Thank You Scientist – Terraformer

My issue with Thank You Scientist’s Terraformer (Evil Ink) is the same problem I have with Luca Guadagnino’s recent take on the Suspiria: don’t confuse self-indulgence with genius. I appreciate the balls it takes to drop an 84-minute opus and these New Jersey natives are fucking talented players, but do they really have nearly an hour and a half of captivating sounds? Unless your name is Bob Dylan or The Cure I’m not sure I need such a serving. Continue reading

Full of Hell – Weeping Choir

Before we proceed with this review of Weeping Choir (Relapse), the latest in a long series of attempts at deafness by Full of Hell, I’d like to make a statement: more saxophones in metal. Buried in the cacophony of notes that is the latter half of ‘Ygramul the Many’ is what I perceive to be sax fighting its way through the mix and I am all in for those wonderful sounds. Between Rivers of Nihil masterfully incorporating it into last year’s Where Owls Know My Name and now this, I need more sax in my life. Continue reading

Ex Eye – Ex Eye

Ex Eye’s self-titled album (Relapse) is something extraordinarily different, so hold on to your hats and brace yourself!  The soon-to-be-legendary group consists of renowned, experimental saxophonist Colin Stetson, Greg Fox on drums, Shahzad Ismaily on synths and Toby Summerfield on guitar and these dudes will literally blow your mind! Continue reading