Happy New Tool album Day! Fear Inoculum (RCA REcords/Volcano)is out now! This may very well have surpassed the Slipknot and Rammstein albums in terms of hype! You can read our 9 / 10 review or flip back to all our recent coverage here! Apparently there is a big tour announcement coming tomorrow from the band as well. Stay tuned to Ghost Cult for details! Go ahead and purchase and stream the album now! Continue reading
You are not really ready for the new Tool album.
Thanks for coming to my TedX Talk.
Ghost Cult had the opportunity to visit RCA Records’ headquarters in New York City to take part in an exclusive Tool listening event for press for Fear Inoculum, releasing on August 30th. We appreciate being counted among the major media in attendance and getting to experience this highly anticipated new album. Although this is not a full review (check back next week), this contains our initial thoughts on Tool album number six. Continue reading
One can achieve a great deal with a cello. Just ask Dead To A Dying World, a Texan troupe whose main line of work is a sound which melds Black Metal, Doom Metal, and Prog Rock. This seems to have found an audience of sorts – as they are now onto their third album, Elegy (Profound Lore Records). Continue reading
Roadburn has a history of creating ‘once in a lifetime’ moments every year the festival comes around, and in 2018 we were exposed to the pairing of two of Finland’s most eclectic and psychedelic outfits performing a one-off commissioned piece of music never to be replicated. Oranssi Pazuzu and Dark Buddha Rising created something truly magical on stage that day, fans and critics alike cried out for more, be it a live recording of the set or just one more show. Thankfully, our prayers were not only answered but exceeded, as the dynamic duo of weird and wonderful artists got together again to create Syntheosis (Svart); an entirely new piece of mind-bending brilliance. Continue reading
Metal and Folk go back decades. From the inception of the genre in the 1960s, folk literature and myths became a staple across a variety of Metal genres with their fantastical themes and imaginative escapism. However, the sonic and musical marriage of Folk and Metal is very different from those lyrical thematics both genres now share. Some amongst the Metal community would argue that the inclusion of ancient instruments such as panpipes, fiddles, and flutes makes the music sound corny and cliché and thus diminishes the aggressive nature of the metallic component of Folk Metal. Continue reading
Normally August Burns Red EPs are, believe it or not, a bunch of Xmas songs given a metal makeover. However, this time to bridge the gap between recent album, The Phantom Anthem, and the next record, they have decided to release The Phantom Sessions (both Fearless Records) which features an eclectic mix of new songs, covers and rearrangements of songs from the 2017 album. Continue reading
Fancy that, Thunder Horse (BC/TX) just happens to be the debut LP from well, err, Thunder Horse. I’m only surprised because even the youngest bands today seem to have a trail of EPs and singles before jumping onto the hollowed full length. And as far as musical maiden journeys go, this San Antonio outfit has hit the ground running. Continue reading
Djent never really took off as the next big thing, but it did spawn a few world-class bands that are probably more happy simply living under the Progressive Metal banner. And tonight London’s Shepherds Bush Empire hosts two of the scenes leading lights, Between the Buried and Me and TesseracT. Continue reading
With a name that will annoy grammar pedants the world over Atlas : Empire (yes, the gap is intentional) is an Alternative Rock band with a difference – the Scottish trio’s alt.rock comes complete with large servings of Prog, Metal, and Grunge. With three EPs under their belt since their formation in 2011, December 2018 sees the release of their debut album The Stratosphere Beneath Our Feet (self-released/Bandcamp). Continue reading