There’s no denying Destroyer of Light‘s prolific sense of adventure. The Austin, Texas quartet’s first release was a live set and in the eight years since, the band has let loose three albums, three EPs and a split with Tucson Doom monsters Godhunter. The latest of those EPs, Generational Warfare (Heavy Friends Records), is more of a ‘double-A side’: a two-song blast of mournful energy. Continue reading
Those who’ve known me for some time will have had their ears blunted by my constant praise for Birmingham, UK Industrial Doom duo Khost. Equal parts sampled violence, malevolent strings and vocal apocalypse, beautiful Eastern lamentations often deflect from that harsh path and create a nuance flavoured by the likes of VAST and Moby. Their fourth album Buried Steel (Cold Spring Records) sees a band now truly at ease with its style, happy to have edgy two-minute psalms populating a set in the knowledge that they serve a purpose for the whole.
Comprising members of Unsane, Swans and Cop Shoot Cop, New York quartet Human Impact embrace all of those bands’ qualities and add a rebellious Noise element which belies the middle age quickly enveloping the protagonists. Debut album Human Impact (Ipecac Recordings) sees that collective maturity provides a focused, prowling edge. Continue reading
The more disparate aspects influence a band, the more it’s able to grow. Psalm Zero‘s music prior to the new album Sparta (Last Things Records) was all aggravated Indie, the tunes given an edge by guitarist Andrew Hock. With his departure and the subsequent recruitment of Kayo Dot pairing Keith Abrams and Ron Vodun, remaining founder member Charlie Looker has added a warmer, heavier feel to the Grungey lightness and this, together with a tantalising contribution from Lingua Ignota‘s Kristin Hayter, makes the album an enticing prospect. Continue reading
For over eight years, Dana Schechter and Ashley Spungin created heavy, eerie soundscapes as Brooklyn-based duo Insect Ark. When this fragmented last year, with a new album and US tour in the pipeline, leading force Schechter found herself in a tight corner until a serendipitous union with former SubRosa drummer Andy Patterson enabled the renewed probability of both. Tour almost complete, it’s time for the fourth album The Vanishing (Profound Lore Records) to hit the airwaves and Patterson’s influence, together with a more intense writing process, sees the band’s sound throb with added weight. Continue reading
Hot on the heels of ex-bandmate Hamish Glencross’s latest effort with new band Godthrymm comes The Ghost Of Orion (Nuclear Blast), the fourteenth full-length from Yorkshire Gothic Doom royalty My Dying Bride. This year celebrating 30 years as an entity, any pressure the band may have felt is counteracted by an expectedly assured, emotionally raw performance that comes with such craftsmanship and experience. Continue reading
As well as being a mainstay of Psych-Noise stalwarts Comets On Fire, and frequent collaborator with such Experimental artists as Current 93, Ben Chasny is frighteningly prolific in the guise of his solo Folk / Americana project Six Organs of Admittance. Latest album Companion Rises (Drag City) is a shimmering trip through the stars which enriches the soul. Continue reading