ALBUM REVIEW: The Pretty Reckless-Death By Rock And Roll


 

Motivational speaker John C. Maxwell once said Change is inevitable, growth is optional. In the world of Rock and Roll, an artist must embrace change and allow their music to evolve. Case in point, The Pretty Reckless released their fourth studio album this month, Death By Rock And Roll (Fearless Records) and it is glaringly apparent the band is not just embracing change but giving it a big ole bear hug. The twelve-track album is tinged with the ghosts of the tragic events that the band has experienced since their last studio album, 2016’s Who You Selling for (Razor & Tie). Continue reading


ALBUM REVIEW: Todd La Torre – Rejoice In The Suffering


Despite being initially judged as a Xerox frontman when he joined Queensrÿche nearly a decade ago, Todd La Torre has proven to be so much more than a great Geoff Tate impression. Far from being a hired gun, La Torre has been a heavy player in the band’s creative process and even put his talents as a drummer to use on 2018’s The Verdict while also contributing guest vocals to other projects. Considering the recent pandemic-induced schedule opening, it was only inevitable for him to finish up his long-awaited debut as a solo artist.

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ALBUM REVIEW: The Dead Daisies – Holy Ground


A new album and a new singer. The Dead Daisies’ latest album Holy Ground (SPV Steamhammer) is their first with the “voice of rock” Glenn Hughes, and his powerful pipes are a perfect match for the band’s well-honed classic rock. Having been in Deep Purple and more recently Black Country Communion Glenn is no stranger to famous bandmates and supergroups. The lead single ‘Unspoken’ shows that despite the ever-revolving door of bandmates, the music is as thunderous, hooky and rocking as ever.

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ALBUM REVIEW: AC/DC – POWER UP


 

After months of rumours fuelled by glimpsed sightings and blurry photographs taken outside recording studios, the worst kept secret in rock was finally confirmed at the end of September this year. With a sudden flurry of activity on their website, the announcement was clear. AC/DC was back.

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ALBUM REVIEW: Blue Oyster Cult – The Symbol Remains


After nearly two decades spent exclusively on the live circuit, Blue Oyster Cult returns with their fifteenth full-length album, The Symbol Remains (Frontiers Records Srl). In a way similar to the recent releases by fellow Seventies Rock legend Alice Cooper, the band opts for a kitchen sink songwriting method. The fourteen tracks play out like a career retrospective of sorts, exploring a variety of moods between classic-minded rockers, synth-heavy AOR numbers, and atmospheric occult excursions.

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ALBUM REVIEW: Corey Taylor – CMFT


Metal heavyweight Corey Taylor has officially made his solo debut with the release of a full record. This new space has granted him the freedom to create songs you’d never find on a Slipknot record, for better or for worse. If you follow Taylor’s career exclusively because of Slipknot, CMFT (Roadrunner) might not be worth your time. But, for fans of Stone Sour, the collection of different hard rock styles and adjacent alternative influences are sure to please. Continue reading


ALBUM REVIEW: Idles – Ultra Mono – Partisan Records


Idles have come on in leaps and bounds since their last album Joy As An Act of Resistance (Partisan Records). It’s not even been 5 years since they were playing 100 capacity venues, yet here they are today having sold out giant venues like Alexandra Palace in under a day. With two giant albums under their belt, the big question was how the Bristol band were going to not only top it, but maintain the astronomical growth they’ve been on for the past 3 years.

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ALBUM REVIEW: Seether – Si Vis Pacem, Para Bellum


 

Seether is collectively known as Shaun Morgan (vocals), Corey Lowery (guitar), John Humphrey (drums), and Dale Stewart (bass) release their eighth album Si Vis Pacem, Para Bellum (Fantasy Records). The album clocks in at just under an hour and is jam-packed with awesome songs. There isn’t a wasted moment on Si Vis Pacem, Para Bellum.

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ALBUM REVIEW: Massive Wagons – House of Noise


Massive Wagons‘ fifth album House of Noise (Earache Records) delivers unabashedly old fashioned Rock n Roll with lashings of riffs, hooks, and humour that will put a smile on anyone’s face. It builds on their fourth album, and Earache debut, Full Nelson by doing more of the same, but bigger and better. If it ain’t broke, don’t fix.

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CLASSIC ALBUMS REVISITED: Forty Years of AC/DC’s Back In Black


The comeback to end all comebacks, the story of Back in Black (Atlantic Records) began with tragedy but ended in triumph. While comebacks usually require some form of absence from the public eye, a few weeks would barely register as a blip on the timelines of most bands. But for AC/DC, that short space of time was literally life-changing. Continue reading