Memoriam Requiem for Mankind (Nuclear Blast) is Memoriam’s third album in as many years. The first album For the Fallen was great if a bit slow, punchy drums, thick guitar tones wrapped up with some nice production. The follow-up to The Silent Vigil was personally somewhat disappointing, a lot faster and more aggressive songwriting, which is always welcome, but it failed to capitalise on the excellent ideas with a quite thin production. Continue reading
For millennia, civilizations around the world have passed on the harrowing folklore of mermaids for generations. The chilling tales of these murderous sirens luring unsuspecting sailors to a watery grave with their enchantingly ethereal voices have captivated people across many cultures for centuries. These tales serve as a testament to – not only how powerful a voice can be – but also how important the voice is as an instrument. And if you’re an Abnormality fan, you know this to be very true especially in the case of their new album, Sociopathic Constructs (Metal Blade Records).
Sometimes you just know what you are going to get with a band’s new release, before you have even heard a note. It is the notion of a band knowing what they are good at and having no need or even desire to deviate, also known as doing a Motörhead. Case in point is German Death Metallers Deserted Fear, a band who have proven dogged in maintaining their sound for over a decade now. By knowing what to expect the latest album Drowned By Humanity (Century Media) to sound like, the flip side to that coin is that you also know you are in for a raucous time. Continue reading
To say the history of Finnish Death Metallers Festerday is convoluted is like saying that the British Tory government has had a few mishaps recently. In a, sort of, thirty-year history, the band have undergone several changes of moniker and style, only returning to the name Festerday back in 2013, maintaining much of their core from 1989 with a line-up that has only taken a slight change since their return with Jani Kuoppamaa joining on drums. After a string of EP releases and splits in their early incarnation, this month sees them finally release a full-length debut in the solid, if unspectacular, iihtallan (Season Of Mist), where perhaps this varied history has had an impact. Continue reading
By now a stalwart of the German Death Metal scene, Deathrite have, on the outside at least, been quietly plugging away under the radar, building a solid back catalogue and a strong reputation. Certainly, the name has cropped up more in 2018, both by signing to Century Media and with some high profile support slots, such as recently with Skeletonwitch. With this heightened attention, perhaps the expected thing to do would be to cement themselves and continue their formula up to this point, so it is surprising and a little bold to see them instead take some experimental steps; whether they be hit or miss. Continue reading
By today’s standard, hearing of any Extreme Metal band being in some way influenced by the works of H. P. Lovecraft is about as surprising the influence of Satan, or of hearing a Black Metal band might be a bit racist. Roll up the enigmatic, worshippers of the darkened literature, Order Of The Nameless Ones who finally rise once again after a four-year wait since their debut EP release, with their full length debut Utter To Me The Word Of Wrath (Iron Bonehead). Continue reading
I imagine if you as far into your career as Death Metal veterans Psycroptic are right now, you reach a certain point where it’s either stick or twist. Their albums since the very start have always delivered the goods but it wasn’t until 2003’s Scepter Of The Ancients (Unique Leader) that it truly felt like the band had arrived, they then proceeded to tread water somewhat with albums that never even came close to Scepter… Continue reading