Tonight is a busy day for Metal in the Capital, with the dreaded evening of multiple gig clashes, within a few stops of the Northern Line alone. One stop down from tonight’s proceedings in Tufnell Park sees the Cerberus-like bill of Behemoth, At The Gates and Wolves In The Throne Room, whilst Camden Town sees Toundra for those seeking something more mellow, and Obscura for some who, well, aren’t. This goes someway to explaining why The Dome looks tonight to be, at best, around half capacity for much of the night. Not that this seems to dampen anyone’s mood, as all night the crowd are on fine form, showing the bands plenty of love and movement as well as respect to one another. Continue reading
It is pretty commonplace for the draw of music, especially heavy or extreme music, to be an integral part of the relationship that we have with hardship and the difficulties of life and of mental health. We more than likely have been through or know someone who has been through utter lows of mental health and perhaps have even considered or attempted suicide. Continue reading
Tis the season… for Black Metal! To celebrate, Ghost Cult runs the rule over several of this Winter’s coldest releases… Continue reading
I imagine if you as far into your career as Death Metal veterans Psycroptic are right now, you reach a certain point where it’s either stick or twist. Their albums since the very start have always delivered the goods but it wasn’t until 2003’s Scepter Of The Ancients (Unique Leader) that it truly felt like the band had arrived, they then proceeded to tread water somewhat with albums that never even came close to Scepter… Continue reading
I’m looking at Spirit Crusher (Prosthetic) the latest release from Sweden’s Dödsrit and I’m getting a feeling. Not super familiar with the band but judging by the font and the presence of umlauts we know extreme music is on the way, particularly of the Black Metal persuasion. And these song lengths certainly suggest experimentation and a non-commercial nature. Dödsrit is a one-man project isn’t it?
Those one man acts always have the most to say. Continue reading
Black metal with a clean, crisp production and actual melody isn’t going to work for everyone. To some, it’s just not “cult” enough if it doesn’t sound like it was recorded at the bottom of a well, but Infera Bruo are three records into their career now and they’re still able to sound vibrant and full of ethereal evil. The emphasis, as ever with Infera Bruo, is on the balance of dark ambience with hints of malice scattered throughout. However, while Cerement (Prosthetic) is more to-the-point than previous releases, it lacks the memorable flair of both of its predecessors. Continue reading
I had a feeling that Rebel Wizard was a one-man project. I guess there are certain tells when it comes to that type or arrangement. Band title doesn’t seem to be an effort of compromise or mass appeal, the simple yet gloomy art design, the song titles. Yes, let’s talk about these fucking song titles. Screw it, the album is called Voluptuous Worship of Rapture and Response (Prosthetic). Continue reading