While the world continues to try and resume some sense of normalcy, the world of extreme music continues to grind through what a terrible year 2020 has become. Gorgatron, deathgrind vets from Fargo (don’t cha know?), have dropped their third grimy release on this Earth in the form of Pathogenic Automation (Self-Released). The record does a great job of smashing your skull into obscurity over a forty-minute period but without overkill causing any harm to itself. Trying to save yourself from blowing your neck out is futile as there are no moments to catch your breath across the entire recording. Continue reading
Incantation is one of those bands that every metalhead knows about. Hailing from the East Coast, these guys have been around for over thirty years and have always made their presence known in the scene. From consistent album releases to endless touring, Incantation is an act that has dedicated everything to their craft. These veteran players continue to carry the banner for old school American Death Metal on their eleventh full-length, Sect of Vile Divinities (Relapse Records). Released last month, their grim and gruesome sounds gurgle to the top of the scuzzy cesspool of heaviness that they have created. Continue reading
The evolution of Salem, Massachusetts metallers Carnivora continues on their latest single, “Witch City”. The band eschews some of their classic Modern Metal, Brutal Tech Death, Thrash, and groove-heavy tendencies to bring forth a mature, straight-forward melodic powerhouse of a track.
If there’s one thing that Teutonic thrashers Destruction enjoy, it’s a live album. The sixth of their career to date, Born to Thrash (Live in Germany) (Nuclear Blast Records) was recorded at Partysan Open Air, a metal festival held at Schlotheim’s Obermehler Airport during August last year, and catches the band in, ahem… full flight. Continue reading
Glasgow may not be considered a heavy metal hub, but the band Bleed From Within proves that Scotland can produce some pretty extreme musicians. Formed fifteen years ago, this young, charged-up group of guys sought to make a spectacle of aggression and severity. Their early works took on a very vengeful edge that was mainly categorized under the Deathcore genre. Now, these fresh-faced Scots present a more sophisticated take on the ‘Core’ genres while merging it with Modern Metal on their new fifth full-length album, Fracture (Century Media Records). Continue reading
Many consider the British band, Paradise Lost to be the fathers of the Gothic Metal genre. Formed in 1988, four out of the five members have been there since the beginning. This tight-knit group of guys is a prime example of a hard-working band who knows how to stay creative and original. The exploration and determination of this act has led them down some unique roads over the years. After experimenting on albums like One Second (Music for Nations) and Believe In Nothing (EMI), Paradise Lost got back to their roots in 2015. They embraced their Death Metal background with the release of The Plague Within (Century Media Records) and 2017’s Medusa (Nuclear Blast). Now with the release of their sixteenth record, Obsidian (Nuclear Blast), their heaviness is being fleshed out with even more distinct devastation. Continue reading
Just over a decade ago, the supergroup Voodoo Gods was created. Though the birthplace is in Florida, the lineup consists of international musicians from around the globe. The diversely skilled and experienced members came together under one banner to generate some very heavy and very hostile music. In 2014, the band exchanged one epic vocalist for another. Seasoned frontman George “Corpsegrinder” Fisher from Cannibal Corpse replaced Adam “Nergal” Darski from Behemoth as the co-vocalist and soon the group released their first full-length, Anticipation For Blood Leveled in Darkness (Saturnal Records). Though it’s been six years since their last record, the band’s heat and hatred has not cooled down. Their recently released second album, The Divinity of Blood (Reaper Entertainment) wreaks havoc in a forceful, yet slightly monotonous way. Continue reading
In the realm that is black metal, fans are usually treated to anti-religious themed lyrics, a heavy dose of blast beats, and at times, cookie-cutter guitar riffs. However, as black metal has evolved throughout the years, we now get more atmospheric-centric style music with lyrics that tell stories of nature, history, or just simply life itself. Winterfylleth falls into the second category especially with their latest release, The Reckoning Dawn (Candlelight/Spinefarm). Spanning across the entire album are memorable guitar licks, thunderous drumming, backing chants, and accompanying synth work that really ties the complete sound package together. It may not be a visual painting to look at, but the UK outfit certainly put together a fine piece of art.
Ghost Cult was honored to chat with musician and artist Jacob Bannon of Converge, Wear Your Wounds, and his new band Umbra Vitae. That group just released their debut album, Shadow of Life, (read our review here), a brutal, OSDM flavored album created by Jacob and a group of master musicians and friends such as Mike McKenzie (The Red Chord, WYW) and Sean Martin (Twitching Tongues, ex Hatebreed, WYW) Greg Weeks (The Red Chord, Labor Hex) and Jon Rice (Uncle Acid and the Deadbeats, Job For A Cowboy). In a frank discussion with our editor Keefy, Jacob discussed the impact coronavirus has had on the music world and more specifically his bands and his label Deathwish Inc., what are the Death Metal inspirations of the group, how Umbra Vitae came together, how this is a full band and not side-project, the poem that inspired the band name and the entire album, an update on new Converge and WYW music, and much more. Jacob is working to stay focused and creative during the pandemic to keep his bands and Deathwish Inc. alive in all of this and if you can, please support his music, art activities at these links.
Buy the album here https://orcd.co/umbravitae
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Converge is one of the lucky Hardcore/Punk bands that has seen notable success over the years. Though they have flirted with the metal genre on some of their albums like The Poacher Diaries (Relapse Records) and You Fail Me (Epitaph Records), frontman Jason Bannon has been itching to make something heavier. This veteran vocalist loves his celebrated children Converge and Wear Your Wounds, but is now really exposing his heart for ferocity with his new Death Metal project, Umbra Vitae. Along with some other experienced and eager members, Bannon has just released the band’s debut LP, Shadows of Life on his own label, Deathwish Inc.