My mother always told me to not judge a book by its cover. I have always tried to heed the words of my wise Madre’, but sometimes in doing music reviews I consign to oblivion that idiom. Case in point, when my editor sent me the new single by SINthetik Messiah, Black Sheep, I was tad incredulous. My feelings stemmed from seeing the heading on the Soundcloud link, #cajun industrial bass. I had never, in all my Skullgurl years, have encountered a musical group described as this. I started reading the bands press release, and SINthetic Messiah is described as Cajun electronic/industrial bass there also. Well, slap my fanny and call me fancy, I had just been given the gift of a brand new musical experience.Continue reading
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FESTIVAL REVIEW: NOIZ All-Dayer Live at Rebellion, Manchester UK
He was so deeply huddled under a blanket that it took a while to locate the source of the voice hollering my name. Eytan Wineapple, curator of the rumbling beast that was the NOIZ All-Dayer, initially celebrated its second incarnation looking like death warmed up. After a long couple of days, with Wineapple escorting eventual headliners Dukatalon to Sheffield and back, they eventually bedded down in today’s venue. “They got here around 3 a.m., and I tucked them all in!” joked Rebellion manager and event collaborator Hayley. Five minutes later, the flat-capped Wineapple was bounding around like a madman: putting to serious shame Ghost Cult’s scribe who, twelve hours later, and still nearly three hours from the denouement, interviewed said host in a rather weary and addled fashion…
NOIZ is not your average festival. Displays of album-style art and guitars in various stages of completion (one of which is raffled off later in the day) stand beside the S.O.P.H.I.E. merch stall in the upper level of the club-style venue. A dedicated handful, meanwhile, witness the pulverising Industria of openers Khost: looking for all the world like a couple of local scallies bumbling about on a stage, yet laying waste with a mystical power which deserved a better slot and much more attention. The Birmingham duo’s ambient, crushing set, its implosive chords and guttural scours blending with a wonderful and passionate line in Middle-Eastern vocal samples, ended bang on time: a courtesy that some of the festival’s other performers could have tried harder to match.