witch Mountain is not about modern convention, but about sticking with tried and true basics. Continue reading
As one half and the musical engine room of one of contemporary Prog’s most beloved groups Iamthemorning, Gleb Kolyadin is one of progressive rock’s hidden gems and undeniably one of its greatest pure musical talents; a virtuoso pianist and a proven composer with Iamthemorning, whose brand of chamber music and progressive rock has gained not only critical and fan acclaim, but earned Gleb plaudits for his talent from peers such as Daniel Cavanagh and Steve Hogarth. Further cementing that reputation, this solo effort (Kscope) further shows off his compositional and playing talents, all in a manner that surprisingly branches out from his main act. Continue reading
Heavy music and its fans tend to have a, let’s say, confrontational attitude towards the idea of change or growth. One subgenre where it’s bluntly evident is hardcore. We like it short and sweet and the more breakdowns the better. And that long-held standard has given us stone cold classics like Agnostic Front’s Victim in Pain and Hatebreed’s Perseverance. Bailer’s self-titled EP (Distro-y Records) is certainly planted in that tradition. Continue reading
It’s got to be natural for music fans across the board to broach the subject of supergroups with a healthy sense of trepidation. Does this musical meeting of the minds come from a place of altruism or are there nastier motivations that have yet to be dredged out? That’s what circled through my head for about 30 seconds before I started out Dead Cross’ self-titled debut album (Ipecac). Continue reading
Ex Eye’s self-titled album (Relapse) is something extraordinarily different, so hold on to your hats and brace yourself! The soon-to-be-legendary group consists of renowned, experimental saxophonist Colin Stetson, Greg Fox on drums, Shahzad Ismaily on synths and Toby Summerfield on guitar and these dudes will literally blow your mind! Continue reading
Sevendust celebrated the 20th anniversary of their debut album by performing it live in its entirety at a special show in Atlanta last month. As you saw in the footage we posted, the performance was absolutely amazing, and now they’ve announced more of these special anniversary shows this Summer. Continue reading
Not your average bear, founded on a love of guitar-less metal noise and groove, Ghastly Sound have announced themselves with this self-titled taster EP (Magnetic Eye). Formed by old friends, bass and drum duo TJ Maynard and Ryan Lewis, while the EP, four songs in thirteen minutes, is the sound of a band finding a starting point for their musical endeavours, it shows plenty of promise. Continue reading
Obituary has been teasing us about a new record for weeks, and now we finally know when it’s coming. Continue reading
After forming in 2014, London-based sextet She Must Burn release their self-titled début EP (Ghost Music). Describing themselves as “entwining crushing brutality and beautiful melody”, it is hard not to be intrigued.
The fusion of screaming vocals and clean vocals is used in most heavy genres nowadays, so in some ways it has lost its original appeal. However, there is definitely something different about She Must Burn: it is obvious from the first full-length track ‘Possessed’ that this is not just another gimmick, but that Joseph Louis Sinclair and Aimy Miller’s vocals contrast perfectly. The innocent-sounding clean vocals fuse together incredibly well with the brutal screaming vocals, creating a dramatic metal sound.
One of the most impressive songs on the EP is ‘Into Light’. The song has a much softer vibe to it than the previous tracks, and it opens with a beautiful piano melody. Aimy’s vocals are almost enchanting, and it is easy to see exactly why She Must Burn have gained so many fans in just a short space of time.
Throughout the EP there are obvious influences from heavy metal, rock, metalcore and even symphonic metal. Each one of the six songs sounds unique, whilst still being able to create a definitive sound for She Must Burn.
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