Mötley Crüe’s Shout At The Devil Turns 35

Thirty-five years ago, 1980s glam rock and heavy metal leaders Mötley Crüe released their excellent second album Shout At The Devil (Elektra). Following up from their solid debut Too Fast For Love, this album has gone on to legend status over the years for breaking the band through to bigger audiences. It was definitely a commercial breakthrough and fan-favorite, although it was critically drubbed by some at the time. The next step in band mastermind Nikki Sixx’s plan for world domination (and to be the next KISS), it’s full of classic Crüe songs, memorable choruses, and some killer musical performances from the band. Continue reading

RAISE YOUR FIST! Heavy Metal Album Reviews Round up: Royal Hunt, Satan, Beyond The Black, Cauldron, and more

As summer swings round towards autumn, there are no shortage of odes and tributes to the Gods of power and glory that brought us traditional and classic Heavy Metal. Ghost Cult dives in amongst the raised fists and studded wristbands to round-up the latest album releases.

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September 7th 2018 New Music Releases




Check out all of today’s new releases in the music world! Continue reading

Deicide Shares New Single – “Seal The Tomb Below”

Deicide will release a new album on September 14th from their long-time label Century Media. Overtures Of Blasphemy will be their first album in five years, since In The Minds Of Evil. They just dropped a new single, ‘Seal The Tomb Below’, which you can stream now. Continue reading

Slayer’s “South Of Heaven” Was Released Thirty Years Ago

What do you do for an encore when you have released arguably the greatest album in metal history, at the zenith point for the genre? Well if you are Slayer, you blow people’s minds and release South Of Heaven (Def Jam) as the follow-up to Reign In Blood (also Def Jam). Although some of its slower mid-tempo jams threw fans for a loop, Slayer’s fourth album is full of gritty, true to life bangers and classic tracks. Let’s revisit this masterpiece which turned thirty years old today. Continue reading

The Antichrist Imperium – Volume II: Every Tongue Shall Praise Satan

The Antichrist Imperium features Akercocke and The Berzerker members in equal numbers amongst their ranks, and with the release of second album Volume II: Every Tongue Shall Praise Satan (Apocalyptic Witchcraft) it seems that team Akercocke is determined to show that they’re on one hell of a creative roll at the minute. Like their other projects, there’s that unmistakable Akercocke tone woven throughout; they’re clearly confident and comfortable with each other as musicians and are free to experiment. Continue reading

Cultes des Ghoules – Coven, or Evil Ways Instead of Love

Regardless of the quality of the output, it is a feat of creativity and ambition to cultivate a fully realized Black Metal theatrical production; a concept story spread over five “scenes” and amassing nearly 100 minutes of occult, evil music to unveil the full “play” that is Coven, or Evil Ways Instead of Love (Hells Headbangers). Continue reading

Denner- Shermann – Masters Of Evil

Denner Shermann - Masters Of Evil cover ghostcultmag

Denner/Shermann is the eponymous project of original Merciful Fate guitarists Michael Denner and Hank Shermann, Ex-King Diamond/Merciful Fate Drummer Snowy Shaw returning to the kit. It seems obvious that their latest offering Masters of Evil (Metal Blade) is going to sound a wee bit like Merciful Fate. Masters of Evil follows on from 2012’s Satan’s Tomb and it’s pretty clear that they’re going back to that original dark sound and occult lyrical themes: although possibly a bit too much.

Now with the impressive array of musical talent on show with this album it was never going to sound bad, the guitar work is phenomenal at nearly every turn, impressive crunchy guitar riffs, inspiring Solo’s, everything you’d expect. The powerhouse drums are incredibly solid and hold the whole band together, although considering how long they’ve worked together I can’t imagine it takes a lot. The standout for me has to be the vocals from Sean Peck (also of Cage) which are an absolute tour de force, and fortunately for me much more on the Rob Halford side of high-pitched falsetto screaming vocals than King Diamond.

This is pretty much standard heavy metal territory, you know exactly what you’re going to get from track to track, it does what it does extremely well but expect no surprises. Whilst musically this is brilliant, and bristles with inventiveness that is in sharp contrast to the lyrics. Indeed, they cram so much fretboard gymnastics into each song it almost makes every song bleed into each other: it can’t be overstated that technically this is ridiculously good!

What really lets Master of Evil down for me, is the Hammer House of Horror formulaic Satan inspired lyrics. Even by track 2, the thought that the mention of Satan is starting to wear thin, and almost every single track is about Satan in some way. Even a few songs into the album it starts to give the feel of them trying too hard to recreate the old days and it starts to feel very much the same ideas on repeat.

It’s easy to see why the EP was well received because with fewer tracks to listen to That formulaic feel doesn’t kick in. With the album it does and outstays its welcome. With their attempt clearly to recreate the old days the question can be asked does it fail to deliver on the promise or does it deliver too well? A brilliant EP possibly stretched a bit too thin meaning it’s easy to turn off, and more easily forgotten.



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