Despite Massachusetts trio Cazador having been a going concern for five years, Failure To Thrive (Self Release) is the band’s debut studio album, even being preceded by a live album. Having started out as a purely Sludge-based unit, their sound has evolved to incorporate a number of styles which makes this effort a short but exciting journey.
High Tone Son Of A Bitch. That’s it right there eh?! ‘Nuff said. Only it’s not even the half of it. Back in 2007, with merely one EP to the Oakland quintet’s name, ex-Cruevo guitarist Drew Kott fell from a San Francisco window and plunged his bandmates, especially brother Paul, into a deep mourning. It sparked a long hiatus which was broken by last year’s release of long-recorded EP Velocipede (Self-released), and there’s a show of intent to stick around with new two-track Death Of A New Day / Eye In The Sky (Self-released). Continue reading
When I heard about this particular collaboration, I swear a little bit of wee came out. Seattle’s Un is still reveling in the success of last year’s coruscating, moving Sentiment (Translation Loss Records), while Scouse / Scottish hybrid Coltsblood have laid waste to the UK Underground for the last five years. This split, therefore, promises to be a leveller on both sides of the Atlantic. Continue reading
Though enigmatic Australian duo BAK released an album back in 2010, new EP Flower (self-released) is the first time the band has released any music in the UK. Despite having a base of Beau Djekic and Kit Dyson this Arabian / Prog hybrid at times involves a full orchestra and up to 100 musicians in total. This release is, therefore, highly intriguing. Continue reading
Since their inception in 2013, Manchester quintet Barbarian Hermit has focused the vast majority of its Sludge grooves on live audiences around its home city and the rest of the UK. After two years of upheaval which has seen one original member return and two leave, debut album Solitude and Savagery (self-released) sees the band set out toward a brave new horizon. Continue reading
From the fetid depths of Nottingham’s catacombs comes Shrykull, a duo whose severe, wicked noise would shake the foundation of their city. Debut album Shrykull (self-released) is a sub-half-hour blast through blackened hell and pummelling Sludge which commences with the unholy ‘Plagued’: a brutal maelström preceding a morose, often funereal-paced second movement which is wonderfully controlled by William Powell’s spiked riffs and Kez Whelan’s hammer blows. Whelan’s screams cut to the the bone, never better displayed than on the rampant ‘Deafened By The Echo’, Powell’s ireful guitar buzz covering the frantic yet controlled battery. Continue reading
For many metal fans, metal is the form of music that speaks to them the most during dark times; music that isn’t afraid of the subject of low points, crippling mental health or exploring unyielding sorrow, and thus is often that supporting and helping crutch we often hold on to for dear life. It is in this school of harrowing thought that Puyallup, Washington’s Ergo I Exist dwell in with their debut album The Depths providing an emotive ride into the abyss. Continue reading