ALBUM REVIEW: Heaven Shall Burn – Of Truth and Sacrifice

It’s been four years since the German Extreme Metal act, Heaven Shall Burn, released their last album. After Wanderer (Century Media Records) came out, these hard-hitting fellas took a very justified break. Now with batteries recharged, they’re back with an adventurous new release. The band gifted us with the double album, Of Truth and Sacrifice (Century Media Records) earlier this month and it’s making quite the impression. Known for their aggressive sound and topical lyrics, this ninth full-length release is taking these extreme characteristics to a new level. The band has been around for nearly twenty-five years and they are still taking their massive sound to some exciting, uncharted territories. Continue reading

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ALBUM REVIEW: Kilter – Axiom

Coronavirus, quarantines, lockdowns… This seems to be the only thing we are reading all through social media around the world. Though a very serious and sad situation (stay home!), there are other ways to battle the probable lack of activity that you may be going through at home and, if you feel adventurous, you should press play to Kilter‘s Axiom (Alter-Nativ). The Brooklyn trio composed of Kenny Grohowski (Imperial Triumphant) on drums, Ed Rosenberg III on sax, and Laurent David on bass brings a very exciting, weird record that combines the heaviness of their obvious Metal roots with the strange soundscapes that Jazz can bring. Continue reading

ALBUM REVIEW: Dawn of Solace – Waves

The ingenuity, inventiveness, and inclination of Finnish artist Tuomas Saukkonen appears to have no limits. He is a composer, multi-instrumentalist, and producer who has been making music magic for a considerable amount of years. One of his many successful ventures is a solo project called Dawn of Solace. Tuomas released his first record, Darkness (Dead Air Records) in 2006 and the betwiching gloom he captured on that release was different from all his other works. Now it’s time to get another taste of this project’s gothic goodness on the new album, Waves (Noble Demon). Continue reading

ALBUM REVIEW: ÆGES – Drømmen

Los Angeles-based act Æges is a genre-defying group of guys that are turning heads in multiple music scenes. This budding band has flourished in the last few years because they have a remarkable ability to avoid being pigeonholed. Now, this ear-catching gang is ready to independently release their fourth full-length album, Drømmen (Self-Released). The animation and spirit presented on their last release, Weightless (Another Century), which came out in 2016, is taken to a deeper level on this new record. They are showcasing their exploration of new energy by making some real, heartfelt pieces. Continue reading

Ghost Cult Album of the Year 2019 Part 3 (20-1)

And now, the end is near, and so we face the final curtain. My friends, we’ll say it clear, we’ll state our case, of which we’re certain. We’ve lived a year that’s full, and listened to each and every album (well, a good several hundred, in any case), But more, much more than this, We did it our way…

#Punk #Metal #Alternative #Indie #Hardcore #Riffs #Mosh #Reviews #News #Interviews #Photos #GreatMusic #GhostCult #DeafForever

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CLASSIC ALBUMS REVISITED: Korn’s Issues Turns 20!

Think back if you will to the late great 1999. That was the year we were supposed to party like we were out of time. The states were in the throes of the Y2K scare. It was the year Nelson Mandela stepped down as president of South Africa and Kosovo went to war. It was also the year that Korn released Issues (Immortal/Epic Records). The first single, ‘Falling Away From Me’ was actually given away for free to the fans. Love them or hate them, it was a novel idea at the time and ended up raising over a quarter-million dollars for charity. Continue reading

CLASSIC ALBUMS REVISITED: Nine Inch Nails Released The Fragile 20 Years Ago

Even geniuses get beat up by the press and fans sometimes. There were very few albums as big, pervasive in music culture and brilliant as Nine Inch Nails career highlight The Downward Spiral (Nothing/Interscope) was in 1994. The problem is, how do you follow it up, especially when the entire world jumped on the bandwagon and copied your style? Well, you don’t do a belly flop into stasis, you work harder than ever to expand, change drastically and do all the things. The Fragile (Nothing/Interscope) is Trent Reznor doing all the things, really well. Continue reading