Over 35 years ago, Fates Warning was one of the main trailblazers and influencers in the Progressive Metal movement. With so much history, there has been a lot of lineup changes throughout the years, but the band has always been known for its exploration and expansion of the scene. Even today this East Coast act is still examining their special sound. Earlier this month FW released their newest full-length album, Long Day Good Night (Metal Blade Records). These boys went big and completed 13 songs to celebrate their 13th full-length release. The group took their time to dig deep into their assorted inclinations to expose the wealth they found there.
In times of upheaval is partisanship the answer? In a world of divisive political opinions and warring religious ideology, where should one stand? Hate cannot be combated with hate, it can only be effectively defeated with love and unity. Theologically and spiritually seeking balance in the world is the main aim of UK anonymous mystic merchants, Sermon, and they do so with their debut album, Birth Of The Marvellous (Prosthetic Records). Continue reading →
No, I have no idea what a Ramagehead is either, but this quixotic and enigmatic title seems entirely apposite for a third album of psychedelic Progressive Rock from this most discerning and intriguing of collectives. Combining the talents of Porcupine Tree’s bass general Colin Edwin and King Crimson drummer Pat Mastelotto, this already sounds like a Fantasy Prog Band competition winner. Add in some vocals of an Obake vintage and you’re there. This could end up being the most intimidating and contrived ego-trip were it not handled carefully.
Sometimes modern bands can forget the lineage of Progressive Rock – if we go back in time to the seventies and early eighties, it was an experimental style of music that often incorporated twinges of Psychedelia, Pop and Rock whilst still allowing for extensive sonic exploration with elements of Blues, Folk, and Jazz along with constructs such as longer song formats. Continue reading →
The bastion of progressive, challenging and heavy music in the world, Kscope is celebrating ten years in business in 2018! Cheers! To help us celebrate, music industry veteran Simon Glacken of For The Lost PR has shared his favourite releases from the Kscope label.Continue reading →
Porcupine Tree’s Steve Wilson has released a greatest hits album! But don’t get too excited Sadly, it’s for that pop side-project you probably didn’t know or had tried to forget about. Continue reading →
Kscope Music is celebrating 10 years as a label in 2018 and has booked a grand concert at London’s Union Chapel on October 2nd. It will feature performances from Anathema, Paul Draper, Iamthemorning and Gleb Kolyadin. Tickets are on sale now. Continue reading →
Over the course of their history, Greek metallers On Thorns I Lay have undergone some significant shifts in sound and hit across waves they haven’t always been capable of riding. After name several name changes and a more death metal style, their first outing under the On Thorns I Lay moniker saw a Gothic/Doom/Death sound creep in; culminating in 2003’s messy attempt at an alternative progressive rock sound akin to Radiohead or Porcupine Tree which ultimately saw them split up soon after, due to losing sight of their musical identity according to the band themselves. Continue reading →
Founded in 2008, Lunatic Soul is the musical alter-ego of Riverside frontman and bass player Mariusz Duda. Duda has poured his heart and soul into the new album, Fractured (Kscope), which reflects what seems to have been a turbulent time in his personal life as well as the current sociopolitical climate in general. Continue reading →
It was back in 2013 when Belgian mentalists BEAR really began to burst on to the radar for many. Having just signed with progressive metal champions Basick Records, the release of their second album Noumenon gained admirable plaudits, showing a band with a very direct and brutal approach to Tech Metal/Mathcore and, despite some shortcomings, plenty of future promise. It may have taken considerable time for the follow-up, but on album three; the creatively titled /// (Basick), the hibernation seems to have done absolute wonders. Continue reading →