Desertfest Berlin Plots Final Running Order


Desertfest is taking over the next few weekends with the first Desertfest in New York coming up this weekend and the London and Berlin events happening the week after. Desertfest Berlin features Om, Fu Manchu, All Them Witches, Colour Haze, Greenleaf, Monkey3, Witch and more! Check out the day by day running order now! Desertfest Berlin takes place May 3rd – 5th at the Arena Berlin!Continue reading


Om, The Obsessed, Dead Meadow, The Well, Tia Carrera, Wovenhand, Pinkish Black and More Booked for Monolith On The Mesa


A new heavy music and Interactive Art Festival In Taos, New Mexico, Monolith On The Mesa Music is about to change your perception of festivals! Taking place May 17-18 with Pre-Festival Party On May 16th, the fest includes stellar acts from across multiple sub-genres including stoner rock, heavy psych, doom metal, sludge, drone, and retro roc such as Om, The Obsessed, Dead Meadow, The Well, Tia Carrera, Wovenhand, Pinkish Black, Castle, Crypt Trip, EYE, Wino solo (unplugged), True Widow and many more! Tickets on sale at the links below. The fest is located at Taos Mesa Brewing (The Mothership and Taos Tap Room) the festival features both indoor and outdoor stages and adjacent camping facility visual artists include Christian Ristow, Christina Sporrong, JP Rodman and the Mad Alchemist Liquid Light Show. The venue opens daily at 11 am and the headliner’s set ends at midnight both evenings and promises all of the action set the high desert mesa in full view of the Sangre de Christo mountains.Continue reading


Sataray – Nocturnum


One-person Seattle outfit Sataray is the brainchild of Katarina E. and purports to be a dark, ritualistic experience. Ploughing a live furrow over the last few years with her Performance Art-style shows, Nocturnum (Scry Recordings) is the first long-player from this enigmatic artist.Continue reading


Morag Tong – Last Knell Of Om


Fans of The Elder Scrolls will have some idea where Morag Tong are coming from. The Sludgy, spacey promise shown on the London quartet’s 2016 demo has been enhanced on debut album Last Knell Of Om (self-released), with an added depth and maturity emboldening a sound which is in turns throbbing and melancholic, yet full of trippy Psychedelia. Instrumental opener ‘Transmission’ is bossed by an indolent, morose bassline and swirling oscillations, while lead guitars fizz and howl melodiously over the body. The last knell of Om indeed…Continue reading


Ghost Cult’s Most Anticipated Albums Of 2017


This past year was a huge one for music with so many bands releasing new material it was hard to keep up, even for us here at Ghost Cult. So many legacy bands, modern classic acts, and up and comers dropped new music this year, some may wish they had waited until 2017 to drop it like it’s hot. Without further ado, here are our picks for the new tunes you need in your life in 2017. Continue reading


Sleep’s The Clairty To See Re-Release On Vinyl, Live Events This Weekend


sleep-band-ghstcultmag

Doom metal masters SLEEP have announced along with Southern Lord Recordings to re-release The Clarity on a special 12” Vinyl package. Details are below:Continue reading


Monoliths – Monoliths


Monoliths - Monoliths dry cough records ghostcultmag

 

This torturously heavy UK trio Monoliths is so recently formed that I couldn’t dig up anything on them for weeks. Knowing that it was comprised of members from Bismuth, Moloch and Ommadon, however, enlightened me to my fate for the following half-hour.

Getting crushed by a Fuck-off monster of a traction engine. If our US cousins aren’t too sure what one of those is…well, it’s not an easy way to go. The first of two colossal tracks on début Monoliths (Dry Cough Records /Crown & Throne Ltd.), ‘Perpetual Motion’, begins and ends with a disturbing fuzz that leaves you in no doubt what’s coming and, in closing, what has just been. Tanya Byrne’s swerving bass thrum knocks you off your feet but, as the track ebbs and flows, nuances appear as mini-crescendos swirling around the mind. David Tobin’s solo breaks the Om-esque hypnosis which the terrifying riff and Henry Davies’ wondrously tempered drums hammer through the solar plexus, hardly breaking the lumbering pace yet bewitching the senses with its pulverising might. I’m not usually one for instrumentals but this carries me to far-off lands on the back of a yeti.

The monumental, everlasting pummel of ‘The Omnipresence of Emptiness’ takes a short while to move through the volume, and to that familiar bass bellow. Yet when the whole thing crashes together it is a life-ending implosion, carrying depth and weight suitable for the occasion. Missing the latent groove of its forefather, subsequently this is the harder track with which to find an immediate affinity until the most unnerving, horrifying roar introduces a shattering solo. It’s here where one realises the flattening power of the drums, while the other ingredients of this plundering sortie become so unfathomably heavy I completely lost where I was, bemused by the sheer weight yet moved by a scintilla of emotion.

Look, this is no epiphany. It is, however, a near-perfect slab of evil Doom and an excuse for lovers of this stuff to completely lose their shit. In making something usually so monotonous and pulverising sound immediate, occasionally moving, and unmissable, Monoliths prove themselves an essential addition to the Low-end canon.

8.5/10.0

PAUL QUINN


Ride Like the Wind Part III: Tips for Surviving Tour


So you want to go on tour, eh?

So you want to go on tour, eh?

The KVLT of Personality

While most people in bands like each other to a good extent, being in proximity to anyone for an extended period of time will test boundaries—pet peeves become liabilities, as everything is amplified.

Navigating different personalities requires a bit of shamanic savvy: I pull my advice on this from don Miguel Ruiz, author of The Four Agreements.

The Four Agreements is tome of Toltec wisdom that can be applied to many different situations, but I find it especially useful when touring.

It is a little hippie, however, so please bear with me:

1- Don’t take anything personally

Nothing others do is because of you. What others say and do is a projection of their own reality, their own dream. When you are immune to the opinions and actions of others, you won’t be the victim of needless suffering.”

In the midst of drunken verbal banter, it may be hard to call up your inner yogi and mentally levitate above the din, but it’s necessary.

Most of the time, someone’s beef isn’t about you—they may be tired, hungry, lonely, scared—touring pulls out many insecurities, and being in proximity to people at their most vulnerable can be challenging.

So, if someone lashes at you, take a deep breath, walk it off and let it go—according to Ruiz, it’s not about you anyway.

2- Always do your best

Your best is going to change from moment to moment; it will be different when you are healthy as opposed to sick. Under any circumstance, simply do your best, and you will avoid self-judgment, self-abuse, and regret.”

There will be bad shows with low attendance; you’ll make no merch money; you’ll get drunk and fall down; you’ll lose sleep and be hungry.

The key is to show up, look nice, and, to throw in a little mom wisdom, just do the best you can.

Forgive yourself and forgive others for bad performances and drunken stupors—over look the things you can’t change.

3-Be Impeccable with your Word

Do what you say, say what you mean If you’re going off on a beer run before sound check, tell someone—and let them know what time you’ll return.

Touring is a team effort, one that requires every one person’s cooperation and communication, so be clear and concise—if you need some alone time, say something and then go clear your head.

Also: don’t be afraid to ask for what you want or need—you’re better off confessing you need breathing room or a burrito than carrying on begrudgingly.

Merch tables at MDF 13, by Hillarie Jason

 

4-Don’t Make Assumptions

Don’t assume the GPS is right; don’t assume the promoter will pay; don’t assume your shows are solid—and don’t assume your set time is.

Double check everything—call ahead and confirm: you’ll avoid many a-misery by simply ensuring everything is as it should be.

Most of all, remember to keep it light: you’re there to have fun! You’re there to bring music to the masses, get laid, maybe get paid—you’re doing something most never get the chance to, so look on the bright side to stave off negativity.

In keeping some of these Toltec tenants in mind, you can keep your cool, and as a result, you will find you’re better off and that your interactions with everyone else will be better too.

 

Ride Like the Wind”

Inevitably, touring will simply wear you down: you may catch a cold or run on fumes. Equipment may break or morale may be low.

The solution: Play “Ride like the Wind.”

 

Ride like the Wind,” the 1980 Christopher Cross masterpiece, carries in it the energy and inspiration to raise your spirits. Play it when you feel down or tired; play it at the start of each journey. Cross’ wise words and soft, affirmed vocal delivery is a comforting call of victory—an encouraging reminder that you. can. do. this!

Touring is a fun and challenging, unique experience. More than a simple test of will, it’s a lifestyle for many—for me, it’s a lifestyle I greatly enjoy.

My next stints include a summer and autumn excursion, respectively, with some great bands I’ll be sure to soon disclose.

But of all the things I’ve learned when touring, what I note most is how much I enjoy meeting new bands and Metal-head fans who quickly become new friends. I feel deep sense of camaraderie, as if part of a clan. Thus, being on the road is a kind of homecoming—I look forward a family reunion soon.

*Special thanks to Zack, Justin, and Jon of Neckrofilth

 

Ride Like the Wind Part I

Ride Like the Wind Part II

 

 

Follow Lindsay O’Connor’s adventures on the road through her Instagram at OSPREY_MM.

LINDSAY O’CONNOR

 

Works Cited

Miguel, don Miguel. The Four Agreements: a Practical Guide to Personal Freedom. November 7, 1997.


North By Northeast 2015 Announce First Round Of Artists Performing


nxne 2015

The 2015 North By Northeast Festival has announced their first round of names of artists to perform. More names are expected to be announced but these are the first batch to be announced.The event is being held on June 17-21, 2015.

A Place To Bury Strangers (Brooklyn, NY, United States)
Action Bronson (Queens, NY, United States)
Aidan Knight (Victoria, BC, Canada)
Alice Glass (DJ Set) (Toronto, ON, Canada)
Amen Dunes (New York City, NY, United States)
Anamai (Toronto, ON, Canada)
Angel Olsen (Asheville, NC, United States)
Baths (Los Angeles, CA, United States)
Best Coast (Los Angeles, CA, United States)
Betty Who (Sydney, Australia)
Bishop Nehru (Rockland County, NY, United States)
Blonde Redhead (New York City, NY, United States)
Cathedrals (San Francisco, CA, United States)
Cauldron (Toronto, ON, Canada)
Coliseum (Louisville, KY, United States)
Container (Providence, RI, United States)
Deafheaven (San Francisco, CA, United States)
Dilly Dally (Toronto, ON, Canada)
Dinner (Los Angeles, CA, United States)
Glass Animals (Oxford, UK)
The Gories (Detroit, MI, United States)
HEALTH (Los Angeles, CA, United States)
Heems (Queens, NY, United States)
Hundred Waters (Los Angeles, CA, United States)
Ibeyi (Paris, France)
Iceage (Copenhagen, Denmark)
Jacco Gardner (Hoorn, Netherlands)
Jessica Pratt (Los Angeles, CA, United States)
K.Flay (San Francisco, CA, United States)
Kate Tempest (London, UK)
Liturgy (Brooklyn, NY, United States)
Lower Dens (Baltimore, MD, United States)
Lydia Ainsworth (Toronto, ON, Canada)
Majical Cloudz (Montreal, QC, Canada)
Mise en Scene (Winnipeg, MB, Canada)
The New Pornographers (Vancouver, BC, Canada)
No Joy (Montreal, QC, Canada)
Obliterations (Los Angeles, CA, California)
Odonis Odonis (Toronto, ON, Canada)
OM (San Francisco, CA, United States)
Pentagram (Alexandria, VA, United States)
Rae Sremmurd (Tupelo, MS, United States)
Real Estate (Brooklyn, NY, United States)
Ryley Walker (Chicago, IL, United States)
San Fermin (Brooklyn, NY, United States)
Sannhet (Brooklyn, NY, United States)
Son Lux (New York City, NY, United States)
Tink (Chicago, IL, United States)
Ty Dolla $ign (Los Angeles, CA, United States)
UNiiQU3 (Newark, NJ, United States)
USA Out Of Vietnam (Montreal, QC, Canada)
Vince Staples (Long Beach, CA, United States)
White Lung (Vancouver, BC, Canada)
Zola Jesus (United States)


The Shrine Announce Upcoming West Coast Worship Tour


The Shrine (L to R: Courtland Murphy (bass), Jeff Murray (drums) and Josh Landau (guitar / vocals)

The Shrine
(L to R: Courtland Murphy (bass), Jeff Murray (drums) and Josh Landau (guitar / vocals)

California “Destroyers of Rock N Roll” The Shrine have announced their forthcoming spring North American tour, with dates posted below.

Mar 16: Beerland – Austin, TX (SXSW – 6PM as part of “Heavy Metal Cage Match” w/ American Sharks, Eagle Claw, Elder, etc.)
Mar 18: Spiderhouse Ballroom – Austin, TX (SXSW – 9PM)
Mar 20: The North Door – Austin, TX (SXSW -w/ Kadavar, Ruby the Hatchet, Elder, Castle, etc.)
Mar 21: Gypsy Lounge – Austin, TX (SXSW – 2PM as part of Thrasher + Converse “Death Match” w/ OM, Goatsnake, The Skull, etc.)
Mar 21: The Lost Well – Austin, TX (SXSW – 11PM as part of “Heavy Metal Parking Lot 2” w/ The Skull, Weedeater, Ruby The Hatchet, etc.)

the shrine dirty fences west coast tour 2015

West Coast “Worship Tour”
* All dates also include Dirty Fences

Apr 02: The Casbah – San Diego, CA (w/ Loom)
Apr 03: The Paper Agency – Los Angeles, CA
Apr 04: Thee Parkside – San Francisco, CA (w/ Banquet)
Apr 05: Analog Cafe – Portland, OR
Apr 06: Capitol Theater Backstage – Olympia, WA (w/ Mos Generator)
Apr 07: SBC – Vancouver, BC (w/ Black Wizard)
Apr 08: One Six Boardshop – Victoria, BC (w/ Black Wizard)
Apr 09: Barboza – Seattle, WA
Apr 10: Dante’s – Portland, OR (w/ JOY)
Apr 11: Eli’s Mile High Club – Oakland, CA
Apr 12: Velvet Jones – Santa Barbara, CA (w/ Blasting Concept)

The Shrine on Tumblr