It has taken John Mitchell several years to see his Lonely Robot project come to fruition, during which time Mr. Mitchell has been involved with a handful of gold-plated prog projects including It Bites, Frost* and Arena. Lonely Robot seems to be a very personal endeavor; one that Mitchell has been able to throw his unique insights and personality into. One gets the impression that when listening to Please Come Home (InsideOut) we are peering through a window into a man’s soul.
The noticeable trait of this album is the classic science fiction tone; it is permeable through each of the benevolently hewn songs. One of the aspects of space that has always intrigued humanity is the endless vacuum, the vast loneliness that engulfs its sparse inhabitants. While Please Come Home has elements of this, the spasmodic positivity ensures that the album isn’t too dense. Mitchell’s now distinct vocals bring a sense of comforting warmth, and are reminiscent of ‘Map of the Past’. Featuring the likes of Craig Blundell (drums) and Nick Beggs (bass) Mitchell and his comrades have the ability to tingle spines and reduce even the hardiest men to tears. ‘Airlock’ is an instrumental track steeped in classic sci-fi, with vintage synths from Frost*’s Jem Godfrey. Possibly the most captivating all the tracks on Please Come Home is the compelling ‘Man vs. God’. It wouldn’t be out of place in a movie soundtrack, inspiring countless thought of rockets, celestial pioneers and something otherworldly altogether.
Please Come Home will no doubt feature on many Top 10’s at the end of 2015, and deservedly so. All music aficionados, no matter their musical leanings should give this a listen. It transcends categorization and showcases John Mitchell at his finest.