Having established itself with a series of singles since their 2019 formation, Tasmania’s Fierce Deity takes an epic step forward with Power Wisdom Courage (Self-Released). Having three songs total to a thirty-two-minute runtime puts this release on that weird line between an album and an EP and seeing these tracks sprawl to ten-plus minute lengths results in a release with an epic scope and a compact execution. Fortunately, these seemingly contradictory elements end up coming together well to form an incredibly triumphant work of Stonerized Power Metal.
While Blazon Stone’s sixth full-length continues down their established path of Running Wild emulation, it’s also the first they’ve released as a full-fledged band. In contrast to past albums that had bandleader Cederick Forsberg recording most of the instruments himself with whoever was available to sing at a given time, Damnation (Stormspell Records) sees him just sticking to the guitars this time around. A completely new lineup has been assembled that includes a new singer, a new drummer, and even Crystal Viper bandmate Marta Gabriel on bass duties.
When every superlative known to man has already been used a hundred times over, it’s difficult to find something to say about Iron Maiden that hasn’t already been said. Every lyric, song, album and music video has been rated and evaluated to within an inch of its life. Business dealings and interviews are scrutinized in microscopic detail, and the minutiae of every record cover examined and dissected like a hairy art project. The moment anything regarding the band is released, the global hive mind that is Maiden’s information-hungry fan base not only know about it but have already expressed their opinion.
One of the worst kept secrets in power metal is that “The Tribune”, the Roman frontman of gimmicky cosplayers Warkings, is none other than Serenity vocalist Georg Neuhauser. Slightly more elusive than the distinctive vocal cords of Neuhauser, the identities of his role playing bandmates would now appear to be that of German outfit, Souldrinker, with drummer Steffen Theurer playing “The Spartan”, bassist Christian Rodens as “The Viking”, and guitarist Markus Pohl in the role of “The Crusader”.
Proggy Power Meal artist Jeff Black has released a new single, his sixth in recent times, “Silence!” The track features James Delbridge of Lycanthro on vocals, and is a soaring, inspirational track. All the hallmarks of Jeff’s style can be heard here, as “Silence” continues to build on his previous work. Drawing influences from both Power Metal greats and Heavy Metal legends, Jeff’s recent singles have featured guests ranging from Adamantis, Seven Sisters and Greyhawk. He plans to release a new single monthly in 2021! Check out the track here only at Ghost Cult!
If you like your power metal sexy, your werewolves German, and your nuns covered in fur then today just might be your lucky day. Under the glow of the full moon, faces painted, and armed with another batch of songs about priests, angels and lustful desires, those lecherous lycanthropes Powerwolf have returned with Call of the Wild (Napalm Records), another batch of saucily sacrilicious earworms (wereworms?).
With nine years spent waiting since the release of their last album, 2012’s Bury The Light, Pharaoh returns in forceful fashion with their fifth full-length. The Powers That Be (Cruz Del Sur Music) could very well be the Power Metal veterans’ most aggressive outing since 2006’s The Longest Night, bringing in a borderline thrash undercurrent with the guitar’s blazing technical runs along with the vocals’ established grit. This is established right off the bat with the title track’s assertive crunch and ‘Will We Rise’ follows up the intensity with some added Classic Metal flavor.
Sometimes, even for grumpy middle-aged metal fans, wishes can come true. So when it was announced in 2017 that former Helloween members Michael Kiske and Kai Hansen were to join the current incarnation of the band there was much, much rejoicing. The Pumpkins United (Nuclear Blast) single which followed swiftly dispelled any initial concerns about musical overcrowding, the band now consisting of seven members including three vocalists plus Hansen adding a third guitar, and the path to Helloween (Nuclear Blast) was clear.
It’s been well documented that the road to Aggression Continuum (Nuclear Blast Records), the latest album from Californian cyber-metallers Fear Factory, has been strewn with obstacles, challenges, and all manner of highly publicised internal disputes. Since its recording, the band has endured a lengthy legal battle which concluded with the departure of vocalist Burton C Bell, and saw guitarist, songwriter, and current studio bassist Dino Cazares winning the rights to the Fear Factory name via auction.
Like 2018’s Becoming A Demon EP before it, Silver Talon’s first full-length album feels like the missing link between Sanctuary and Nevermore. The latter is especially felt with the sweeping layers of Jeff Loomis-style shred guitar, modern tones, and densely arranged vocal melodrama ala mid-era Warrel Dane. There is also an underlying Power Metal spirit throughout is perhaps most rooted in something like Refuge Denied or even classic Queensryche. The band has only doubled down on that spirit with Decadence And Decay (M-Theory Audio).