ALBUM REVIEW: Fear Factory – Aggression Continuum


It’s been well documented that the road to Aggression Continuum (Nuclear Blast Records), the latest album from Californian cyber-metallers Fear Factory, has been strewn with obstacles, challenges, and all manner of highly publicised internal disputes. Since its recording, the band has endured a lengthy legal battle which concluded with the departure of vocalist Burton C Bell, and saw guitarist, songwriter, and current studio bassist Dino Cazares winning the rights to the Fear Factory name via auction.

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ALBUM REVIEW: Blaze Bayley – War Within Me



With a solo career that is now going over two decades strong, Blaze Bayley shows no signs of slowing down with his tenth full-length album. While War Within Me (Blaze Bayley Records) is an inevitable step back from the Infinite Entanglement trilogy that he released through the late 2010s, this has more to do with the sense of scale than any sort of quality concerns. If anything, the album is essentially a fun look back on everything that Blaze has accomplished thus far.

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CLASSIC ALBUMS REVISITED: Black Sabbath – “Paranoid” Turns 50


 

With bands taking so much time between studio albums these days, it’s astonishing to believe that in the space of just three years, between 1970 and 1973, Brummie icons Black Sabbath released no less than five of the most important records in the annals of heavy metal.

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ALBUM REVIEW: Toxic Holocaust – Primal Future: 2019


Listen, guys, this opening statement probably isn’t going to be the most logical thing ever said about a Toxic Holocaust album, but Primal Future: 2019‘s biggest issue may just be that it’s stuck in the 1980s. Yeah, I know that love for Reagan era Thrash Metal is the house that Toxic Holocaust has built and resided in since their inception so save your comments. I mean Primal Future: 2019 has more reverence for that decade than Stranger Things, The Goldbergs and Michael J. Fox combined. Continue reading


Negative Wall – Gammagelu


Tommy Stewart, lynchpin of Doom outfits Hallows Eve, Bludy Gyres and Dyrewulf, is not a man to allow moss to sprout betwixt his tootsies. After last year’s mammoth Bludy Gyres contribution to Rope Enough For Two (Black Doomba Records), their split with Dayglo Mourning, comes Negative Wall: a new project formed with long-time cohort Dennis Reid and guitarist Don Cole.Continue reading


Coheed and Cambria – Vaxis – Act I: The Unheavenly Creatures


Last time around, 2015’s The Color Before The Sun (300) saw New York progressive rockers Coheed and Cambria abandon the lavish story arc of their previous seven albums and move away from the polished and heroic approach they had made their own, ploughing a more straightforward alternative rock furrow. Whether it was an attempt to attain new fans, a one-off experiment, or simply a stylistic change that didn’t quite work, nonetheless, long-time supporters of the band will be pleased to hear that the fantasy conceptualists have returned to what they know best.Continue reading


Expander – Endless Computer


In the year 2015, and with Phased Plasma Rifles set cautiously to stun, Austin thrashers Expander announced themselves to the multiverse with a self-titled, independently released single, and their Laws of Power (Night Rhythms Recordings) six-track EP. Now, having woken from cryostasis, and with weapons set firmly to disintegrate, the Texan four-piece return with their full-length début Endless Computer (Nuclear War Now! Productions).Continue reading


3Teeth – shutdown.exe


Industrial music has recently had quite resurgence when it comes to popularity and creative output. The likes of Rammstein and Nine Inch Nails have maintained huge, euphoric fan support throughout their careers (with the latter of course reforming in recent years), whilst the likes of Combichrist have continued to show just how diverse and immediate a style it can be. Whilst not the household name of some of their aforementioned peers, 3Teeth certainly warrant as much praise for flying the Industrial flag into a new generation; having been handpicked to support Tool on the back of their début self-titled album (Artoffact Records); a tour that delayed the workings of a follow-up which only now finally sees the light of day.Continue reading


Ayreon – The Source


2017 will be seen as a monumental year for both Arjen Anthony Lucassen and for Ayreon; the band and its fanatical fan base. Significantly it will mark the first live performances by Ayreon (and a very rare live appearance by the infamously shy and reclusive Lucassen), but also sees a brand new album that revisits the conceptual narrative of one of the band’s most beloved albums, 01011001 (InsideOut). Showing a return to the sci-fi storyline of said album, The Source (Mascot) in fact acts as a prequel piece, and is the most refined and strongest album they have released for some time.Continue reading


Voivod – RRRÖÖÖAAARRR, Killing Technology, Dimension Hatröss RE-MASTERS


It’s hard to believe there was a time when Voivod took top billing above the likes of Soundgarden and Faith No More, but in 1990 that’s exactly what happened. The Canadian Thrash Metal pioneers were at the top of their game and seemed almost unstoppable, their lofty position due in no small part to the trifecta of albums which had preceded the release they were touring at the time – 1989’s Nothingface (MCA); an unholy trio of seminal albums that have been lovingly re-mastered and re-released by BMG.Continue reading