Ghost Cult Magazine’s Duncan Evans caught up with singer/songwriter and all-around badass Carol Hodge (solo artist/Steve from Crass/The Wildhearts) to discuss her new album Savage Purge (review here). Carol was in high spirits, despite illness, and chatted all about her new album, her creative process, the deeper meaning behind the title, lyricism, and much more! You can order her album at this link here, and listen to their chat right now!
Songwriters are often in pursuit of honesty. They want to express the contents of their souls with authenticity and truth. However, these expressions are often refracted through lenses of ambiguity which can leave the listener guessing as to the real truth at the source. It is perhaps less common, and maybe more courageous, for a songwriter to tell us what’s really going on in their day-to-day thoughts without hiding beneath the mystery of their poetry. Continue reading
Ghost Cult got to catch up with Twin Temple recently at their sold out show at Saint Vitus Bar, in Brooklyn. We chatted with the group about their new album, … Brings You Their Signature Sound: Satanic Doo-Wop, their new record deal with Rise Above Records, the principles that propel the band, their influences, their extremely NSFW music video, and more. Continue reading
It’s no surprise given the current political landscape of the world, that our artists, musicians, and other creators are going to be the greatest champions for the people. It’s clear that the systems we have propped ourselves up on for decades such as government, schools, the church, brutal corporations and other institutions have failed us terribly. So, of course, Otep Shamaya and OTEP come back now with a new album to basically put everyone sucking the love out of this world on blast. Hitting ’em where it hurts verbally and bringing the heavy, Kult 45 (Napalm) is just the antidote if you’ve lost your faith about the future. Continue reading
Karyn Crisis is a name synonymous with brilliant artistry, be it music, visual arts, poetry, clothing, or really any endeavors she has set out to tackle in her 25 years+ career. Known as much for her musical output with Crisis, Ephel Duath, and The Gospel Of The Witches, she is now bringing her new book Italy’s Witches and Medicine Women: Volume 1 to the masses. Get the details on pre-orders, special merchandise, and a non-traditional book tour which include performances, readings, signings and much more. Continue reading
Otep has a new album out titled Generation Doom (Napalm Records). As a longtime Otep fan, I’m always well chuffed when they release new music. Music of course being a derivative term as what Otep does is more art for the ears than anything. The first thing I noticed with Otep’s Generation Doom is that it’s heavy! Generation Doom is a heavy metal album. You can head bang and thrash about the living room whilst listening to this album. The album opens with the track ‘Zero’. It doesn’t take long before you are screaming the refrain “I don’t give a fuck!” along with lead singer Otep Shamaya. The guitars are just gobsmackingly amazing. The drumming is heavy and thumptastic.
‘Lords of War’ was one of the first singles released. It is political in nature without beating you over the head. Otep raps above some dark and heavy backing tracks. But again, you end up singing along with her by the chorus. Another song that tugs at your heart-strings is ‘In Cold Blood’. It’s angsty for all the right reasons. ‘Lie’ is another intensely personal song that breaks your heart. All the anger and frustration at having to deal with a love that lies to you is embedded in ‘Lie’. The song strips you bear and says everything you wish you could say. Otep Shamaya’s writing style on Generation Doom is a thing of beauty as she can articulate the feelings and concepts most of us stumble over. In addition, her vocals range from the haunting to the guttural and it’s her vocal range that make the songs on Generation Doom an epic album. For me, the best part of the album is that it’s sing-along-able. In direct opposition to Otep’s last album Hydra, Generation Doom is a musical album. By that I mean that it’s less art and more music in a traditional sense. Each song is a bitchin’ collection of lyrics and metal arrangements. Generation Doom will please strict metal fans and longtime Otep fans alike.
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Many people may know visionary artist Alex Grey from his contributions to Tool’s use of his artwork from such albums as Lateralus and 10,000 Days (both Volcano Entertainment). Alex and his wife Allyson have much of their life’s work on display at the Chapel of Sacred Mirrors, now located in Wappingers Falls, NY. However, there is so much more to the environment and artwork at CoSM that must be experienced and felt that makes a trip to Dutchess County, New York definitely worthwhile.
On August 1st, 2015, Alex and Allyson held their “164th Full Moon Ceremony” at the Chapel of Sacred Mirrors. With their intricate artwork lining the walls of the house, the beautiful ceremony commenced at 7:30p.m. as the Greys appeared from behind a doorway adorned with a tapestry of Psychic Energy System. They began the ceremony by playing a rhythm on gongs set on opposite sides of the stage.
Allyson spoke briefly at the beginning of the ceremony, bringing to stage two poets in order, Brett Bevell and Fun Yung Moon. Following their appearance was Joness Jones, who gave her Astrological weather forecast in disguise, discussing Leo and Aquarius as well as Venus being in retrograde. To conclude the ceremony, that had been primarily a reminder of love, Alex read a passage from his book, Art Psalms. The Ceremony left a clear impression on those who attended and set the stage for the evening’s festivities to follow.
As the night continued, inside, there was live painting by artists Caren Charles and Alexia Velez; a Sand Mandala was created by guests in another room, as well as Tarot Readings by Marcy. All the while Alex and Allyson sat in the main room speaking with guests and signing books and posters. Outside there was a gorgeous laser light show, and music ensued. In addition, there was everything from Reiki therapy on the patio, a fire spinner, acrobatics, and a bonfire to entertain the onlookers.
Later in the evening, Alex painted a Supportrait of one of the attendees. The proceeds of the Supportrait go to helping build Entheon. Entheon is their latest project on the property, a building to house the Greys CoSM Art Collection.
More information about the Greys, The Chapel of Sacred Mirrors, and the Entheon project can be found at their website here:
Tonight Manchester welcomes one of rock’s most outspoken characters in Tairrie B., despite her reputation for being a firebrand who provokes controversy and debate in many circles, My Ruin’s front-woman clearly still inspires many, male and female, to rage against the societal ills of sexism and homophobia. Bringing with them three capable support acts there is the feeling of anticipation and celebration on this rainy Tuesday night.
Nomad keep it tight, groovy and full of soul. Vocalist Drian snarls through the likes of ‘Burn The Water’ with a confident assurance that is only gained from a steady work rate of playing every dive bar going while drummer Hayley McIntyre anchors the muscular rhythms with a powerful backbeat.
Steadily gaining a loyal following through determination and hard work Nomad is one of the more rich prospects in the fertile UK scene right now.
Quite the contrast to her vicious death growls, Extreme O.D.’s Katie Cairns is all smiles in between songs clearly loving every moment of tonight’s performance. Laying down a set of vicious double kick and neck breaking riffs. It’s a feeling mirrored by the audience who lap up everything Cairns and co have to offer.
Sanctorium’s tight exuberant groove metal recalls the work of Lamb Of God and Chimaria. The undercurrent of savagery recalls many of the early noughties Roadrunner bands but while they remain a tight outfit they offer precious little in the way of surprises.
Tairrie B. and company enter to an enthusiastic response. Sure the venue is only half full but the assembled throng makes more than enough noise to supplement the lack of bodies.
Crashing into ‘Monolith Of Wrath’, My Ruin channel the spit and sawdust vitriol of Black Flag and Black Sabbath with husband Mick Murphy doling out slabs of discordant hostility.
Ms B. is in a jovial mood, snarling through a triumphant rendition of ‘Digging For Ghosts’.
The feeling of celebration is tangible not least as this is, at least for now, My Ruin’s final jaunt this side of the pond. Girls and guys alike flock towards the stage raising their fists and voices to the paint stripping intense cover of Mudhoney classic ‘Touch Me I’m Sick’ and a raucous ‘God Is A Girl With A Butcher Knife’. A My Ruin gig is a full contact sport where the intensity of the performance is only mirrored by the reaction of their devoted fanbase.
‘Beauty Fiend’ ends a sermon of black clad blasphemy with Tairrie thanking the fans for their support before sweeping off stage. If this is truly My Ruin’s swansong appearance in the UK then they went out with all the guts, desire and raw power that they have always possessed.
My Ruin Set List:
Monolith of Wrath
Long Dark Night
Diggin for Ghosts
The Devil Walks
Touch Me I’m Sick
The Harsh Light of Day
Burn The Witch
God Is a Girl With a Butcher Knife
Made to Measure
WORDS: ROSS BAKER
PHOTOS: BRIANA NORTON (with permission from My Ruin)