King Diamond – Exodus: Live at The Orpheum

King Diamond and Exodus Abigail tour admat

Over the course of the past year or so, many metal heads in the New England area have went from never seeing the great King Diamond, to seeing the master twice in a short few months. However, November 24th was a night that will stick out to all fans whether this was the third time, fifth time, or even the first time seeing King. This time around, we were all treated to the entire Abigail album from front to back, live right in front of our very eyes. As if that was not sweet enough the thrash titans, Exodus, were slated to open the night and get everyone up out of the Orpheum seats.

Exodus, by Hillarie Jason

Exodus, by Hillarie Jason

Exodus, by Hillarie Jason

Exodus, by Hillarie Jason

Exodus kicked off the night to a fair mix of old and new tracks to get all of the fans, young and old, warmed up for what promised to be a great night. The Boston crowd enjoyed newer tracks from the thrash legends including: ‘Blood In, Blood Out’ , ‘Body Harvest’ , and ‘Blacklist’. The longer tenured fans of course got the typical (of late) three track closing rotation of ‘Bonded by Blood’ , ‘The Toxic Waltz’ , and ‘Strike of the Beast’. The only downside of the performance was the inability to actually do the Toxic Waltz while standing in place amongst the rows of seats.

King Diamond, by Hillarie Jason

King Diamond, by Hillarie Jason

After a short intermission, and ‘The Wizard’ by Uriah Heep over the PA, King Diamond and his cohorts made their way to the stage. King started off the set with a short selection of King Diamond classics like ‘Welcome Home’ , one of my favorites ‘Halloween’ , and ‘Eye of the Witch’. Of course, what would be a King Diamond show without some Mercyful Fate covers? King was happy to oblige with staple ‘Come to the Sabbath’ and a slight change to the usual covers with the epic ‘Melissa’. And then it started, ‘Funeral’ over the PA while the band switched out instruments. It was time for Abigail! Druids came out with a casket with the infant corpse of Abigail inside to which King was happy to hold up the crowd in praise. Track by track the story of Abigail went. From ‘Arrival’ and ‘The Family Ghost’ to ‘Omens’ and ‘Abigail’, the Boston metal heads sang/screeched (and I mean screeched out those falsettos) each and every lyric to each song. But, like all great things, ‘Black Horsemen’ had come and gone as the band said their goodbyes, threw out guitar pics, and made their exit until the next time.

King Diamond, by Hillarie Jason

King Diamond, by Hillarie Jason

Most would say seeing any band three times in a year is too much. Some days I may even agree to that sentiment, but not towards King Diamond. Even if this was not the Abigail Tour and just another headlining run for the King and Company, I would still have gone. If you have yet to make it to a King Diamond show, you should feel bad and then catch the next one!

 

King Diamond, by Hillarie Jason

King Diamond, by Hillarie Jason

 

 

King Diamond, by Hillarie Jason

King Diamond, by Hillarie Jason

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WORDS BYTIM LEDIN

PHOTOS BY HILLARIE JASON