If you like your power metal sexy, your werewolves German, and your nuns covered in fur then today just might be your lucky day. Under the glow of the full moon, faces painted, and armed with another batch of songs about priests, angels and lustful desires, those lecherous lycanthropes Powerwolf have returned with Call of the Wild (Napalm Records), another batch of saucily sacrilicious earworms (wereworms?).
Project: Roenwolfe occupies a prime position in one of the Heavy Metal world’s more overlooked niches. Their Power/Thrash Metal fusion provides a trifecta of melodicism, intricacy, and aggression that is most directly in line with Iron Savior while also triggering associations with Helstar and Heathen, among others. Edge Of Saturn (Divebomb Records) is their first album since they debuted with 2013’s Nightmare Dreamscape. And as expected, there have been some upgrades in that eight-year timeframe.
Back with their third full-length release, Californian act Witherfall return with prog guns blazing on Curse of Autumn (Century Media). Formed in 2013 by former White Wizzard frontman Joseph Michael, former White Wizzard and former Iced Earth guitarist Jake Dreyer, and the incredibly talented, but former, er… Justin Timberlake bassist Anthony Crawford, the band has produced another seriously heavy record that delivers riffs, hooks, and dazzling technicality. Continue reading
Although the brand of epic European power metal that Crystal Viper performs is most definitely up my street, I must preclude this review by admitting that aside from hearing the odd song here and there, I have had no real exposure to them on a studio album level. The Cult, is the Polish act’s eighth full-length release in a legacy that has thus far lasted eighteen years. At face value, a band that maintains that level of consistency would have me assume they have nailed down a singular style and were comfortable releasing records in said style without a whole lot of variation. It is therefore with a great sense of irony that my first review of their noise is of a disc which caught me completely off guard by occupying a different scene entirely. The sweetly epic elements the band is known for are certainly present in The Cult, but the power metal is largely downplayed in favour of a more classic but simultaneously epic style of heavy metal, one that calls back to the days of bands like Accept and Saxon without ever sounding derivative of either.
Continuing with the concept of Apex (Napalm Records), Canadian power metal quartet Unleash The Archers return with their fifth full-length album, Abyss (Napalm), a direct sequel to its 2017 predecessor.Continue reading