The 70000 Tons Of Metal is right around the corner, kicking off next week, and have confirmed some late additions to the cruise. Setting sail with the current bands on the bill and the fans are Vio-Lence, Ross The Boss, Seven Witches, Toxik, Aeternam and Brujeria. Round X (10) of 70000 Tons Of Metal will sail January 7 to January 11, 2020. Continue reading
Purchase And Stream All The New Music Released Today!
Prophecy Fest USA is getting closer, and going down this weekend in Brooklyn, NY on November 2nd and 3rd at the Knitting Factory! Celebrating the Prophecy Productions label and featuring Alcest ( playing Kodama in its entirety – possibly for the last time) Novembers Doom, Eye Of Nix, Crowhurst, Xasthur, So Hideous, Year of The Cobra, new signees Kayo Dot and more! To win a pair of tickets for the weekend head over to Ghost Cult’s Instagram account and share our post to win. You can also see the full lineup, set times, a preview trailer, and a link to buy tickets. Continue reading
One of the events of the fall is going to be the first Prophecy Fest in Brooklyn, NY on November 2nd and 3rd. Celebrating the Prophecy Productions label featuring the best the label has to offer with both legend status bands and future greats. Among the bands appearing are Alcest ( playing Kodama in its entirety – possibly for the last time), Novembers Doom, Eye Of Nix, Crowhurst, Xasthur, So Hideous, Year of The Cobra, new signees Kayo Dot and more! To win a pair of tickets for the weekend head over to Ghost Cult’s Instagram account and share our post to win with the hashtags #ProphecyFest & #GhostCultMag. Entries are open until 10/29 at 5 PM EST, and the winner will be announced on 10/30. You can also see the full lineup, set times, a preview trailer, and a link to buy tickets below.
Friday, November 2nd
7-7:30 – Völur
8-8:30 – Xasthur
9-9:30 – Kayo Dot
10-10:45 – So Hideous
11:15-End – Novembers Doom
Saturday, November 3rd
7-7:30 – 1476
8-8:30 – Year of the Cobra
9-9:30 – Crowhurst
10-10:45 – Eye Of Nix
11:15-End – Alcest
*Disclaimer: Winners are chosen completely at random, and selected at the discretion of the editors of Ghost Cult Magazine. Entry for the contest is free of charge via Ghost Cult’s Instagram account (www.instagram.com/ghostcultmag) The grand prize available is one pair (2 tickets), of tickets given to one winner to attend Prophecy Fest in Brooklyn 11/2 and 11/3 in Brooklyn, NY at The Knitting Factory. There are no other prizes and this prize is non-transferable. This prize does not include transportation or other costs or local taxes associated with attending the show. Entries are open until 10/29 at 5 PM EST, and the winner will be announced on 10/30. The winner must be 21 years old and give their full legal name (with ID) to collect the prize, in the form of will call tickets the day of the show. No other claims may be made against Ghost Cult, Prophecy Productions, or The Knitting Factory after entering this contest.
A band like Novembers Doom could only come from a cold place, where nights are long and bleak and depression stalks you like some winged, fork-tongued creature straight from a Clive Barker novel. And if you’ve ever felt the wind blowing off of Lake Michigan in winter, you’ll know the cold, bleak Chicago from which Novembers Doom hails. Continue reading
Check out all of today’s new releases in the heavy metal world! Continue reading
Novembers Doom will be releasing their tenth studio album, Hamartia, this Friday(April 14th) via The End Records. We’ve already shared the amazing ‘Plague Bird’ and ‘Zephyr’ singles with you over the past few weeks, and thanks to Invisible Oranges, you can stream the ENTIRE album online right now! Continue reading
Novembers Doom will be releasing their tenth studio album, Hamartia, on April 14th via The End Records. Continue reading
Novembers Doom has now confirmed that they will be releasing their tenth studio album, Hamartia, on April 14th via The End Records. Continue reading
Sadly, here is where we start reaching the beginning of the end, the last day of Maryland Deathfest. After icing my foot, I hurried off with a friend over at the fest because we had another friend who had their car short out and we were coming to the rescue. Conveniently for them at least, they were parked right in front of the Edison Lot, so when their problem was dealt with, we power walked inside to catch the opener for the day, Australia’s Denouncement Pyre. I had been a huge fan of them since I had heard Almighty Arckanum in 2013, so when they were announced for MDF, I made their set a priority, and it was well worth the struggle of waking up early on a Sunday. From there came the band Shed the Skin, featuring members of Incantation and Ringworm, and other Australian black metallers Nocturnal Graves. During these bands, I went around on another food hunt, and found a stand in the lot that was selling deep-fried dumplings filled with different things. I spent almost the rest of my food budget on food just from this place, those deep-fried cheesesteak balls were some of the best food I could find during the fest.
Once I devoured those, I went up to the barrier to get a good spot for Wombbath to get my daily dose of Swedish death metal, and their début album Internal Caustic Torments was one of the first old school death metal records I heard, so I was very happy to find out they not only reunited, but were playing MDF! These guys haven’t missed a beat, I would not have been able to tell that they had broken up with how well they sounded and performed. When they were done, Desaster came thrashing out of the woodwork to the pleasant surprise of many, putting on a fantastic set and not missing a beat with their song. Around this point in the day, clouds began to form and the rain began to start, but that didn’t stop Bongzilla, or as frontman Mike Makela said during their set, “Weedeater without the Weedeater”, from busting out the fuzzy stoner metal that had been lacking from the fest since Thursday. We were then treated to even more delectable death metal courtesy of Sweden’s Interment, whose eerie guitar tone and almost d-beat style drumming makes the band sound like they could be the soundtrack of a horror movie, which is something I can really dig.
Once Interment finished, the rain began to really pick up, and instead of sticking it out, I decided to head over to the Soundstage, where I happened to catch Putrescence, some quality Canadian grindcore. I didn’t know much about him, and they put on a pretty decent performance, but unfortunately I went on to find out that MDF was their last performance as a band, so I’m kind of glad to have caught them when I had the chance. After them came Test, who were a two piece grindcore band from Brazil. They honestly blew me away with their performance, because it was so unique for a band like them. One minute they would just be noodling around and seeming like they were going to do some sort of an indie song, then the drummer would just start blasting as fast as he possibly could with the guitarist following suit. They would just flawlessly mix from sounding so light and smooth into relentless, muddy, disgusting metal, and it sounded just incredible. They definitely won over the crowd with their set. I proceeded to pound back some water and walk over to Rams Head to see Phobocosm setting up for their set. Even though their sound was a little muddy from the overbearing bass, they still put on a hell of a performance.
Once they were done, I went back to Soundstage to catch one of my most hyped sets of the weekend, Tragedy. Now, I have been a Tragedy fan for years, but unfortunately missed every chance I have had to see them when they have come around, so I was not letting this opportunity slip through my fingers. When those first notes to ‘Conflicting Ideas’ came in, I knew I was gonna be in for a rowdy time. After getting out my elation in the pit, I left to Rams Head, because they unfortunately had to put Mitochondrion on at the same time, and I’ve been waiting to see them even longer than I have wanted to see Tragedy! Mitochondrion were destructive, and somehow sounded even cleaner live than on record, which for their style of death metal, is rather impressive to pull off. Once their set ended, I decided to finally have dinner at the most illustrious of establishments: Subway. Once I got my fuel, I went to Soundstage to prepare myself for the crust overlords Doom to take the stage. As soon as they started, the whole front area turned into mass chaos, with beers, bodies, and objects just flying all over the venue, the pit turning into an ice rink from all of the spilled drinks. Mysterious odors aside, Doom’s set was incredible and probably the funnest of the weekend. Once they finished, I went to Rams Head to catch the last band of the weekend, Brazil’s own Mystifier. Mystifier falls into the category of bands I have heard of before, but know nothing about musically that blow me away, which is something that MDF seems to have a plethora of. Their fast and angry style of black metal is the type that is always right up my alley, and even though I was absolutely exhausted, I got really into their set.
With the last note of Mystifier’s set, MDF XIV had officially come to a close. This year, they had a post-show matinee as well, but for many of us, that was the end. At least until next year, for the 15th anniversary of Maryland Deathfest! I can only wonder who they are going to book for next year, but regardless of who they get, I’m gonna work my hardest to make my way down again, and I encourage anyone to do the same. If you even have the thought “Maybe I should go down this year…”, just do it, it’s worth the trip.
WORDS BY JASON MEJIA