Seether is collectively known as Shaun Morgan (vocals), Corey Lowery (guitar), John Humphrey (drums), and Dale Stewart (bass) release their eighth album Si Vis Pacem, Para Bellum (Fantasy Records). The album clocks in at just under an hour and is jam-packed with awesome songs. There isn’t a wasted moment on Si Vis Pacem, Para Bellum.
Massive Wagons‘ fifth album House of Noise (Earache Records) delivers unabashedly old fashioned Rock n Roll with lashings of riffs, hooks, and humour that will put a smile on anyone’s face. It builds on their fourth album, and Earache debut, Full Nelson by doing more of the same, but bigger and better. If it ain’t broke, don’t fix.
The comeback to end all comebacks, the story of Back in Black (Atlantic Records) began with tragedy but ended in triumph. While comebacks usually require some form of absence from the public eye, a few weeks would barely register as a blip on the timelines of most bands. But for AC/DC, that short space of time was literally life-changing. Continue reading →
Italian stoner-doom leaders Oreyeon recently released their new album, Ode To Oblivion, via the Heavy Psych Sounds label and have been jamming it out since it dropped. Ghost Cult streamed their album prior to release and now we are back to debut their mind-blowing new video for “Trudging To Vacuity”! Check it out!Continue reading →
Ian Clement (Wallace Vanborn) and Michele De Feudis (formerly of Horses On Fire) have put their raw talent and imagination to deliver the outrageously fun, The Very Very Danger. Transforming into their own superheroes—Kitty taming the synths, Bunny behind the drums and Bear chugging away on the bass—they bring you Witness The Legitness (9000 Records/Consouling Sounds) Continue reading →
Bring up Italy when talking about Metal and you’re likely to conjure images of cheesy Power Metal a la Rhapsody of Fire or Arthemis, or melodic Gothic in the form of Lacuna Coil, but there’s a fair few decent Stoner and Doom bands, most notably Ufomammut, too. Another decent group is Oreyeon (previously known as Orion), whose sophomore album Ode To Oblivion (Heavy Psych Sounds) is a solid slab of spacey Doom and Stoner that doesn’t just dwell on the Black Sabbath and Kyuss tropes. Continue reading →
Buckcherry is always down for a good time. It has been four years since we have heard new material from the So Cal natives. A few lineup changes since then, they are back with Warpaint (Century Media) and this time without original guitarist Keith Nelson but with the same fun attitude. Continue reading →
Thirty years later and, rather remarkably with the same line up, Swedish rockers Backyard Babies are still at it, their latest effort Sliver & Gold (Century Media) continues where their 2015 ‘comeback’ album Four By Four (Gain) left off – namely glammed up Punk which fuses together the sounds of Green Day and Motley Crüe, with a bit of The Wildhearts for good measure. Continue reading →
The logo may be cheesy, the name may scream ‘Hair Rock’, but Cincinnati quartet Electric Citizen have bags of resonance and depth to accompany their melodic sensibilities. Helltown (Ridingeasy) is the band’s third album and is a rolling trip through sinister grooves. Continue reading →
“There was so much more we wanted to accomplish as a band” said Living With Lions’ lead vocalist Chase Brenneman after previous singer Stu Ross left in 2012. With such a bold statement, it is a clear indication that Island (No Sleep/Redfield), their first full-length album featuring former guitarist Brenneman on vocals, was meant to be ground-breaking. Continue reading →