ALBUM REVIEW: Wilderun – Veil Of Imagination

Buckle up, you’re about to enter an epic journey. If you’re just like me, that gets into the music and just get chills by listening to certain melody arrangements and you just cry; yes, cry, then this album will probably lead you to that (maybe not necessarily crying, but you catch my drift). It’s not because the music is necessarily sad, this is not the case here, but rather from the excitement of what you’re listening to. Well, that was my initial reaction to Wilderun’s third album, Veil of Imagination (Self-Released), I literally couldn’t stop the tears coming out of my eyes in awe of what the information my brain was receiving. The first track ‘The Unimaginable Zero Summer’, my absolute favorite, by the way, it’s a summary of what you will get from this album. From epic choir vocals to great instrumentalization, this album surely brings a great variety of elements that will make any Progressive Metal fan jump in excitement. Continue reading

CLASSIC ALBUMS REVISITED: Pink Floyd’s “The Wall” Turns 40

40 Years, Still Breaking The Wall

Ever wondered what makes a “classic band” classic? Have you ever sat down and play records of bands like The Beatles, Led Zeppelin, AC/DC, etc. just to analyze the components of what makes them be as magnificent as they are? Even more, how is it that forty, fifty years later their music still as intact and as relevant as ever before? This is the case with Pink Floyd, especially when we think about that four classic albums run that they had in the mid-seventies. Albums like The Dark Side Of The Moon, Wish You Were Here, and Animals, brought us records that still are in the charts and are, basically, soundtracks of our current lifestyle. Continue reading

ALBUM REVIEW: Leprous – Pitfalls

Mental health is a topic that many artists have engaged in recent times, from different perspectives and outlines, but when put into music, as an audience, we can be able to identify ourselves with it even more; it’s like having a soundtrack to your pain. This is exactly what Leprous brings with their new album Pitfalls (Inside Out Music). Keep in mind though, if you are a fan of the band and you’re looking for Heavy Progressive music, you should open your mind a bit, because the majority of this album is not heavy. Now, the fact that this is not a heavy album should not mislead you since this is probably one of the best-written albums of the year. There are tracks like ‘I Lose Hope’ and ‘By My Throne’ that are even danceable tracks (think House music and stuff in that vein) but there are tracks like ‘Foreigner’ and ‘The Sky is Red’ that have some riffing that characterize the heavy side of the band. Continue reading

Drumming Icon Ginger Baker, Dead at Age 80

Sad news as classic rock icon Peter “Ginger” Baker, who rose to stardom in the 1960s with supergroup Cream, has died. He was 80 years old. The news was shared by his family in a post to Facebook, which you can see below. Baker died after battling a history long illnesses, including heart problems, and was hospitalized just recently. Baker was arguably the greatest drummer of his generation, and an all-time great along with Buddy Rich, John Bonham, Keith Moon and more. Best known for his work with Cream, Blind Faith, Ginger’s Baker’s Airforce and as a solo artist, performer, and clinician; Baker’s blend of Jazz music mastery and at times unrivaled power and creativity was a revelation compared with others at the time. His stint with Cream, particularly their live performances, was etched in the minds of a generation of would-be players.’ Politician’ by the band is arguably the first metal and stoner rock song. He certainly inspired the likes of progressive rock drummers to follow him such as Neal Peart and Carl Palmer. Eric Clapton is the sole remaining living member of Cream, now that Baker and Jack Bruce have passed away. Baker’s often had famously cantankerous and surely reputation, solidified by the documentary Beware of Mr. Baker. The film asserted that Baker was the greatest drummer ever, a sentiment Baker himself agreed with. We send out sympathies to his family, friends, and legion of fans at this time. Continue reading

Opeth Books North American Tour For Next Winter

Events Center, Mandalay Bay Hotel and Casino, Las Vegas, NV 8/18/19

Progressive Metal legends Opeth have finally booked a US tour in support of their acclaimed new album In Cauda Venenum, out now via Moderbolaget / Nuclear Blast. Fellow Swedish band Graveyard will open! The dates include two nights at the legendary Apollo Theater in New York and performances at the renowned Ryman Auditorium in Nashville and at the famed Hollywood Palladium in Los Angeles. Tickets will sell fast, beginning 10:00AM Local Time Friday, October 4th at the link below. Opeth mastermind Mikael Åkerfeldt recently spoke to Ghost Cult about the album. Continue reading

CLASSIC ALBUMS REVISITED: The Beatles “Final” Album “Abbey Road” Turns 50

Fifty years ago, The Beatles released what was their final recording together, Abbey Road (Apple Records). Even though the ‘Get Back’ single sessions and the massive Let it Be (also Apple). Let it Be is always remembered as the swansong and has the epic title track ear-wormed into our souls, but Abbey Road was the last time the band would work together collectively on music. Although they were the biggest band on the planet at the time, and their relationships were disintegrating, the group made some of its best music ever on this album. Continue reading

PODCAST: Episode 42: Mikael Åkerfeldt of Opeth Talks New Album and Progressive Music

Ghost Cult had the distinct pleasure of chatting with the one and only Mikael Åkerfeldt of Opeth recently. In a wide-ranging chat with our Chief Editor Keefy, Mikael discussed the new album, In Cauda Venenum, due out September 27th via Moderbolaget Records / Nuclear Blast Entertainment. We discussed his creating both English and Swedish language versions of the album, using an orchestra and choir, concept records, progressive rock artists he likes such as Pink Floyd, King Crimson and Peter Gabriel, working at Park Studios, philosophical lyrics, and why he treated this album like it was the final Opeth album. Continue reading