STAFF PICKS: Dave Keevill’s Top Albums of 2020


In a year of great tragedy and upheaval, where the word ‘unprecedented’ became a mantra spoken around the world, music has been a stabilising force for millions of us. It has been a consistent power for good at a time when many of us have struggled with unemployment, illness, and bereavement. Whether providing companionship during stretches of isolation, rallying us to fight for change when faced with corrupt political machinations, or even just handing us a convenient distraction from the horrors outside our window, never have I felt such a kinship with music and the people who dedicate their lives to the art.

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STAFF PICKS: Chris Latta’s Top Albums of 2020


Every decade has its own set of trends that define it. It normally takes hindsight to see what will make a particular decade stand out but 2020 has already made a horrifyingly immediate distinction for itself. A pandemic-induced alteration of the scene itself has resulted in delayed releases, canceled tours, musicians at near equal ratios of inspiration and burnout, Zoom as a primary means of communication, and livestreams taking the place of proper concerts. All things considered, I am glad that a top albums list could still be made with a multitude of strong candidates. It’s been a shitty year with the light at the end of the tunnel still out of sight, but we still got tunes.

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Ghost Cult Albums of the Year 2020 – Part 3 (20-1)


As we draw down (the moon) on our reveal of the top seventy-five albums of the year, as voted for by the cast, crew, and alumni of this fine rock, metal, punk, hardcore and indie-focused site, we can take a moment to reflect on the power of heavy music, and that every one of the seventy-five albums we are celebrating and acknowledging will have had a positive impact on several of our team and readers.Continue reading


Win a Chance to Exhibit Your Artwork at Bloodstock 2021s RAM Gallery


Bloodstock Open Air is making plans to return in 2021 and every year festival founder Paul Gregory curates a selection from other heavy-metal-friendly artists, both established and new, who has caught his attention the previous year. In 2021, Paul wants to give a chance to artistic newcomers to win the opportunity to hang a piece of their work alongside his own and other respected creatives in the on-site RAM Gallery, so he’s devised an art competition. To enter you need to design and create your own piece of artwork, based around and inspired by one of the bands performing at Bloodstock 2021. Paul will jointly judge the competition alongside friend and fellow artist, Mark Wilkinson (illustrator of album sleeves for Marillion, Judas Priest, Iron Maiden, The Darkness), and the winner will have their work professionally framed, lit, and hung in the RAM Gallery on-site next August. In addition to this honour, the winner will bag a pair of weekend festival tickets, a personal tour of the RAM Gallery on-site with Paul Gregory, and the potential to watch 3 songs from the side of the stage of the band they’ve chosen to create their artwork for (subject to closed stages).

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Bloodstock Open Air 2021 Adds Mercyful Fate and Dimmu Borgir!


 

Bloodstock Open Air, rebooked for 2021, has announced a new headliner! The great Heavy Metal legends Mercyful Fate, featuring King Diamond, will headline the Ronnie James Dio stage on Saturday, along with Dimmu Borgir as special guests. Watch a new trailer now!
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NEW MUSIC FRIDAY: May 15th New Music Releases


Purchase And Stream All The New Music Released Today!

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ALBUM REVIEW: Paradise Lost – Obsidian


Many consider the British band, Paradise Lost to be the fathers of the Gothic Metal genre. Formed in 1988, four out of the five members have been there since the beginning. This tight-knit group of guys is a prime example of a hard-working band who knows how to stay creative and original. The exploration and determination of this act has led them down some unique roads over the years. After experimenting on albums like One Second (Music for Nations) and Believe In Nothing (EMI), Paradise Lost got back to their roots in 2015. They embraced their Death Metal background with the release of The Plague Within (Century Media Records)and 2017’s Medusa (Nuclear Blast). Now with the release of their sixteenth record, Obsidian (Nuclear Blast), their heaviness is being fleshed out with even more distinct devastation. Continue reading