ALBUM REVIEW: Black Duck – Black Duck


 

Black Duck can best be described as a supergroup featuring as it does key members of the Chicago music scene such as guitarist/bassist Douglas McCombs (Tortoise, Eleventh Dream Day), guitarist Bill MacKay (Broken Things, Sounds of Now), and drummer Charles Rumback (Colorlist, Leaf Bird). I confess to only really being familiar with McCombs due to his involvement in those bands who I’ve listened to for a number of years and hence why my interest was peaked when selecting this album for review purposes.

Continue reading


ALBUM REVIEW: Sightless Pit – Lockstep Bloodwar


 

Following their 2020 Grave of a Dog debut which happened to feature a certain Kristin Hayter (Lingua Ignota), Sightless Pit (duo Lee Buford of The Body and Dylan Walker from Full of Hell) return (sans Hayter) with sophomore release Lockstep Bloodwar (Thrill Jockey).

Continue reading


ALBUM REVIEW: LaMacchia – Thunderheads


For every rush of adrenaline there’s the eventual lull. For each euphoric high there’s the comedown to follow. Thunderheads (Aqualamb Recordings) — the debut record of LaMacchia — plays like the 3am winding down of a night of excess. Thrills and sensual desires wedded to a shadow of sadness and introspection.

Continue reading


Roky Erickson, Psychedelic Rock Legend, Dies at Age 71


Sad news today as Roky Erickson, who build a career as a psychedelic rock founding father has died. He was 71 years old. No cause of death has been revealed at this time. A beloved artist by popular and underground acts, Roky first came to attention with seminal 1960s rock band 13th Floor Elevators. Erickson and the band coined the phrase psychedelic rock with the group and had a brief but impactful four years as a band. The bands’ trajectory was slowed down by Erickson’s issues with mental illness and depression. While he sought help, he was systematically abused in the system for years, which impeded his career further. But artists ranging from The Flaming Lips, Dave Grohl, The Brian Jonestown Massacre, Spiritualized, Primal Scream, ZZ Top, Big Brother and the Holding Company, My Bloody Valentine, Ghost, The Black Angels, Ween, Mazzy Starr, The Verve, and more touted him and 13th Floor Elevators for years in song and in the press as a heavy influence. Ghost’s 2013 cover of ‘If You Have Ghosts’ has almost five million plays on YouTube. The 2007 documentary You’re Going to Miss Me’ led to renewed interest in his career. We send our condolences out to Roky’s family, friends, and fans at this time. Continue reading


Nothing – Dance on the Blacktop


Every now and then a band comes along to bring back all the emotional, raw feelings rock and roll thrives on. A typical trend within the genre for a while now, there have been a lot of misses and very few hits. Nothing, is a band of the latter.Continue reading


Møl – Jord


The only certainties in this life are death, taxes and Holy Roar not releasing bad records. With both Conjurer and Rolo Tomassi already blazing a trail this year, Holy Roar’s next world-beater comes to us from Denmark’s Møl, who may have just about perfected the whole Shoegaze/Black Metal trend with Jord (Holy Road Records), a record whose delicate intricacies are as emotionally devastating as its grossly incandescent rage.Continue reading


My Bloody Valentine To Release New Album In 2018


In a new interview with Pitchfork, My Bloody Valentine leader Kevin Shields revealed that a new MBV album has been worked on, and will see a release sometime in 2018. The band hasn’t released new music since their critically acclaimed 2013 comeback album MBV (m.b.v. records).Continue reading


Crippled Black Phoenix- Bronze


crippled-black-phoenix-bronze

A sure sign that time is passing quickly was the sudden realisation that multi-instrumentalist and driving force par excellence of Crippled Black Phoenix, Justin Greaves has been putting forward the sonic ideas for this project for nigh on twelve years now. I could scarcely believe it but then, as Greaves and his co-conspirators have never been ones to rest on their collective laurels, delivering music that is hard to pigeon-hole but easy to love, then one can be forgiven for not paying attention to old father time.Continue reading