A debut album should stand as a bold statement of intent. Some bands absolutely nail the formula that they will rigidly stick to for their illustrious careers like Slayer did with Show No Mercy (Metal Blade Records). For others, it can be the start of a journey that is a mystery yet to unfold as they explore their own sounds and find comfort in their own abilities, see Undertow (Zoo Entertainment) by Prog Metal maestros, Tool. With their first full-length and self-titled effort (Sharptone), where do Holding Absence sit? Continue reading →
And so, to Architects at Wembley Arena. You start off with one of those angel/devil on your shoulder conversations about how this could be a really great way to spend a Saturday night or, conversely, rather like Roger Murtaugh in Lethal Weapon, you find yourself wondering whether you really are getting too old for this shit; a feeling that seems to continue as you take the tube northbound, past semi-frozen shoppers heading to warm homes and warm food, to the glorified cattle shed that is the SSE Arena, or Wembley Arena, as most of us still know (if not love) it. Continue reading →
It’s that gap between hope and expectation that we often fall through. Let’s be honest, your hope levels for Architects’ new album Holy Hell (Epitaph) might be stratospheric, but your expectations…? Given what this band has been through in terms of loss, sorrow and anguish, you could easily have fallen into that space of hoping for the best but guarding your expectations. It might be enough just that they simply deliver us something, anything, yes? Continue reading →
It’s hard to fathom that Good Charlotte has been around for over twenty years – it doesn’t seem that long since the Maryland natives were the one band to really thrive in the pop-punk MTV explosion of the early 2000’s with the very successful The Young and The Hopeless (Epic/Daylight). They’re released a number of hits since then, the Madden brothers took time off for a side project, got married to Hollywood darlings, and came back with 2016’s Youth Authority (MDDN) to much praise from old fans, and not so much from others.
One of the most hotly anticipated albums of 2018, Architects will release their new full-length Holy Hell, on November 9th on Epitaph Records. They also issued a new single and a music video which was directed by Jeb Hardwick. for ‘Hereafter’. Watch it below. The band also announced a headline tour of Europe and the UK, with tickets going on sale later this week!Continue reading →
Mesmer (UNFD/Rise) has been coming. This lush, expertly crafted album should come as no surprise. We’ve not just had the warning signs that its protagonists, Australian progressive metalcore act Northlane were ready to bring it all together for a couple of albums now, it’s been portended in neon lights that they could. That they should. And while the band may have enjoyed relative success to date, they had yet to fully convince. That is, until now. Continue reading →
For the most part, Metalcore is a genre with an air of defiance and empowering; normally a genre that is anthemic and uplifting with a positive message throughout. On latest album album All Our Gods Have Abandoned Us (Epitaph), serious credit has to be given to Brits Architects as they break this notion and offer an album with a towering message of bleakness and the need for us to stand up for change, in one of the boldest releases in the genre to date.
What is immediately striking about AOGHAU is how genuinely angry it sounds. Far from the faux rage of many of their peers, Architects have genuine reasons to be pissed off. As vegans and environmental activists, much of the album’s focus is on humanities destruction of the planet, and the sentiment of it is undoubtedly clear and real. Frontman Sam Carter in particular gives his most impassioned displays ever and very rarely drops from a full throttle roar, which amplifies the tone even further. The guitar work of course is very prominent and has a much darker tone than the genre is renowned for, whilst keys, rather than dominate, increase the atmosphere with subtle usage.
Aside from the soundscapes and textures, there are other signs that Architects are going for greater ambition than many of their peers, namely the 8 plus minute closer ‘Memento Mori’ which interjects the album’s trademark heaviness with passages of brooding, near ambience before erupting once again in sheer, white hot fury. In a genre that for all its greatness can prove stagnant at times, these signs and moves put Architects in a class of their own when it comes to vision in the genre, and thus have not only exceeded all their own greatness, but have further proven why they are one of the shining lights in the style, and for British metal itself.
Deez Nuts is streaming their music video for “What’s Good?,” here, off their new album Word Is Bond, out April 21, 2015 in North America and April 27, 2015 in Europe via Century Media Records.
Word Is Bond showcases frontman JJ Peters at his most real. It’s a short, sharp shock of pure honesty delivered in inimitable old-school style, and shouts loud and proud that Peters, guitarist Matt ‘RealBad’ Rogers, bassist Sean Kennedy and drummer Alex Salinger are here to stay. The half Melbourne / half New York City based four piece has been touring the world constantly for seven years, becoming one of the most well know hardcore bands Australia has ever produced.
And sure, Deez Nuts still go harder than any other motherfucker in the room but now, with Word Is Bond – their fourth album, produced by Andrew Neufeld (Comeback Kid) and Shane Frisby (The Ghost Inside, Bury Your Dead), Peters is confronting exactly what happens when the party stops. And with a little help from his boys Drew York (Stray From The Path, who also guests on ‘Party At The Hill’) and Sam Carter (Architects), he decided to open up like never before.
DEEZ NUTS – Word Is Bond – track listing:
2. Yesterday [feat. Dre Faivre]
3. Pour Up
4. What’s Good?
5. Behind Bars [feat. Andrew ‘Goose’ Neufeld]
6. What I Gotta Do
7. Chess Boxin’
8. Don’t Wanna Talk About It
9. Face This On My Own
10. Wrong Things Right
12. Party At The Hill [feat. Andrew ‘Drew York’ Di Jorio]
13. The Message
14. Word Is Bond
Upon the release of Word is Bond, Deez Nuts will embark on an extensive European tour with Stick To Your Guns, Trash Talk and Being As An Ocean.
DEEZ NUTS TOUR:
w/STICK TO YOUR GUNS
Special Guests: Trash Talk, Being As An Ocean
Apr 24: Impericon Fest – Zuerich (CH)(without Trash Talk)
Apr 25: Impericon Fest – Oberhausen (DE)(without Trash Talk)
Apr 26: Amager Bio – Copenhagen (DK) (w/Madball)
Apr 27: Sub Scene – Oslo (NO)
Apr 28: En Arena – Stockholm (SE)
Apr 29: Arena 29 – Gothenburg (SE)
Apr 30: Übel Und Gefährlich – Hamburg (DE)
May 02: Impericon Fest – Leipzig (DE) (without Trash Talk)
May 03: Amsterdam – Impericon Fest (NL) (without Trash Talk)
May 04: Impericon Fest – Manchester (UK)( without Trash Talk)
May 05: Cat House – Glasgow (UK)
May 06: ULU – London (UK)
May 07: Glazart – Paris (FR)
May 08: Longlive Rockfest – Lyon (FR)
May 09: Vidia Club – Cesena (IT)
May 10: Live Forum – Milan (IT)
May 11: Gala Hala – Ljubljana (SLO)
May 12: Arena – Vienna (AT)
May 13: A 38 – Budapest (HU)
May 14: Explosiv – Graz (AT)
May 15: Posthalle – Wuerzburg (DE)
May 16: Astra – Berlin (DE)
May 17: Hydrozagadka – Warsaw (PL)
May 18: Lucerna Music Bar – Prague (CZ)
May 19: Weekender – Innsbruck (AT)
May 20: Rosenhof – Osnabrueck (DE)
May 21: Substage – Karlsruhe (DE)
May 29-31: Der Ring – Nuerburgring (DE)(Grüne Hölle) (without Trash Talk, Being As An Ocean)
May 29-31: Rockavaria – Munich (DE) (without Trash Talk, Being As An Ocean)
Jul 03-05: With Full Force Festival – Roitzschjora (DE)(without Trash Talk, Being As An Ocean)