ALBUM REVIEW: Might – Abyss


 

Based in Hannover, Germany, duo Might was formed in 2020 by Ana Muhi (vocals/bass/piano) and Sven Missullis (vocals/guitar/drums) and are part of the Exile On Mainstream roster which has been/is home to the likes of The Hidden Hand, Trialogos, Gore and Dälek.Continue reading


INTERVIEW: PODCAST: Episode #168: Billy Howerdel – The Ghost Cult Interview


Ghost Cult caught up with Billy Howerdel (also of a perfect circle) to discuss his new solo album – What Normal Was (Alchemy Records, Rise Records, BMG). Billy discusses his career up to now, the choice to use his own name instead of Ashes Divide, letting his 1980s influences fly on the new album, his upcoming tour dates, and some plans for a perfect circle too. Continue reading


ALBUM REVIEW: Billy Howerdel – What Normal Was


Billy Howerdel is best known as the songwriter and guitarist for A Perfect Circle, the band he created with his good friend James Maynard Keenan (Tool / Puscifer) after they met when Tool were supporting Fishbone for whom Howerdel was a guitar tech in the early nineties, before sharing a house together in the Hollywood Hills. Howerdel would work on his early material while also engineering for the likes of David Bowie, Guns n’ Roses, and Nine Inch Nails.

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EP REVIEW: De Arma – Nightcall


De Arma’s new three-track EP Nightcall marks something of a turning point for the Swedish gothic rock band. Following their 2021 album Strayed in Shadows, the band have now signed a multi-album deal with Silent Future Recordings, for whom Nightcall is the first offering.

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ALBUM REVIEW: GGGOLDDD – This Shame Should Not Be Mine


GGGOLDDD, based in the Netherlands, have for the past decade been releasing material that defies genre conventions and blurs the boundaries between all manner of musical styles, from Metal, to post-Punk, to Pop, to Trip-Hop. Their fifth full-length release, This Shame Should Not Be Mine (Artoffact Records) is based around deeply personal themes to vocalist Milena Eva, who uses this record, conceived during the 2020 lockdown, to address traumatic events including sexual assault.

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CONCERT REVIEW: Gary Numan – I Speak Machine: Live at The Paradise


The Paradise, Boston, MA 3/14/2022

I have been to quite a few concerts since the world began to re-open and attempt some semblance of normal but so far none have left me with the sense of inspiration and hope the way that the Gary Numan show at The Paradise in Boston has. Not even being crammed into the most challenging venue in the city could crush my spirits. (photographers are not allowed in the barrier and there are few good places just to watch from).Continue reading


EP REVIEW: Killing Joke – Lord of Chaos


It’s been roughly forty-three years since Killing Joke released their first single, Almost Red. Their latest release, the four track single Lord of Chaos (Spinefarm) is the first hint at what the band’s follow up to 2015’s Pylon will sound like. With the existential dread of the world falling apart around us, things may get worse before they get better, but as the horizon gets darker it seems the fire of Killing Joke burns ever brighter.

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ALBUM REVIEW: Gregor Barnett – Don’t Go Throwing Roses In My Grave


They say (well, Turisas did, which is probably as unlikely a band to reference in the introduction to a review of a solo album by the vocalist from The Menzingers as you’re going to get) no good story ever starts with drinking tea. But, maybe, just maybe this one does. For the journey of Don’t Go Throwing Roses In My Grave (Epitaph Records), the first solo album from Gregor Barnett begins with the premature closing of one adventure and the unplanned void of returning home to… no plans. Just peace, quiet, solitude, and, well, whatever hot drink of choice our man from Pennsylvania chooses to imbibe the morning.

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ALBUM REVIEW: Unto Others – Strength


Effectively serving as the second Idle Hands album under a new name, it only makes sense for Unto Others’ Strength (Roadrunner Records) to continue the mix of Classic Metal and Gothic Rock last seen with 2019’s Mana. However, debuting with a sound balancing two distinct styles like this inevitably raises the possibility of a tug o’ war taking place on subsequent offerings. In this scenario, it begs the question whether the band will prioritize their Metal side or their Gothic side. But as they say in that one Taco Bell commercial: “Why not both?”

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