VIDEO PREMIERE: Children of the Sün – Emmy

Summer of Love” inspired band Children of the Sun are releasing their new album Flowers via The Sign label on July 26th, 2019 in digital, CD, and vinyl formats. The eight-piece band hailing from Arvika, Sweden deals not just the hippie aesthetic of that time, but a musical homage to the emotive vocals, Hammond B-3 organ and spacey guitars of their forebearers. Ghost Cult is presenting the retro video for their song ‘Emmy’. Get ready to jump in your Delorian and gun it to 88 miles per hour, taking you back to a simpler time of free love, good drugs, and all-around kindness to others, which we need more of today. Watch the clip now! Continue reading

Feel The Heat: Hard Rock Albums Roundup

While winter climes may be more suited to the face-painted and sombre-faced ones, there’s something to be said about warming yourself up with some Hard Rocking. Ghost Cult rounds up some of this year’s early Melodic and Hard Rock releases to see if there’s not something that can’t bring the heat… Continue reading

REVIEWS ROUND UP: Black Mirrors, Lowlives, Wildways, Bruise, Arabrot, Lord

Nearly twenty years into this twenty first century of ours, and retro is once again the chicest tone in town. Fuzzed, bluesy guitars, seventies licks and threads, and an aching earnestness for a sound of yesteryear is where the coolest of cats are chilling. And down such alleyways we find Belgian quartet Black Mirrors and their impressive full length debut Look Into The Black Mirror (Napalm). Continue reading

The Vintage Caravan – Gateways

Like Earache, Nuclear Blast was initially known for their roster of heavier metal, but have widened their net in recent years to include vintage rock acts like Black Star Riders, Tax The Heat, The Night Flight Orchestra, Blues Pills and the focus of this review, The Vintage Caravan. From Iceland, they formed in 2006 and have their fourth album Gateways, which is forty-eight minutes of bluesy Hard Rock straight from the annals of the late sixties and seventies. Continue reading

BlackLab – Under the Strawberry Moon 2.0

 

What is it about Japan that means they can produce such good doom bands? Hailing from Osaka, BlackLab is made up of duo Yuko Morino (guitars, vocals) and Chia Shiraishi (drums).  Though technically the pair’s debut, the ‘2.0’ is to highlight the fact this is the band’s original demo give a polish and a re-release on a proper label. The core sound is still intact though; rough around the edges doom with plenty of creepy atmospherics. Continue reading

Lucifer – Lucifer II

Whilst there is no pre-requisite for nominative determinism in music when you call your band Lucifer, you do set a bit of an expectation that your sound is going to, at the very least, a bit dark and evil. No one seems to have told Lucifer this. Their second album of what can only be loosely regarded as Occult Rock weaves its (black) magic in a way that is as unexpected as it is compelling. Continue reading

1968 – Ballads of the Godless

1968: the year following the Summer of Love, and the year before I was born. It’s 50 years ago now of course, and the Cheshire quartet bearing that year as its name is steeped in the Proto sound of that era. Having relentlessly gigged and released two EPs since their 2013 inception, Ballads of the Godless (HeviSike) is the band’s first foray into long-playing territory. Continue reading

Graveyard – Peace

After announcing that they had broken up for all the classic “differences within the band” reasons in 2016, Swedish Retro Rockers Graveyard are back together, armed with a new album, and sounding as raw and melodic as ever. Continue reading

Black Salvation – Uncertainty Is Bliss

Black Salvation bequeaths to the world their newest opus Uncertainty Is Bliss (Relapse) and black light owners, black eyeliner wearers, and foppish goths rejoice. It’s a heady mixture of Siouxsie and the Banshees, X, and Echo and the Bunnymen. Uncertainty is Bliss is loud and bombastic and is meant to be played on 11. Continue reading