Tag Archives: Psychedelic

ALBUM REVIEW: Sadistic Ritual – The Enigma, Boundless

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There is plenty of heat coming out of Atlanta, Georgia and we aren’t just talking about their humid weather. Sadistic Ritual includes many prominent members of noteworthy Atlanta-based bands (such as Paladin and Vimir). Their 2019 debut, Visions of Death, was described by Decibel as, ”a fearsome thrash ripper”. Back with more blackened thrash tunes and a psychedelic atmosphere along with some slick ass production, the band is poised to reach a broader audience with The Enigma, Boundless, their sophomore album and their first to be released on their new label, Prosthetic Records.

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ALBUM REVIEW: The Last Vinci – The Revolution is Made Together

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Alex Vinci, Brasko, and Conal Murphy of The Last Vinci have released a lovely album in The Revolution is Made Together (Narrow Door). The album is like happiness flying through the clouds. The songs on The Revolution is Made Together have a pleasant, even keeled feel.

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ALBUM REVIEW: Eldovar – A Story Of Darkness And Light

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Not content to just let the sludgy boi/spooky girl pairings have all the fun with multi-artist collaborations in Doom, A Story Of Darkness And Light (Stickman Records)features the coming together of Elder and Kadavar as Eldovar (I don’t know where that ‘o’ comes from either). The two groups certainly make for interesting bedfellows; while both are arguably rooted in Seventies Rock traditions, Elder has evolved to Heavy Prog splendor while Kadavar largely subsists on off-the-cuff Stoner Blues. However, their shared interest in various genre experiments as well as established track records of high quality material gives plenty of fertile ground for such a union.

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ALBUM REVIEW: Monolord – Your Time To Shine

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Five albums into a career as one of the top bands in the modern Stoner Doom scene, Monolord offers their mellow, tripped-out effort to date with Your Time To Shine (Relapse Records). While there’s still plenty of dank fuzziness to go around, it feels almost like a backdrop at times as the cleaner guitar textures are given near equal priority and the vocals are at their most prominent. Fortunately, it feels like more of a culmination of a gradual trajectory rather than a radical shift in direction; after all, these elements started gaining traction on 2019’s No Comfort and it’s easy to imagine guitarist/vocalist Thomas V. Jager’s 2020 solo album rubbing off on the process.

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ALBUM REVIEW: Witchcryer – When Their Gods Come For You

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Witchcryer’s second full-length album comes with a noticeably broader scope in comparison to their 2018 debut. In contrast to the more groove-friendly approach to Doom Metal seen on Cry Witch, the song lengths on When Their Gods Come For You (Ripple Music) run longer with a greater emphasis on atmosphere and methodical structuring. The lyrics also work to give the album a more palpable sense of purpose, running the gamut of underworld and death figures from various world mythologies.

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ALBUM REVIEW: Heavy Temple – Lupi Amoris

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The first proper album from Heavy Temple sees the Philadelphia power trio in a rather interesting position. Aside from featuring a new lineup of players behind bassist/vocalist High Priestess Nighthawk, Lupi Amoris (Magnetic Eye Records) doesn’t seem too different from the two EPs released before it. It isn’t that much longer than those EPs, consisting of five tracks totaling thirty-three minutes long, and is executed in a similarly free-flowing Heavy Psych style. Continue reading →


ALBUM REVIEW: Book Of Wyrms – Occult New Age

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While the core sound behind Book Of Wyrms has always been a balance between Doom Metal and Space Rock, their third album sees the band committing much more to the latter. Occult New Age (Desert Records) retains the methodical tempos and some of the beefy riffs of 2019’s Remythologizer but ultimately devotes its atmospheric ends to lighter textures and looser structures. The heavier sequences have more in common than Kyuss than Cathedral and their underlying Hawkwind influence had previously never been highlighted to this extent.

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Skraeckoedlan Share “Universum” Video; Celebrating 10 Years Since their Debut

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Swedish progressive/stoner band Skraeckoedlan released their new single, “Universum”. The song originally appeared as “Universe” on 2011’s Äppelträdet album. Skraeckoedlan — guitarist/vocalist Robert Lamu, guitarist Henrik Grüttner, bassist Erik Berggren and drummer Martin Larsson — recorded their parts separately over video and then compiled the track. Watch the clip now at The Obelisk.

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ALBUM REVIEW: Green Druid – At The Maw Of Ruin – Earache Records

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The second full-length album from Denver’s Green Druid promises broader influences compared to its predecessor, 2018’s Ashen Blood. It’s certainly true to an extent as the harsher vocals pop up more frequently and a couple of segments go-between post-Rock and Death Metal, but At The Maw Of Ruin (Earache Records) ultimately keeps to a steady Stoner Doom template. Comparisons could be made to their fellow Coloradans in Khemmis as the album utilizes a similar combination of monolithic riffs, drawn-out structures, and a desolate atmosphere.

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