As we dash towards the holidays and the end of the year Ghost Cult is feeling good about this season of giving. So we are giving our fans a chance to get to know our partners, peers, and friends from bands in the world of music. They will chime in with some guest blogs, end of year lists, and whatever else is on their minds as we pull the plug on 2015. Today we have Bidi van Drongelen, Dutch booker and manager who has worked with the likes of The Devil’s Blood, Saint Vitus, Ghost, In Solitude and many more. Every year a multitude of his bands get booked at the excellent Roadburn festival, and we have asked him what he feels were the best releases of 2015.
1. Klone – Here Comes The Sun
Great songwriting, amazing vocals, and a crystal clear though heavy production blending prog and post metal.
2. Ghost – Meliora
Ghost has it all to become one of the leading melodic heavy rock bands in the world
3. Bliksem – Gruesome Masterpiece
If you like Metallica’s Master of Puppets of Death Angel’s ACT III….with the a raw female voice like Doro.
4. Royal Thunder – Crooked Doors
Great atmospheric rock album with the amazing voice of Mlny Parsonsz
5. Tribulation – Children of the Night
Melodies of occult rock like The Devil’s Blood drenched with a satanic black voice which reminds of Satyricon.
6. Chelsea Wolfe – Abyss
Refreshing approach of doom & drone. ART with capital A!
7. Paradise Lost – The Plague Within
8. Steak Number Eight – Kosmokoma
9. Melechesh – Enki
10. Enslaved – In Times
11. Clutch – Psychic Warfare
12. Thy Catafalque – Sgurr
13. Amorphis– Under The Red Cloud
14. RAM – Svbversvm
15. BRING ME THE HORIZON– That’s The Spirit
16. Mgła – Excercises In Futility
17. Baroness – Purple
18. Leprous – The Congregation
19. Graveyard – Innocence & Decadence
20. Hangman’s Chair – This Is Not Supposed To Be Positive
Friends, allies and countrymen lending each other not just their ears, but their riffs too, and sharing black wax time and what we have here is a pretty cool, if gratuitous, way for two bands to promote themselves and each other. The premise for Under Command, a split EP (Metal Blade), is that each band contributes a new original, a re-imagining of the other band and a cover.
First up is RAM’s original, a spiky Judas Priest inspired 80’s rocket called ‘Savage Machine’. It goes without saying originality is at a premium, but it’s delivered in the right spirit. However, the best of RAM’s trio of unholiness is their take on Portrait’s ‘Welcome To My Funeral’, outdoing the original with graveyard tones and atmospheres working well. All the good work done in the first two, RAM chuck it away with a piss-weak and stock cover of KISS’ ‘Creatures Of The Night’ that seems to go on for double its four minute length.
Portrait have been (unfairly? the jury is still out…) tagged as wannabe Mercyful Fate merchants, with people comparing Per Lengstedt to the King, in an evaluation that the Portrait man can only come out second best in. ‘Martial Lead’ does little to dispel the Fate association, with Lengstedt’s voice and falsetto too rough and no Diamond. Their version of Exciter’s ‘Aggressor’ is decent, raw and aggressive enough, and they run through RAM’s ‘Blessed To Be Cursed’, a more underground and Satanic British Steel era Priest tune, with enough intent to do it justice.
All six tracks suffer from a retro production, and it’s interesting that by the end the differences between the two bands are negligible and this could be one release by the same act. It’s also of note that the more high profile of the two, Portrait, come out second best, but, then, RAM have more to benefit from this, and it shows in the power they put into their track.
All said and done, this is a decent enough curio, but no more than that.