Like 2018’s Becoming A Demon EP before it, Silver Talon’s first full-length album feels like the missing link between Sanctuary and Nevermore. The latter is especially felt with the sweeping layers of Jeff Loomis-style shred guitar, modern tones, and densely arranged vocal melodrama ala mid-era Warrel Dane. There is also an underlying Power Metal spirit throughout is perhaps most rooted in something like Refuge Denied or even classic Queensryche. The band has only doubled down on that spirit with Decadence And Decay (M-Theory Audio).
Masters of baroque melodic extremity, it is befitting that Suffolk symphonaires Cradle of Filth has grabbed the goat by the horns with a suitably slick foray into the live stream arena. Atop a multi-layered theater stage set, ring leader Dani Filth sets the tone, holding aloft a flaming torch and emerging from a cowl straight out of one of the Undertaker’s Wrestlemania entrances, before announcing the commencement of the invocation of the unclean…Continue reading
After a year and change of no live shows, every single band on the planet has got to adapt themselves into the world of live streaming. The few live stream concerts I’ve seen have portrayed each band’s unique style and vision, but none as bizarre as The Melvins’ Volume 3: Mayday! Mayday! Mayday! which aired last Saturday, May 1st. The complete show is exactly what you would expect from this legendary band. The live stream started with acoustic versions of ‘Dark Brown Teeth’, a King Buzzo cover, and ‘Up The Dumper’. The most interesting and funny aspect of this particular live stream is that it felt like you were hanging out with the band in between songs. Each transition from song to song had a small interview that started with the whole band, then with Buzz Osborne, followed by Steven McDonald, and finishing with Dale Crover. Each interview featured hilarious stories of the band and their lives that covered the usage of masks to, of course, weed. The overall performance of the band was superb with a sound the sound quality you would expect from a band like The Melvins and the visuals were in the more psychedelic side that went along well with each of the played tracks. Overall this was a fun and refreshing way of conducting a live stream event and one that only sets up for the upcoming return of live shows.Continue reading
NOÊTA is a duo based between Norway and Sweden and consisting of multi-instrumentalists Ândris and Êlea, the latter of whom also provides vocals. Their music is an intriguing hybrid of dark folk and dark ambient styles, with just a hint of black metal seeping in around the edges.
The last live show I attended was on February 22nd, 2020 watching Opeth at the Apollo Theater in New York City. It was a magical night, but little did I know that was going to be the last live music I was going to be watching perform in a year. I miss live shows, as I’m sure every single one of you does as well and I was particularly reminded of this since the beginning of last week. Having said that, when The Ocean Collective announced that they were going to play a live stream show of their amazing album Phanerozoic I: Palaeozoic (Pelagic Records) in its entirety, I immediately jumped to my feet and said: “I NEED to watch that”, I knew it was going to be magical as everything the German band does.
Avatar took my live stream “virginity” away in this concert Ages|Madness from their series of Livestream concerts titled Ages, which has been running since January 9th and will end this upcoming weekend on January 30th. The Swedish band demonstrated why they are one of the most popular and entertaining bands in the genre right now by giving a performance that very well is worth the “price of admission” that COVID normalcy has given us for these types of events since we cannot go to live shows for the time being. Avatar was able to set a tone and ambiance like no other with this performance which was concentrated on tracks from the albums Black Waltz (Gain Music Entertainment) and Hail the Apocalypse (eOne Music).
One of the few regrets of my life so far is I never really learned how to handle and invest money. While I squarely blame myself for my misspent youth and years when I made higher salaries and still failed to save, I have to wonder why they don’t teach personal finance in High School, as opposed to say, calculus most of us will never use after that semester is over. Even in my long-run at undergrad and graduate school to earn multiple degrees, no one explained to me how much my student loans would dwarf my expenses and even salary in some years. All the while during this time, I played in middling successful bands with a regional following or ran a series of heavy metal websites for the last 15 years. Do we abandon all hope, ye who goes to the ATM to see a negative balance? Or is there a hero coming out of the dark to demystify the seemingly impossible Mount Doom-style odds against working-class musicians?
The early nineties was an exciting experimental and developmental time for the genre of Folk Metal. The German outfit SuidAkrA took on this evolving style and meshed it up with Black Metal on their debut album, Lupine Essence that was released in 1997. They were able to uniquely harmonize the two genres and create a memorable and meaningful record that is still considered with reverence in the Black/Folk/Celtic Metal scenes. Now the band is re-releasing their early work with original member Arkadius Antonik remastering each track himself. With new artwork, bonus tracks, and its first release on vinyl, these multi-genre metal veterans are getting a chance to properly present their initial material. Continue reading
Over 35 years ago, Fates Warning was one of the main trailblazers and influencers in the Progressive Metal movement. With so much history, there has been a lot of lineup changes throughout the years, but the band has always been known for its exploration and expansion of the scene. Even today this East Coast act is still examining their special sound. Earlier this month FW released their newest full-length album, Long Day Good Night (Metal Blade Records). These boys went big and completed 13 songs to celebrate their 13th full-length release. The group took their time to dig deep into their assorted inclinations to expose the wealth they found there.
Over thirty years ago, England’s own Carcass came to the scene and shared their glorification of grind and gore. The unhinged and manic sound they conjured found an audience and quickly gained popularity, along with their contemporaries Napalm Death and Godflesh. The surge of the extreme had its time in the sun, but after their 10 year hiatus, Carcass came back in a slightly different mood. In 2013, the group took their well-known viciousness and molded it in with more melody on their sixth full-length, Surgical Steel (Nuclear Blast). They married Grindcore and Melodic Death Metal on that record which got a lot of attention and reminded everyone why these guys are such an original act. After seven years, the band is back again with their EP, Despicable (Nuclear Blast). In just four songs, Carcass takes their significant union of sounds and exemplifies them with new levels of pandemonium. Continue reading