You Me At Six is now encroaching upon their twentieth year of being a band. With seven albums under their belt to show for their work, what else does the band have left to showcase to the world? In the past, the band has shown that they are willing to stray into other genres. The previous album, Night People ‘was a foray into the world of indie-rock, taking inspiration from their peers in the likes of Royal Blood and The Black Keys. Continue reading
In the wake of the pandemic, and after nearly two decades together, Circa Survive had to take a look at themselves and reassess their existence as a band and direction musically moving forward. Two Dreams (Rise Records) is the culmination of this journey the band took. Unfortunately, it came alongside the tragic news of the group going on an indefinite hiatus as well, as the members venture into new creative avenues.
Since their inception in 2010, Polyphia have proven to be an ever-moving entity; one that is hugely (and purposefully) hard to pigeonhole, even across the duration of each album. Armed with potent musicianship across the board, the band have ever expanded their sound from their early days culminating currently to a cauldron of styles and tones across. It is likely you will hear this about many artists but it is a sentiment that reigns entirely true on Remember That You Will Die (Rise Records).
The three-headed behemoth that is Spite’s Dedication To Flesh (Rise Records) has all the makings of utterly decimating the status quo and completely redefining the burgeoning hardcore punk machine, and that should excite everyone.Continue reading
I like a good challenge. Every so often, I fire up my ol’ NES and give Battletoads another go. I don’t think I will ever complete the hoverbike level but I still manage to have a good time. So when my editor suggested I review the new album by Dance Gavin Dance, a band that is far outside my usual fare of extreme metal, I happily accepted the challenge.
I must be a sadist.Continue reading
It doesn’t seem like it’s been long since Palisades joined the post-hardcore scene. On the contrary, though, it’s now been almost ten years since their debut, Outcasts, dropped, and Reaching Hypercritical (Rise Records) their latest release, is the fifth album to come from the band. While the previous works have been on the lighter end of the subgenre, the singles released have featured some heavier moments in line with the heavier subject matters in the album dealing with mental health.
Are Palisades branching out of their bubble for their fifth release?
As the follow-up to the big debut, there is a lot on the line for any artist’s second album, but Mothica wasn’t afraid to jump the gun creatively with her concept record Nocturnal (releasing via her own imprint with Rise Records, Heavy Heart Records). While her last album Blue Hour explored the developmental period of becoming sober, Nocturnal dwells on the dark aftermath and search for a new meaning. With a whopping seventeen tracks including an introduction and three interludes, she took a risk with an unconventional album format – one that overall worked out in her favor.
Ghost Cult caught up with Billy Howerdel (also of a perfect circle) to discuss his new solo album – What Normal Was (Alchemy Records, Rise Records, BMG). Billy discusses his career up to now, the choice to use his own name instead of Ashes Divide, letting his 1980s influences fly on the new album, his upcoming tour dates, and some plans for a perfect circle too. Continue reading
Billy Howerdel is best known as the songwriter and guitarist for A Perfect Circle, the band he created with his good friend James Maynard Keenan (Tool / Puscifer) after they met when Tool were supporting Fishbone for whom Howerdel was a guitar tech in the early nineties, before sharing a house together in the Hollywood Hills. Howerdel would work on his early material while also engineering for the likes of David Bowie, Guns n’ Roses, and Nine Inch Nails.
With four years since the last album, metalcore lovers from the 2010s Warped Tour days have been eager to hear more from one of the community’s most prominent bands Memphis May Fire. After taking a more hard rock-leaning detour with their last record, Broken in 2018, the Texan four-piece are back to their post-hardcore roots with seventh album Remade In Misery (Rise Records). Giving a new taste of the sound that earned them most of their fans in their early years, Memphis puts in the same amount of heart we heard from them in the days of The Hollow and Challenger, but now with a newfound self-assurance and poise. Continue reading