Millencolin’s SOS (Epitaph) has a lot going for it which is only natural as it’s the ninth full-length from a band with 27 years of experience under its belt. You also must factor in that it’s got the right amount of songs, running time and a clean and crisp mix. So far everything is coming up Milhouse, but I have a gripe. Continue reading →
A last gig of the year sees me take in the familiar sound of Clutch, with dual support from Inspector Cluzo, a Funk/Soul n’ Roll duo from Gascony, France, and German Blues-Rock act The Picturebooks. After a brief chat with Jean-Paul from Clutch prior to the gig, I took my place up to take in the evening’s entertainment. Continue reading →
Though enigmatic Australian duo BAK released an album back in 2010, new EP Flower (self-released) is the first time the band has released any music in the UK. Despite having a base of Beau Djekic and Kit Dyson this Arabian / Prog hybrid at times involves a full orchestra and up to 100 musicians in total. This release is, therefore, highly intriguing. Continue reading →
From the powerful opening salvo of ‘Beautiful/Dangerous’ and its driving beat, Indie Rockers Royal Blood come to mind. As well as the sonic similarities, Liverpool based Rival Bones are also a duo, with James Whitehouse on guitar and vocal duties and Chris Thomason on drums. Continue reading →
As EPs go, this release by Birmingham doomsters Alunah is perhaps a necessary one. In the wake of their founder/head vocalist Sophie Day leaving the band last year, the need to establish her replacement, Siân Greenaway, as quickly as possible means Amber & Gold (self-released) has a purpose, if nothing else. Continue reading →
“We all die. The goal isn’t to live forever but to create something that will…” begins the fifth Amaranthe album, all proudly released by Spinefarm. And while this particular release may not be quite in and of itself destined to live indefinitely in our hearts and minds, as a collective, the band really must be given credit for carving a sound and style that is wholly and completely their own. Ten years deep into a healthy and prolific career, Helix not only shows no sign of letting up but feels like a second wind to launch the band into a second decade. Continue reading →
It’s hard to fathom that Good Charlotte has been around for over twenty years – it doesn’t seem that long since the Maryland natives were the one band to really thrive in the pop-punk MTV explosion of the early 2000’s with the very successful The Young and The Hopeless (Epic/Daylight). They’re released a number of hits since then, the Madden brothers took time off for a side project, got married to Hollywood darlings, and came back with 2016’s Youth Authority (MDDN) to much praise from old fans, and not so much from others.
Three songs. Six minutes. Chaotic aggressive punked-up discordant post-hardcore with antagonistic, flesh-ripping hooks, more attitude than most style-over-substance poser acts can muster across a career and a mic drop of a release ahead of their upcoming tour with Stick To Your Guns, the Private Room EP (Pure Noise) is three previous B-sides that Canadian modern hardcore band Counterparts felt deserved more attention. Continue reading →