Psycho Las Vegas has announced their return in the summer of 2021. If you had tickets for this year, you are in luck! Most of the lineup will return next year, except Rebel Motorcycle Club, Ty Segall & The Freedom Band, and Crowbar. This still looks like one of the best festivals in the world next year, in a year overpacked with re-scheduled events and tours. See the full lineup below.Continue reading
Psycho Las Vegas has shared the bad news that they have canceled the 2020 festival that was set for August due to ot the coronavirus (COVID-19) pandemic. Psycho Las Vegas 2021 has been scheduled to August 19-22, 2021. “Nearly all the bands” have agreed to return for the 2021st dates. The full announcement is expected after they confirm those last bands. Continue reading
Psycho Las Vegas is returning for another round in the desert of Las Vegas at Mandalay Bay this summer on August 14th to 16th. Headlining will be Danzig, Emperor, Mercyful Fate, The Flaming Lips, Down, Mayhem, Satyricon, Blue Oyster Cult, Warpaint, Blonde Redhead, Ty Segall, Watain, Ulver, Thursday, At the Gates, Poison The Well, Cursive, Pinback, Boris, Windhand, Brutus, Mgla, boysetsfire, This Will Destroy You, Kaelan Mikla, Bombers, Mephistofeles and many more. High Roller 3-day VIP is already sold out, but general 3 -Day and pre-party Psycho Swim passes are on sale now at these links:
Influential Metalcore leaders Poison The Well have reunited to play an as of now one-off concert in Los Angeles in January. The band will celebrate the 20th anniversary The Opposite of December… A Season of Separation by performing that record in its entirety at the El Rey Theater. Tickets are on sale on 10/22 at the link below! The Miami band was a groundbreaking influence on hardcore, metalcore and post-hardcore bands to follow from 1997 to 2010 when they went on hiatus. They returned briefly in 2015/2016. Continue reading
Those of you with a keen ear to the underground Metal scene will doubtless already be familiar with Metallic Hardcore outfit Ithaca. Whilst it has been several years in its genesis, The Language Of Injury (Holy Roar) is the band’s full-length debut and, if the cliché that good things come to those who wait still has any relevance and cache at the start of 2019, then it most assuredly can be used here to welcome this record of brutal, uncompromising beauty. Continue reading
Back for an 11th year in a row, Amnesia Rockfest near Quebec, in Montebello Canada will host mega bands such as Blink-182, Rise Against, Jane’s Addiction, Limp Bizkit and Ice Cube among the 125 bands who are slated to perform. Other bands scheduled to appear include Korn, Ontario punks Billy Talent and Sum 41, Bring Me The Horizon, Florida’s A Day To Remember, Lamb of God, Anthrax, Twisted Sister (farewell tour and last show in Canada), Puscifer, NOFX (performing their album Punk In Drublic), The Used (performing their album In Love and Death), At The Drive-In (reunion show), Underoath (reunion show), Blink-182’s Travis Barker (solo show), NOFX’s Fat Mike performing as Cokie The Clown (world-exclusive solo show), Lagwagon (performing their album Hoss), Millencolin, Streetlight Manifesto, Against Me!, Strung Out, Guttermouth, No Use For A Name (special tribute), Leftover Crack, Wizo, Flag, The Adicts, Misfits, Dead Kennedys, Steve Ignorant of Crass, D.O.A., Turbonegro and GG Allin (special tribute), Sepultura, Sodom (first show in Canada in 10 years), D.R.I. (first show in Canada in 20 years), Cannibal Corpse, Korpiklaani, Max & Igor Cavalera Back To ‘Roots’ (performing Sepultura’s Roots album), Corrosion Of Conformity, The Black Dahlia Murder, The Faceless and Poison The Well (reunion show) and many more. Some defunct Quebec bands will temporarily reunite exclusively for Amnesia Rockfest, including Vulgaires Machins, Kermess, Raid, Démence and Yelo Molo. Festival regulars Grimskunk, Despised Icon, The Sainte Catherines (performing Dancing for Decadence), Voivod, Anonymus and BARF will be back this year. In addition, Québec Redneck Bluegrass Project, Bob Bissonnette, Gorguts and WD-40, alt rock legends Ludwig Von 88 (reunion show and only Canadian date) and Les Ramoneurs de Menhirs, Bérurier Noir’s Loran’s group.
Tickets are now on sale at www.amnesiarockfest.com and at Amnesia stores. Once again this year, festival weekend passes will be sold at very reasonable rates: $120 (plus fees and taxes), which comes out to less than a dollar per band! New this year: festival-goers can pay for their order in five instalments. VIP packages are also available.
For the 2016 edition of the festival, the VIP campground will be totally revamped to offer a unique experience to festival-goers. Again this year, several public transit options will be available, as well as an area for RV camping.
In a new feature for Ghost Cult, Chris Hornbrook (Senses Fail/Poison The Well) runs down his drum kit from top to bottom, explaining the choices he makes when using certain gear. Catch Chris all summer on the Vans Warped Tour with Senses Fail. Thanks Chris!
Chris Hornbrookhas been one of the most distinctive drummers in music for almost 20 years. Best known for his work with seminal modern metal innovatorsPoison The Well, in addition to sitting behind the kit forSenses Fail for the last few years, Chris is also known for his work with Big Black Delta and many other live and session gigs. For a guy as accomplished as he is, he comes across as humble and positive; something you can’t say about everyone who has been in the business this time.
Having just reunited with Poison The Well to play two shows, this seemed like a good place to begin:
They were really great and I personally had a blast. The headlining gig was obviously our thing, so that was a bit more fun because we had control over how the show went in terms of venue, lighting, monitors, etc. The set list felt really good, as was the people in the audiences enthusiasm and excitement. Skate and Surf was cool and I had a good time, too. A bit of a shorter set and since it wasn’t our show, the less control over all the variables that can make or break a show. Overall, it was really great.
We next asked about the spark that brought PTW back together again and if there would be other shows in the future:
I think it had been in the back of heads for a while. We never stopped playing and recording because we didn’t want to create with one another or hated each other’s guts. PTW stopped because it had become too taxing for some and a few of the band members felt like it was time to take a step back. A break was needed. We’ll have to wait and see what happens in the future with other shows. Nothing is confirmed yet.
Looking back, a lot of today’s bands, especially metalcore bands, owe Poison The Well some props at least as one of the originators of the style. We wondered if Chris, when he hears modern bands, does he feels proud, ripped off, or nonplussed?
I mean I would never say we were the originators of the whole “metalcore” thing. There were a ton of bands that came way before us that had laid the ground work down and produced some really interesting and cool stuff. From my perspective, we just wrote the right record at the right time. I think we could modestly take credit for helping popularizing that sound in the early 2000’s. In terms of today’s metalcore scene, I really have no feeling in either direction. I don’t listen to that genre much anymore and if I do dip into something heavy, it’s more of a “boutique” band and/or sound.
Being a band that was innovative and leader in their sub-genre, and then changed radically; sometimes this has the fan base at odds with a band and their creative choices. We asked if Chris agreed or disagreed with this notion:
Thank you and I agree with you. What I’ve come to see and learn is people get very emotionally attached to a record because of where they were in their lives at that point. What that record did to help them out and pull them through whatever time they were having, good or bad. So they REALLY get attached. It’s like they develop a personal and close relationship with that record much like a girlfriend, boyfriend, husband, or wife. Additional to that, people don’t like change, which is something that I find ironic as life is constantly changing. But, we’re creatures of habit and comfort…
So with that being said, when you serve up something that sounds different, you’re normally met with, well, whatever you’re met with. Sometimes good, but more likely than not, critical and bad because it’s not what they envisioned you to do. So PTW just learned not to really care, as being creative, trying new things and pushing into territory that we hadn’t been before became number one. This was advantageous and detrimental all at once.
Senses Fail just wrapped up a spring tour and their new album Pull The Thorns From Your Heart (Pure Noise) drops in about a month. What can fans expect fromthe record?
An extremely heavy record, very different than the bands past work. Once again, this is going to get very polarized responses. I’m trying to approach it the same way I do with PTW, not really caring because negativity can take its toll on you if you let it in.
Over the arc of a long career that started when he was still in high school, Chris has worked with some of the greats in music production. We asked if he had a favorite producer (production team and if there was anyone he’d like to work with given the chance.
Yes, I’m very lucky to have worked with some of the people that I have. I respect all the dudes that I’ve worked with in different ways and have taken different bits from each person, one not superseding the other. Hopefully, I can check off a few more names before I die. I’d really like to work with Steve Albini, Joe Barresi, Ken Andrews, Rick Rubin, Dave Fridmann just to name a few.
Booked for all of 2015 with projects and tours, we asked about his other gigs since he seems to be perpetually working:
Yes! I’m very lucky and stoked to have a full year of work. I’m already starting to hear of plans for next year, which is great. In terms of other projects, I have one with Beau from Saosin, but that’s been put on hold. We’re both really busy at the moment. Hopefully, we can resume sometime towards the end of the year.
Lastly we wanted to know what he does in his down time and what hobbies Chris enjoys
I’m a busy body / work-o-holic. I have to stay busy doing something or I’ll lose my mind. So, with that being said, I generally bounce in between drumming and learning more of that craft, spending time with my girlfriend and friends, and keeping on top of whatever business stuff I have going on. I fill in as much space as I can.
Chris Hornbrook can be seen this summer on the Vans Warped Tourwith Senses Fail. You can follow his other projects and book him for lessons via his website.
The demise of angry yet thoughtful hardcore types Ruiner back in 2010 was mourned hard by those who preferred a little more variety with their tough-guy rage workouts, but ultimately their passing wasn’t noticed by the masses. However several members of the band in question have decided to re-group and have another go in the form of Holy Tongues, playing a style of music with one foot in the hardcore camp but seemingly eager to leave old habits behind.
Weak People (Melotov Records) is the debut effort by Dustin Thornton, Stephen Smeal and Joey Edwards; all previous members of the aforementioned Ruiner. Clocking in at thirty-four minutes, the album is a short yet interesting exploration of the uncertain ground where melodic hardcore meets noise rock; imagine Unsane playing around with a few old Poison the Well B-sides and you have an idea of the sounds captured on Weak People. The rhythm section is particularly impressive with the twanging bass guitar and playful drums establishing a solid background while the guitars lay down just as many squalling noise and melodic lines as they do anything approaching the thicker riffs one might expect from this sub-genre.
Tracks such as ‘Filters’ build nicely along a hefty bassline with the guitars brooding in a confident manner while ‘92’ kicks out the jams in fine punkish style. Elsewhere, the melodic introspection of ‘Bright Light’ proves to be an engaging listen with the soul-searching lyrics painting a bittersweet picture of the life of a young band-member.
For all the thoughtfulness however, there is no real energy or passion evident on WeakPeople with the band clearly still finding their feet. However, given time, there is potential for something special to emerge.