Introducing… The Great Discord


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Swedish progressive metallers The Great Discord are one of Metal Blade’s best signings of late. Their album Duende is out today, combining the artfulness and intelligence of classic 70s prog rock with the heaviness and skill of Meshuggah or Dream Theater. In chatting with singer Fia Kempe and drummer Aksel Holmgren, we learned that they are cognizant that even in these times of broad musical palates, their band does not fit into such a neat box, since they joined the roster at at Metal Blade.

Sofie: “We weren’t sure at first! (laughs) It all started when we had some demos and we sent them around, and among other labels, to Metal Blade. Kelli (Malella) was the first one to become intrigued with us. We started talking in an email conversation, where she wanted to learn what our aims were for this band, how we wanted to be represented, and what we wanted for the record. She got really interested in us and fought for us. And we were really surprised that when we got the mail that they wanted us to be signed there. It was a great experience! We thank Kelli so much!”

Aksel: “Metal Blade is traditionally well respected and they have done so much for metal. They are so legendary as an established name for the metal scene. And our sound, at least a big chuck of it, is metal. And it seems the label have signed more progressive bands like Between the Buried and Me and Native Construct, which gave us the hint that this label that wants to invest in this type of music. We have nothing but great things to say about them.”

Fia: “It was also a bit of a challenge for us too. We can tell straight away now… releasing a few of our teasers how polarizing a band like ours can be. If you are a true Metal Blade fan, and you are into Cannibal Corpse and Goatwhore, I can really understand how you would be at least surprised (laughs) when you hear our kind of music and how differs a lot from a Cannibal Corpse, for example. We also think its a good effect, because it gets people talking. It gets people to turn their heads, which is always a good thing in this business. We welcome all reactions, that is the discordance in life. It’s been a blast to read all the comments (laughs)!”

The Great Discord, image by Pellen Prodcutions

The Great Discord, image by Pellen Prodcutions

As much as the band is sonically impressive, one thing sets them apart is the existential themes in their lyrics throughout the album. We wanted to know what role these heady ideas played in the context behind the story of Duende.

Fia: “When we look back at it now, we think of the album as ten short stories: ten examinations of the human condition. I am a Social Psychiatrist professionally, so I have always had a great interest in psychology; and meeting people daily who are in a great amount of pain and suffering, dealing with depression; going so far as Autistic, bi-polar, or even schizophrenia. It’s always been an interesting subject for me; the psyche of the human mind. All people around the world suffer from a morbid fascination of these kinds of conditions, so we wanted to explore a little further how the music makes you feel, and then how you can get the music to match these emotions. So the music always came first and then we tried to match the lyrics to these kind of emotions and psychiatric conditions.”

It can be things people feel every day in their lives like the sorrow, sadness, pain, power, joy; to the more extremes: the cannibal, the necrophiliac, the massive paranoid schizophrenic killer. And we know those are not the most common states of mind of people in general, but they do exist. They are there and we know it, whether we want to think about it or not. But there are all of the scary, almost unknown conditions. Even if you don’t want to admit it.”

 

Aksel: “This aspect is well represented on album in a more general sense too. In contrast just more general philosophical concerns of why are we here? What is the meaning in life? What do I do if I have regrets when I die? How do I deal knowing that I am a living, breathing, thinking, feeling human being. This is the theme essentially behind The Great Discord.”

 

KEITH CHACHKES


Preaching To The Perverted – Ferry Damen of Antropomorphia


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With new album Rites ov Perversion (Metal Blade) making waves, and a controversial video steaming up the internet (links below), Antropomorphia’s driving force Ferry Damen (vocals/guitar) caught up with Ghost Cult to fill us in on their journey to date, vaginas, necrophilia and Death Metal …

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“I believe art should provoke a reaction; good or bad” opines Antropomorphia main man Ferry Damen, whose latest creation Rites ov Perversion is doing its damnedest to provoke a good reaction all across the Death Metal scene. Not content with creating an album of hook-laden crushing riffs that throws back to the old school (you know, that classic time when Death Metal bands actually wrote songs, before the scene began a self-restricting and creatively redundant game of one-upmanship as to who could blast the fastest, or play the most complicated riff, most jarring time signature or biggest beat-down), Damen also wants to use his band to explore and discuss his perversions. “Maybe I’m just a little more perverted than the next person. But then again, there are ancient rites that have the sole purpose to possess a dead body and making the corpse hunger for the love and sexual satisfaction of the one who has cast the spell.

“You can call this sick or maybe even pathetic but it fascinates me and I would even call it romantic. Haha!”

Be he pervert or romantic, Damen admits to a fascination with not just sex and the dead, but predominantly with the feminine: “Most of these lyrics, old and new, are written from a female perspective. Because to me a woman is a beautiful being, which to some extent can be fragile and even innocent, the innocence represented in giving birth to a new fragile life. When darkness and perdition manifests itself through this being, a woman, it intrigues me. (As for) the necrophilia aspect of some lyrics…? I just like I like envisioning these acts.

“It’s not a vagina fetish” he asserts about the band whose debut album was adorned with a tattooed vagina and have recently released a new video to accompany the track ‘Nekrovaginal Secretions’. “Our artwork and videos also feature darkly feminine characters. The lyrics (to ‘Nekrovaginal Secretions’) are based around a macabre love story where the main figure keeps the corpse of her girlfriend around. You see her enter in a ritual where she tapes herself having ‘sex’ with the corpse on video. We will release a director’s cut in a few weeks, which focuses more on the story. “Our visuals are mostly shocking and controversial for people that don’t understand it.”

That said, Death Metal has always been an avenue for extremity in lyric and aesthetics, be it political, (anti) religious, macabre or through the common medium of dark storytelling, and long may that continue. “If you look at our lyrical tradition you’ll see it mostly consists of a sinister, occult, misanthropic and sexual necrophiliac nature.”

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Yet, for a long while, Antropomorphia didn’t exist in the public conscience, and Damen’s aesthetic and cadaverous interests were, to all intents and purposes, consigned to being private, with the band spending 14 years in absentia after the release of their debut Pure (D.M.) in 1998. “We struggled with among other things, time, because other music projects gained more interest, record deals got signed, I myself got involved in management, this all taking up most of our time and turning the focus away from the band. A final blow came when one of our founding members had to leave the band. So, all in all, we were stuck. For us, the logical thing to do was to put the band on hiatus.”

A hiatus that lasted fourteen years between debut and Evangelivm Nekromantia, which followed sharply on the heels of the Death Metallers inking a deal with Metal Blade. “I never stopped writing music for the band though” and resurrecting the band had always a possibility, with sporadic rehearsals and song writing continuing and some tracks surfacing on myspace, even if matters weren’t progressed. “I would record some of these songs together with Marco (drums) at his Aftermath studio, our recording temple, and then Marc (bass) would record his parts. Every time we’d record or made music together there was a ‘spark’. We’d sometimes rent a rehearsal studio just to play some Antropomorphia tunes. At one point that spark started a small fire, so when the hunger grew we decided it was time to really feed those flames.”

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But things seem different this time around. The band seems to be on the rise, both critically and commercially. “I think it’s because we’re matured. When we started out we didn’t have the focus. The hunger was there but we got distracted easily. This time around we didn’t lose sight of what and where we want to go and our first goal was to record the album we always wanted to make. So we recorded a two-track demo and send that out to labels,Metal Blade being one of them. A few months later we signed a deal with them and things kept rolling.

“We were very pleased with the outcome of Evangelivm Nekromantia, it exceeded our expectations, adding to the fire and hunger that drives this band.” continues the frontman, describing it as an album that “harboured the characteristics from our older work, but was more groove based and captured more atmosphere.” And this is an approach that has carried onto current album, Rites ov Perversion, an album which stands as the bands finest work to date; a celebration of old school Death metal but with a strong, modern sound. “Our aim was to follow the natural continuum of that sound and meanwhile refine and expand on it. We wanted Rites ov Perversion to have more layers, be violent but also catchy to a certain degree, while staying true and honour certain Death Metal traditions. Listening back I can say we achieved our goal. It is catchy, raw, uncompromising, diverse and perverted. It’s a sonic ride through depths full of hatred, violence and diabolic aggression”

It feels like we are just getting started. There is this hunger within the band. It feeds the flames to this uncontrollable fire, which we hope to spread all over the globe. Our main priority (now) is to play shows, which (we are) working on.

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Censored video for ‘Nekrovaginal Secretions’

Uncensored video for ‘Nekrovaginal Secretions’

Antropomorphia on Facebook

WORDS by STEVE TOVEY