For a band that hasn’t changed their sound much over the course of almost twenty years, Pennsylvania quintet August Burns Red miraculously continues to stay not only relevant but one of the most widely respected acts in modern metal.
For a band that hasn’t changed their sound much over the course of almost twenty years, Pennsylvania quintet August Burns Red miraculously continues to stay not only relevant but one of the most widely respected acts in modern metal.
To say that Redemption’s I Am The Storm (AFM Records) is chock full of technically proficient playing and complex yet inviting compositions would be an understatement. There is no question that Nick van Dyk is a master of his craft. I Am The Storm just cements that fact.
Thirteen years since the release of their debut self-titled album, Periphery have made a name for themselves as one of the leading forces in the progressive metal world. Utilising a vast array of influences and genres into their own sound to create something unique with each release.Continue reading
It seems to be an increasingly common event in today’s turbulent music scene that bands see departures in their ranks; whether this subsequently derails the band completely or becomes a benefit. For Entheos, it is firmly a case of the latter. Stripping to a two-piece consisting of vocalist Chaney Crabb and multi-instrumentalist Navene Koperweis, the pair have been able to write with less compromise and more focus on their own vision. The result of which, Time Will Take Us All (Metal Blade), certainly feels like fine-tuned creative pairing is a strong step up.
At this point some thirty years into their illustrious career, Enslaved have truly transcended into their own musical entity. Creating a genre in their own image with a highly unique sound that still stays true to their extreme metal roots, but also blends the darkness with the light of progressive rock, and providing two distinct and opposing vocal styles in a way that no other band does.
Ghost Cult caught up with Cody Lee Ford of Soen ahead of their recent new album “Atlantis” – out now on Spinefarm Records. Cody discussed the exciting “Atlantis” album, including its dynamic changes and reimagining of tracks, how the new material highlights the band’s underrated attributes, their Slipknot cover, shifting back to their “heavy” material, and what is coming up for the band in 2023. Continue reading
Rivers of Nihil closes out their late year mini-tour with Killswitch Engage and Unearth tongith at a sold out show at The Worcester Palladium. Watch a fan site down and meditate during Rivers’ set at The Paramount in Long Island, New York.
Chicago is renowned for being home to some of the country’s most acclaimed concert venues. Lincoln Hall resides just north of downtown and has been voted as one of the best spots for live music in the city by sites like Yelp and Foursquare. The owners of Schubas Tavern opened their second location in 2009 in a hundred-year-old building and have been hosting transcendent live appearances since. Soen picked well to make this their Midwest stop on their one-month-long North American tour.
Press on, intrepid reader, to find out our top albums of 2022, as voted for by the cast, crew and hangers-on of the good ship Ghost Cult. Over 275 albums were nominated (including one stray and errant vote for Stryper… we’ve had words), some people lauded albums as the greatest of all time that no one else noticed, other albums picked up a steady stream of votes across the board without tickling the top of anyone’s charts, but through it all, we’ve been able to compile our team list of the best 75 albums of the year. And there are some absolute corkers, here. 75 of them, to be exact…
As we move into the meaty part of the Ghost Cult albums of the year for 2022 (as chosen solely by the team that dedicate their time to promote, analyse and share the love for the great alternative music that we exist to talk about), we find a mix of old favourites and a sprinkling of new rising and shining stars…Continue reading