It’s been roughly forty-three years since Killing Joke released their first single, Almost Red. Their latest release, the four track single Lord of Chaos (Spinefarm) is the first hint at what the band’s follow up to 2015’s Pylon will sound like. With the existential dread of the world falling apart around us, things may get worse before they get better, but as the horizon gets darker it seems the fire of Killing Joke burns ever brighter.
We caught up with music legend Burton C. Bell (ex Fear Factory) of Ascension of the Watchers for a new podcast, to chat all about his new album Apocrypha (Dissonance Productions). We chatted about the history of the band, the lead up to making this new album, Burton’s songwriting process, how he derives inspiration from film scores and soundtracks, his bandmates Jayce Lewis and John Bechdel (Ministry, Prong), the spiritual side to his lyrics and themes he writes from, the concept of “modern analog” and how it influenced the recording, memories of the late Paul Raven (Killing Joke/Prong), some thoughts on other projects like City of Fire and G/Z/R, and much more. Order the album here, and check out our chat.
Twenty-five years plus into his career, Marilyn Manson continues to be an enigma, wrapped tight inside a riddle, not wishing to be fully known. By never making the same album twice with his namesake band, he continues to defy expectations, and be equally loved and hated. While his early albums are masterworks that others from the 1990s would kill to rest their reputations on. However, as the rockstar gains on years and gets further away from his early years, he has transformed into a much more interesting character than when he was freaking out pastors and scarring moms and dads.