Check out all of today’s new releases in the music world! Continue reading
In a post to Facebook, Profound Lore, one of the premier record labels for underground music have announced their partial release plan for 2017. In addition to the already announced Pallbearer and Krieg albums, the label plans to release many notable and cult bands albums in the new year!
Don’t look now, but I think Profound Lore are starting to resent being thought of as the home of abstract, pretentious “artistic” Death Metal. Though Cruciamentum may lack the ludicrous-beyond-all-reason extremity of labelmates Pissgrave, they open their debut full-length with a thunderous assault of the kind of crusty, punishing Death Metal that can cause your hands to lock permanently into claws if you’re not careful.
Which is not to suggest that Charnel Passages (Profound Lore) is wilfully stupid or simplistic. There’s some very effective use of atmospherics going on beneath the pummelling assault, and the seven tracks all make good use of their extended running time, not outstaying their welcome over eight or nine minute stretches. The core elements of Cruciamentum’s musical alphabet, however, are as crude and unsophisticated as their name would make you hope – ugly, Celtic Frost tinged riffing; unrelenting beats; grimly indecipherable vocals.
The price for Death Metal’s recent renaissance is a pressure on every band to fit neatly into a particular category and not get in each other’s way. Old School Death Metal? Sit over there, please. Brutal Slamming Death Metal? Sit in the corner and try not to drool on the floor. Pretentious Arty Tentacles Death Metal? On the ceiling, by the man with the clock on his head. On Charnel Passages, Cruciamentum remind us that Death Metal can be atmospheric, brutal and cavernous at the same time without having to buy into a particular aesthetic.
A decisive, unrepentant statement of intent from a young band with a clear sense of identity already, Charnel Passages is not only bound to be one of the genre’s high points in 2015, it’s a fitting reminder that Profound Lore’s reputation for quality is not built on anticipating any one trend.
(which is also the number of times I’ve said “Death Metal” in this review)