Coming off the buzzed about ‘Nowherer’, it was interesting to speculate where Portland’s Victory Over the Sun would go next. Vivian Tylinska may have just “a girl who makes noise” on her Bandcamp bio, but that deeply undersells the scope of her enthralling work as a composer, thinker, and multi-instrumentalist.
Psych rockers Druids have historically inspired scribes to reach for the thesaurus, turn to the epic, mythic and mystical – words like ‘monumental’, ‘colossal’, ‘ominous’. ‘bludgeon’, ‘pulverise’, ‘rampage’. Now their splendid, accomplished and invigorating new album inspires another word: ‘Family’.
There are many ways unironically describe the last year or so of human life in a manner we can all appreciate. A lot of us use sarcasm and deflection as a means to cope, and it shows. We may become numb to our own reality based on a lot of loss and sadness, and the mass psychotic break the world seems to have suffered. If you are here reading these words, hopefully,you are looking for an escape from the mundane in some good music. Music is here for you, both as a hug to say “it’s gonna be OK,” but also to commiserate with someone who has been there through the muck, just like you. Danny Kiranos, a.k.a. Amigo The Devil has found a foothold in our musical diet, a needed figure to tell the unpleasant truths about that muck and mire we need to learn from, or just relate to. He asks us to look with him and at ourselves too. He does this to a bold effect on his new album, Born Against (Liar’s Club Records, Regime Music Group).
We caught up with music legend Burton C. Bell (ex Fear Factory) of Ascension of the Watchers for a new podcast, to chat all about his new album Apocrypha (Dissonance Productions). We chatted about the history of the band, the lead up to making this new album, Burton’s songwriting process, how he derives inspiration from film scores and soundtracks, his bandmates Jayce Lewis and John Bechdel (Ministry, Prong), the spiritual side to his lyrics and themes he writes from, the concept of “modern analog” and how it influenced the recording, memories of the late Paul Raven (Killing Joke/Prong), some thoughts on other projects like City of Fire and G/Z/R, and much more. Order the album here, and check out our chat.
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Ghost Cult scribe Duncan Evans chatted with music legend KatieJane Garside recently on the release of her new project, Liar, Flower, and her new release Geiger Counter (One Little Independent Records). You may know Garside from her immense career credits with groups such as Daisy Chainsaw, QueenAdreena, and more recently Ruby Throat. Far removed from her early rumblings, the wisened and more poetic chanteuse discussed her new album, the decision to recast the group under a new moniker with her partner Chris Whittingham, her many travels around the world living on a boat, mindfulness meditation, the music video for ‘i am sundress (she of infinite flowers)’, the care and creativity she takes for the expanded versions of Geiger Counter and much more. Purchase the album and keep up with all of KatieJane’s happenings at this link, and listen the chat below.
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Ghost Cult had the distinct pleasure of chatting with the one and only Mikael Åkerfeldt of Opeth recently. In a wide-ranging chat with our Chief Editor Keefy, Mikael discussed the new album, In Cauda Venenum, due out September 27th via Moderbolaget Records / Nuclear Blast Entertainment. We discussed his creating both English and Swedish language versions of the album, using an orchestra and choir, concept records, progressive rock artists he likes such as Pink Floyd, King Crimson and Peter Gabriel, working at Park Studios, philosophical lyrics, and why he treated this album like it was the final Opeth album. Continue reading
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Power Trip has released one of the undeniably great albums of 2017 thus far with Nightmare Logic, out now on Southern Lord Records. While on tour with Iron Reagan, Ghost Cult’s Keith Chachkes caught up with front man Riley Gale at Webster Hall in New York City to discuss politics, radical philosophy, metal and more. With inspiring music and a chaotic live show, Power Trip are one of the most impressive bands on the scene today. Continue reading
The Truth of Revolution, Brother: An Exploration of Punk Philosophy (Situation Press) is an interesting look at many of the common philosophies within the rebellious genre and it also acts as a biography for some of its key figures. Through a series of interviews authors Lisa Sofianos, Robin Ryde and Charlie Waterhorse, have crafted an insightful and at times dense examination of the personal beliefs that fuel the music, particularly in anarcho-punk.
Culled from over 20 different interviews with subjects including the likes of former Dead Kennedy’s vocalist Jello Biafra, producer Steve Albini and firebrand Gavin McInnes, The Truth of Revolution, Brother feels like a great documentary that hasn’t been shot yet. Punk isn’t just music, for the faithful it’s an unshakable bond that informs all of their daily decisions. It was an artistic liberation because it wasn’t the usual prog and arena rock that permeated the 1970s. If you had something to say now you can now express yourself even if you can’t play your instrument very well or have a record label to back you up. All the weirdos were allowed.
“Punk changed the whole world for me,” says Albini. “Punk changed all of my friends. Everything that I do with my life. This studio. All of this that I am doing for a living. Everyone I know. Every significant friend I’ve ever had. Every significant life experience that I have had, I owe that to the Ramones.”
However, it is also quick to point out that while punk was the undiscriminating genre when it came to musical prerequisites, age or sex; it is also very much steeped in hierarchy as you are allowed to come in and participate only if you wear the right boots and black shirts. The prevailing Do-It-Yourself ethos acts as the backbone that allows punk to stand, but also means that there is less focus on quality control as anyone can come in and take a swing at it. Doing it yourself can sometimes lead to doing it badly.
But for me what was most interesting about this tome is that so many of the interviewed always pointed to anarcho-punk trailblazers Crass as one of their main inspirations and the reason for adopting the punk lifestyle. The consensus is that they were the first punk band to adopt the DIY mantra, foster pro-environmentalist habits and call for everyone to drop competiveness out of their nature in order to improve the community.
“What is so deeply emotional for me about Crass, in particular, is that when I was sent to the correctional boarding school I was completely alone” says Jon Gnarr. “And I was so afraid that I carried a knife. I felt so alone, and there was nobody to tell me right from wrong, there weren’t even teachers at that place, so at a very difficult time in my life, Crass was there for me.” Feeling dissatisfied with his government’s handling of the 2008 Icelandic financial crisis, Gnarr would use some of that punk influence and form the satirical Best Party. In a shocking upset Gnarr ran and was elected mayor of Reykjavík in 2010.
So many other of the interview subjects continuously cite the short lived anarchist bent Essex unit, that it starts to feel like that you are getting an oral history of the band. Adding to that feel are insightful chapters directly from former Crass members Steve Ignorant, Penny Rimbaud and Gee Vaucher.
Something worth noting is that with so many citing the same artists and similar philosophies as vital the book can begin to feel a tad repetitive towards the middle, but all things considered it shines a bright light on the inner machinations of one of rock’s most extreme wings. Now if we could only get that complete Crass biography.
8.0/10
HANSEL LOPEZ
Muse, video still from ‘Mercy’ video (Warner Bros.)
Muse, whose Drones (Warner Bros) album came out today, have released a video for the track ‘Mercy’. You can watch the video below:
Front man Michael Bellamy commented on the concept of Drones, which figures heavily in the ‘Mercy’ video treatment:
“To me, ‘Drones’ are metaphorical psychopaths which enable psychopathic behavior with no recourse. The world is run by Drones utilizing Drones to turn us all into Drones. Drones explores the journey of a human, from their abandonment and loss of hope, to their indoctrination by the system to be a human drone, to their eventual defection from their oppressors.”
Swedish progressive metallers The Great Discord are one of Metal Blade’s best signings of late. Their album Duende is out today, combining the artfulness and intelligence of classic 70s prog rock with the heaviness and skill of Meshuggah or Dream Theater. In chatting with singer Fia Kempe and drummer Aksel Holmgren, we learned that they are cognizant that even in these times of broad musical palates, their band does not fit into such a neat box, since they joined the roster at at Metal Blade.
Sofie: “We weren’t sure at first! (laughs) It all started when we had some demos and we sent them around, and among other labels, to Metal Blade. Kelli (Malella) was the first one to become intrigued with us. We started talking in an email conversation, where she wanted to learn what our aims were for this band, how we wanted to be represented, and what we wanted for the record. She got really interested in us and fought for us. And we were really surprised that when we got the mail that they wanted us to be signed there. It was a great experience! We thank Kelli so much!”
Aksel: “Metal Blade is traditionally well respected and they have done so much for metal. They are so legendary as an established name for the metal scene. And our sound, at least a big chuck of it, is metal. And it seems the label have signed more progressive bands like Between the Buried and Me and Native Construct, which gave us the hint that this label that wants to invest in this type of music. We have nothing but great things to say about them.”
Fia: “It was also a bit of a challenge for us too. We can tell straight away now… releasing a few of our teasers how polarizing a band like ours can be. If you are a true Metal Blade fan, and you are into Cannibal Corpse and Goatwhore, I can really understand how you would be at least surprised (laughs) when you hear our kind of music and how differs a lot from a Cannibal Corpse, for example. We also think its a good effect, because it gets people talking. It gets people to turn their heads, which is always a good thing in this business. We welcome all reactions, that is the discordance in life. It’s been a blast to read all the comments (laughs)!”
The Great Discord, image by Pellen Prodcutions
As much as the band is sonically impressive, one thing sets them apart is the existential themes in their lyrics throughout the album. We wanted to know what role these heady ideas played in the context behind the story of Duende.
Fia: “When we look back at it now, we think of the album as ten short stories: ten examinations of the human condition. I am a Social Psychiatrist professionally, so I have always had a great interest in psychology; and meeting people daily who are in a great amount of pain and suffering, dealing with depression; going so far as Autistic, bi-polar, or even schizophrenia. It’s always been an interesting subject for me; the psyche of the human mind. All people around the world suffer from a morbid fascination of these kinds of conditions, so we wanted to explore a little further how the music makes you feel, and then how you can get the music to match these emotions. So the music always came first and then we tried to match the lyrics to these kind of emotions and psychiatric conditions.”
“It can be things people feel every day in their lives like the sorrow, sadness, pain, power, joy; to the more extremes: the cannibal, the necrophiliac, the massive paranoid schizophrenic killer. And we know those are not the most common states of mind of people in general, but they do exist. They are there and we know it, whether we want to think about it or not. But there are all of the scary, almost unknown conditions. Even if you don’t want to admit it.”
Aksel: “This aspect is well represented on album in a more general sense too. In contrast just more general philosophical concerns of why are we here? What is the meaning in life? What do I do if I have regrets when I die? How do I deal knowing that I am a living, breathing, thinking, feeling human being. This is the theme essentially behind The Great Discord.”
KEITH CHACHKES