It’s spring bank holiday in the UK, which can mean only one thing; a long weekend of headbanging in London’s dingiest venues. 2019 marks the eighth edition of London’s Desertfest; a festival dedicated to the slow, the slower, and the heavy. With a healthy dose of bong and Satan worship thrown in for good measure. Continue reading
Desertfest London kicks off for their eighth edition today, taking place all weekend from 3rd May – 5th May 2019 in Camden, London UK. Tickets are still available at the link below. The fest is headed up by immense talents such as Om, Amenra, Fu Manchu, Electric Citizen, Black Tusk, Mondo Generator, Wovenhand, High Reeper, Kadavar, All Them Witches, The Skull and more! Get ready with our day by day list of must-see bands! Continue reading
Desertfest London is around the corner with just a month to go before the eighth edition. The fest had added the final dozen bands including an entire stage takeover from the incredible Black Deer festival! Their Sunday curation stage welcomes The Devonshire Arms, The Vanguards, The Fargo Railroad Co., The Southern Companion, The Outlaw Orchestra and more have been added such as Whoremoan, Cities of Mars, Orbital Junction, Drore, Årabrot, Vokonis, The Great Machine, and Wren. Desertfest takes over London 3rd May – 5th May 2019 | Camden, London UK. Tickets available at the link below. Continue reading
It’s the May Day bank holiday in London, which can only mean one thing; Deserfest! A weekend of avoiding the sun in the darkest and dingiest venues across Camden Town, listening to the darkest and dingiest stoner and doom music. Continue reading
London’s annual three-day festival to tune in, turn on and drop out: Desertfest is back this weekend. Ghost Cult will be on hand once again covering the fest which features headliners High On Fire, Graveyard, Warning, Eyehategod, Napalm Death, Weedeater, The Obsessed, Hawkwind, Church of Misery, Death Alley, Kind and more! We thought we would help all you heshers and hesherettes out with a fest preview of all the must-see bands, all the stage times, and other essential shit, which will give you all more time to find snacks, snake brews and find your missing rolling papers. They are in your hand, dude. Dig? Cool. Continue reading
Desertfest has named High On Fire as the final headliner to their 2018 UK festival. They have also added eleven more bands to the bill including The Obsessed, Church Of Misery, Death Alley, Ackercoke, and more. The fest takes place 4th – 6th May 2018, at various venues in Camden, London UK. Continue reading
He was so deeply huddled under a blanket that it took a while to locate the source of the voice hollering my name. Eytan Wineapple, curator of the rumbling beast that was the NOIZ All-Dayer, initially celebrated its second incarnation looking like death warmed up. After a long couple of days, with Wineapple escorting eventual headliners Dukatalon to Sheffield and back, they eventually bedded down in today’s venue. “They got here around 3 a.m., and I tucked them all in!” joked Rebellion manager and event collaborator Hayley. Five minutes later, the flat-capped Wineapple was bounding around like a madman: putting to serious shame Ghost Cult’s scribe who, twelve hours later, and still nearly three hours from the denouement, interviewed said host in a rather weary and addled fashion…
NOIZ is not your average festival. Displays of album-style art and guitars in various stages of completion (one of which is raffled off later in the day) stand beside the S.O.P.H.I.E. merch stall in the upper level of the club-style venue. A dedicated handful, meanwhile, witness the pulverising Industria of openers Khost: looking for all the world like a couple of local scallies bumbling about on a stage, yet laying waste with a mystical power which deserved a better slot and much more attention. The Birmingham duo’s ambient, crushing set, its implosive chords and guttural scours blending with a wonderful and passionate line in Middle-Eastern vocal samples, ended bang on time: a courtesy that some of the festival’s other performers could have tried harder to match.