You can call it Punk; you can call it Noise; you can, if you will call it Beat poetry. One thing that Manchester UK experimentalists Locean do produce is a thrilling, vibrant energy and Chav Anglais (Artificial Head Records), the band’s first full-length album, is full of such attitude: from crashing strings and rhythms to sparse, protesting, dominant sexuality. Continue reading
Whenever our house is made home by a particularly large member of the domestic arachnid species, it’s affectionately called Boris: largely due to the long-attributed name for such creatures, but also to my affection for the Japanese band of the same name. Latest albums Lφve and Evφl, originally released in August as tour merchandise, now make an appearance as a double album on general release (Third Eye Music). Continue reading
Aussie fuzz rockers Arrowhead have hammered the Sydney underground since 2009, releasing two albums and an EP in that time but levelling many of their home city’s smaller venues in the process. Newly a quartet, third album Coven Of The Snake (Ripple Music) is nevertheless full of the expected trippy imagery but is titanic in its power and weight. Continue reading
Despite Massachusetts trio Cazador having been a going concern for five years, Failure To Thrive (Self Release) is the band’s debut studio album, even being preceded by a live album. Having started out as a purely Sludge-based unit, their sound has evolved to incorporate a number of styles which makes this effort a short but exciting journey.
The term Stoner / Sludge is an insult to US quartet Torche and, what’s more, has never even come close to defining them or their blend of crushing backgrounds and soft harmonies. Fifth album Admission (Relapse Records) sees Jonathon Nũnez assume guitarist duties from the departed Andrew Elstner, with Wrong frontman and former Kylesa bassist Eric Hernandez taking over the bass role. Continue reading
Another outfit from the lysergic dreamlands of San Diego, Sacri Monti left a sizeable impression with their self-titled 2015 debut album (Tee Pee Records) which was a psychedelic trip through heavy vibes. The quintet’s sophomore effort, Waiting Room For The Magic Hour (Tee Pee Records), is another faithful journey through drifting sands and heady atmospheres but shows a pleasing maturity and willingness to experiment. Continue reading
It’s been four years since Denver quartet Luna Sol powered onto the scene, with a certain amount of buzz around the fact that frontman Dave Angstrom had recruited former Hermano bandmate John Garcia as a guest on debut album Blood Moon (Cargo Records). Follow-up Below The Deep (Slush Fund Recordings/Cargo Records) continues the theme of the band’s self-styled “High Mountain Rock,” which incorporates variety into the Desert template. Continue reading