ALBUM REVIEW: Mario Lalli and The Rubber Snake Charmers – Folklore From The Other Desert Cities


Mario Lalli is a legend in the Desert Rock scene whose career started in the mid-eighties with a short-lived outfit, Across the River. From there, he’d form Yawning Man and then Fatso Jetson, (the latter with brother Larry and who’d put out their first couple of releases on the legendary SST Records label). Other bands such as

would come and go over the years, not to mention a never-ending raft of guest appearances. Continue reading


ALBUM REVIEW: The Body and Dis Fig – Orchards Of A Futile Heaven


The Body, who are comprised of Rhode Island duo Lee Buford (drums/programming) and Chip King (guitars/vocals), are a Metal band, but not as we know it (to paraphrase Star Trek). Continue reading


ALBUM REVIEW: Bronson Arm – Bronson Arm


Having followed Learning Curve Records for a fair old while, it was exciting to see one of their number, Bronson Arm, pop up on the Ghost Cult reviews list. Other noteworthy acts from said label that are worthy of investigation include The Tunnel, Something Is Waiting and Conan Neutron & the Secret Friends, to name but a few.Continue reading


ALBUM REVIEW: Going Off – Kill List


There’s a saying in the UK that it’s grim up north and what better place for a Hardcore band to emanate from than Manchester, in this case a five-piece called Going Off, who formed in 2020. Continue reading


ALBUM REVIEW: Darkplace – About the End of the World


 

There are a few artists in history whose identity is shrouded in secrecy – The Residents, Buckethead, the majority of Goat and Darkplace. In an age where social media is so prevalent and where privacy is seemingly such a dirty word, it’s refreshing that Darkplace has chosen to keep himself/herself(?) anonymous so as to let the music do the talking. Based in Sweden About the End of the World (Icons Creating Evil Art) marks the mysterious entity’s debut full-length.

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ALBUM REVIEW: False Fed – Let Them Eat Fake


 

To say that a line-up which features Discharge vocalist Jeff (JJ) Janiak, guitarist Stig Miller (Amebix), drummer Roy Mayorga (Nausea/Amebix) and bassist JP Parsons is an enticing prospect would be an understatement. This type of musical pedigree promises us that something special looms on the horizon in the form of Let Them Eat Fake (Neurot Recordings).

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ALBUM REVIEW: Hexvessel – Polar Veil


 

Having reviewed Grave PleasuresPlagueboys for Ghost Cult earlier this year, as a Mat McNerney fan I was excited to see he had another record out, this time via his folk-orientated project Hexvessel.

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ALBUM REVIEW: Ringworm – Seeing Through Fire


 

 

Alongside Integrity, Ringworm are one of Cleveland, Ohio’s premiere Hardcore outfits. Formed in 1989 the band’s original run lasted until 1994 and yielded the classic The Promise debut album. Since their 1999 reunion, the band have been prolific with Seeing Through Fire being their ninth release and first since 2019’s Death Becomes My Voice.

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ALBUM REVIEW: Jah Wobble – A Brief History of Now


 

John Joseph Wardle aka bass legend Jah Wobble started his career with post-Punks Public Image Limited (teaming up with a certain John Lydon), playing on the albums Public Image: First Edition, Metal Box, and the Paris Au Printemps live record. After his departure from that band, Jah would embark on a highly eclectic solo career exploring all manner of musical styles and collaborations far too extensive to list here.

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