2021 brought about the release of the new ¡MAYDAY! record Minute To Midnight (Strange Music) and with that came the building anticipation of when the Miami natives would make a trek around the country in support of the album. Given the current state of the world, it was obvious when the album came out that we would be waiting for a bit before any official announcement came out. Well… we’re here. The “Hard To Leave” Tour hit The Middle East in Cambridge Now let’s dive in, shall we?!
Fresh off of their huge set at last weekend’s Riot Fest 2021, rising genre blenders Blackstarkids have dropped a new single, “All Cops Are Bastards.” The track comes from their upcoming debut album Puppies Forever October 15, 2021 via Dirty Hit Records. Check out the track now and pre-order and pre-save the album now!
Whether you know him from his decade-long rap career, role as Felix in Birdbox, spot-on portrayal of Tommy Lee in The Dirt, comedian Pete Davidson’s BFF, or Megan Fox’s new beau, Machine Gun Kelly, born Colson Baker, has left footprints across the entertainment industry. Hot off a summer full of home-recorded covers and his first MTV Video Music Award, MGK takes another step in a new direction with his fifth studio album, Tickets to My Downfall (Bad Boy/Interscope), wearing his heart on his sleeve for 13 tracks (and 2 interludes) of pop-punk magic. Most fittingly, the new release was executively produced by Blink 182’s Travis Barker, who Baker first collaborated with last summer on “I Think I’m Okay,” along with Brit bud Yungblud. It’s no surprise the album sounds as if it could have been born during the early-2000’s pop-punk heyday. Though TTMD is a change of pace from MGK’s typical style, it does not fully abandon his roots, highlighting a multitude of hip-hop guests and beats, party songs, and pop anthems. In fact, he has consistently cited various rock acts as influences, so it was only a matter of time until he fully submerged himself in the genre.
We caught up recently with Hyro The Hero from his home, on lockdown, keeping safe from the pandemic. Sadly, his spring tour plans opening for Asking Alexandria have been canceled. In the meantime, Hyro is keeping that PMA (positive mental attitude) and keeping his spirits up during trying time by staying busy, working on music, catching up on his gaming, and trying to eat right. He is also checking out all kinds of other musicians and rappers plying their game on Soundcloud and other mediums who are respect-worthy. He’s got a good message for fans too, as Hyro has new music coming soon, the follow up to his acclaimed album Flagged Channel, via his label Better Noise, that he is really excited about, and we are too! Follow Hyro and get ready for new sounds later this year.Continue reading →
Rap and Hip Hop, not what you’d expect from us here at Ghost Cult, but we cover independent artists here as well as a major label! And the “It’s Different Now” Tour is quite literally the definition of an independent tour. Let’s dive into this, shall we….Continue reading →
Evolution is inevitable, resisting it is futile. I have witnessed oodles of bands that have resisted letting their music evolve, getting themselves trapped in a murky impenetrable bubble of monotony and dismal record sales. (Hed) P.E. is not one of those bands. If anything, (Hed) P.E. could be the official spokesmodel for bands who embrace the natural evolution of their music. The latest studio album from (Hed) P.E., Stampede (Pavement Entertainment) is a dynamic testament that the band is categorically fearless in their songwriting and continue to transcend any and all musical pre-conceived notions.Continue reading →
Most people’s experience of ‘spoken word’ music, outside of the Rap genre, is Jim Morrison‘s ‘American Prayer’. Beat Poetry, for this is essentially the format, is a hugely involving yet highly personal style which often resounds with the listener. This is most definitely the case with Enablers: a San Francisco post-Punk four-piece whose beguiling, occasionally fiery music is set to the poetry and narrative of frontman Pete Simonelli.Continue reading →
Beastie Boys were on fo the biggest, most successful groups in the work in the early 1990s when they made Ill Communication (Capitol/Grand Royale), released twenty-five years ago today. Prolific, putting out a new album every 2-3 years, the band was focused on never repeating themselves, and constantly improving. It would have been very easy for them to just keep remaking Licensed To Ill (Def Jam) over and over and that would have been enough for many bands. But Ad-Rock, Mike D, and MCA (RIP Adam Yauch) kept on changing and evolving. As they had on the previous few albums, they played all the instruments, and played them incredibly well on every track, across multiple genes. They had genius guest stars and collaborators (Q-Tip, Biz Markie, Amery Smith of Suicidal Tendencies, Money Mark, Bobo from Cypress Hill) and put the music first, before everything. Even the production on Ill Communication is incredible, all respect due to the B-E-A-S-T-I-E’s and their frequent partner at this time, Mario Caldato (“Mario C”). Continue reading →
Ghost Cult caught up with rock royalty Chip Z’Nuff of Enuf Z’Nuff to discuss their2018 album Diamond Boy (Frontiers SRL). Chip who become the frontman of the band discussed the writing approach to the new album, performing lead vocals live, all the partying he did in the 1980s and 1990s, working with other artists like Kanye West, and much more. You can purchase or stream the Diamond Boy album here:http://radi.al/DiamondBoy, and check out our pod.Continue reading →