On tour all summer, Smashing Pumpkins have been playing secret shows, hosting fan contests and more to celebrate their return. Now they have announced numerous special guests for their upcoming 30th Anniversary Performance at PNC Bank Arts Center in Holmdel, NJ on August 2, 2018. AFI frontman Davey Havok, Joy Division and New Order bassist Peter Hook, Killers members Dave Keuning and Mark Stoermer,Courtney Love, Mark McGrath, and Deftones frontman Chino Moreno will join the band throughout the momentous show. Announced due to overwhelming demand for a second New York area date, the special 30th anniversary performance will feature a career-spanning setlist, covers, never before seen production, and more surprises. Indie rock band Metric will provide support. Tickets for the show are on sale now and are available at www.smashingpumpkins.com, LiveNation.com, and via the Live Nation App.
Nine Inch Nails at Riot Fest 2017, by Omar Cordy/OJC PICS
Riot Fest was started a few years back in the grand spirit of the old school one-off festivals of lore. It was intended to be special from the get-go and they have done a reasonable job of sandwiching themselves into a busy summer of Lollapalooza, Chicago Open Air, and many other destination festival shows. Having a mix of alternative rock, metal, Hip-Hop, indie rock, and more has helped carve out its own niche, and between special performances, varied food and beer options, late-night after parties, and basically the cool factor Chicago offers as one of the best cities in America, it’s no wonder fans flocked to the event from all over the world.Continue reading →
What became of real pop stars? This is a question I have asked myself over and over the last few years. As we’ve lost Prince, George Michael, and David Bowie, and there is no new Madonna, Bjork, Sinead, Tori, or nary even an Alanis in sight, I wondered when the next generation of legends would come, if ever. A few years back I got turned on to PVRIS when I still lived in their home state of Massachusetts, and I heard White Noise right when it came out. Then I saw them live, and whoa, I was blown away by them. However, one of the hardest things to pull off in music is the second album. Sure you have your entire first act to create a sound and cultivate your style. People are fickle and expect a lot as fans. Much tougher to grow from that and keep it going, but PVRIS has pulled it off impressively. Continue reading →
Riot Fest is coming next month in Chicago with headliners, Nine Inch Nails, Queens of the Stone Age and Jawbreaker. The festival has announced the full set times and stages for the event, as well as the late night concert series. All times and ticket link details can be found below.Continue reading →
Oh, Jesus. Richmond, Virginia has proved a fertile ground for the heavier end of metal over the last two or three years, but the cheesy 80s synth and tinny-sounding drums that overshadow Silaluk (6131), the début three-track EP from quartet Shadow Age, sadly give me all the wrong kind of chills.
Changing their name from Colony some months ago, their ethos has remained post-Punk yet the feel loses some of that intensity. The rapid bass of the opening title track underpins coldly mellow strings, while lacklustre yet melodic vocals, a cross between Barney Sumner and Morrissey, enforce the pervading Mancunian air. Sadly, save for the lead shimmers and slightly more urgent delivery of ‘A Portrait of a Young Man Drowning’, the first two tracks have more of the Indie / Pop of New Order than the angular, piercing swagger of forefathers Joy Division.
It’s the booming drums and Post-rock leadwork of the moody, balladic closer ‘Innocence’ that finally give this outing a bit of steel. The building swathes of pensive atmospherics take the listener into Shoegaze territory, that Smiths vocal link ever more apparent and lightly dusted over the emotive instrumentals which are evocative of the heady days when both U2 and The Sisters of Mercy were both capable of appealing to the harder rockers among us. The sound that Shadow Age are peddling is indeed an attractive one in many respects, but overall it’s missing a row of teeth which would generate real interest outside the NME readership.