The early nineties was an exciting experimental and developmental time for the genre of Folk Metal. The German outfit SuidAkrA took on this evolving style and meshed it up with Black Metal on their debut album, Lupine Essence that was released in 1997. They were able to uniquely harmonize the two genres and create a memorable and meaningful record that is still considered with reverence in the Black/Folk/Celtic Metal scenes. Now the band is re-releasing their early work with original member Arkadius Antonik remastering each track himself. With new artwork, bonus tracks, and its first release on vinyl, these multi-genre metal veterans are getting a chance to properly present their initial material. Continue reading
Over 35 years ago, Fates Warning was one of the main trailblazers and influencers in the Progressive Metal movement. With so much history, there has been a lot of lineup changes throughout the years, but the band has always been known for its exploration and expansion of the scene. Even today this East Coast act is still examining their special sound. Earlier this month FW released their newest full-length album, Long Day Good Night (Metal Blade Records). These boys went big and completed 13 songs to celebrate their 13th full-length release. The group took their time to dig deep into their assorted inclinations to expose the wealth they found there.
Over thirty years ago, England’s own Carcass came to the scene and shared their glorification of grind and gore. The unhinged and manic sound they conjured found an audience and quickly gained popularity, along with their contemporaries Napalm Death and Godflesh. The surge of the extreme had its time in the sun, but after their 10 year hiatus, Carcass came back in a slightly different mood. In 2013, the group took their well-known viciousness and molded it in with more melody on their sixth full-length, Surgical Steel (Nuclear Blast). They married Grindcore and Melodic Death Metal on that record which got a lot of attention and reminded everyone why these guys are such an original act. After seven years, the band is back again with their EP, Despicable (Nuclear Blast). In just four songs, Carcass takes their significant union of sounds and exemplifies them with new levels of pandemonium. Continue reading
Devin Townsend is a music extraordinaire who is well-known for his many different and successful projects that he has participated in over the last 25 years or so. Whether it be Strapping Young Lad or Devin Townsend Project the man has always thrown his heart into it. He is a Canadian machine that expertly and consistently generates epic-scale music in many diverse forms. Last year he released his latest solo album, Empath (InsideOut Music). He took his essence to a new level of eccentricity with a masterful embodiment of bonkers meets serene. Many cling to the wilds that is Dev for his honest presentation, whether that be in Jazz, Metal, or whatever genre he chooses to express himself with. His devotees gather in the masses at his shows for a guaranteed excellent and entertaining performance. Last December he brought his uncommon magic to England and much like his actual works, the presentation was a little unconventional. Dev is about to release his new live album, Order of Magnitude: Empath Live Volume 1 (InsideOut Music) documenting that European tour. It will be released as a limited deluxe 2CD/Blu-Ray/DVD artbook package, a limited 2CD+DVD digipak, gatefold 3LP+2CD vinyl box set, and more.
2015 proved to be a productive year for the Russian/Welsh act, Venom Prison when they released not one, but two EPs. Their ambition has continued to grow since then by deftly demonstrating the cunning and extreme of their Modern Death Metal sound. This budding band made noticeable waves in the scene when they released their second full-length, Samsara (Prosthetic Records) last year. Vocalist Larissa Stupar presented this rare rage that she and the whole band developed into a massive, contagious fury. Now, these guys are ready to exhibit how much they’ve grown in the last five years. Primeval (Prosthetic Records) is a compilation of their first two Eps re-recorded and reinvigorated.
Viking Metal started out by combining the epic energy of Black Metal with the mystical grace of Folk music. Enslaved is a band at the pinnacle of this heavy, Nordic sound. Starting out as teenagers, this Norweigian act has successively enhanced the Scandinavian metal scene for nearly thirty years. Their beginnings were more in the realm of the extreme, but over time Enslaved has not been afraid to dip into other genres like Prog Rock and Jazz. It’s encouraging to witness their ability to be undaunted by their explorations while still being true to their Viking roots. Their new fifteenth full-length album, Utgard (Nuclear Blast) verifies their astute ambition of experimentmentation and expression.
Kataklysm has proudly been waving the banners of Melodic Death and Death Metal for nearly thirty years. Originally hailing from Canada, this now multinational act has consistently delivered strikingly aggressive music for decades and it has solidified their spot at the Heavy Metal table. It’s only been two years since they released their last record, Meditations (Nuclear Blast). Yet this new full-length, Unconquered (Nuclear Blast) demonstrates how this quartet has a wealth of heaviness still to share.
Incantation is one of those bands that every metalhead knows about. Hailing from the East Coast, these guys have been around for over thirty years and have always made their presence known in the scene. From consistent album releases to endless touring, Incantation is an act that has dedicated everything to their craft. These veteran players continue to carry the banner for old school American Death Metal on their eleventh full-length, Sect of Vile Divinities (Relapse Records). Released last month, their grim and gruesome sounds gurgle to the top of the scuzzy cesspool of heaviness that they have created. Continue reading
Glasgow may not be considered a heavy metal hub, but the band Bleed From Within proves that Scotland can produce some pretty extreme musicians. Formed fifteen years ago, this young, charged-up group of guys sought to make a spectacle of aggression and severity. Their early works took on a very vengeful edge that was mainly categorized under the Deathcore genre. Now, these fresh-faced Scots present a more sophisticated take on the ‘Core’ genres while merging it with Modern Metal on their new fifth full-length album, Fracture (Century Media Records). Continue reading
Many consider the British band, Paradise Lost to be the fathers of the Gothic Metal genre. Formed in 1988, four out of the five members have been there since the beginning. This tight-knit group of guys is a prime example of a hard-working band who knows how to stay creative and original. The exploration and determination of this act has led them down some unique roads over the years. After experimenting on albums like One Second (Music for Nations) and Believe In Nothing (EMI), Paradise Lost got back to their roots in 2015. They embraced their Death Metal background with the release of The Plague Within (Century Media Records) and 2017’s Medusa (Nuclear Blast). Now with the release of their sixteenth record, Obsidian (Nuclear Blast), their heaviness is being fleshed out with even more distinct devastation. Continue reading